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D.M. Hubbard
'Abstract in Azure and Jade', Large American School Watercolor

1980

$1,250List Price

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'Oberon, Series 1', Instituto Allende, Carmel Art Association, NAWA, La Jolla
By Barbara Johnson
Located in Santa Cruz, CA
Signed lower right, 'Barbara Johnson' (American, 1927-2021) and titled, lower left, 'Oberon Series 1'. Exhibited: Carmel Art Association, circa 1995 (accompanied by original label) ...
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'Pointillist Abstract', Paris, Étretat, New York, Whitney Museum, MoMA, PAFA
By Manfred Schwartz
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Estate stamp, verso, for Manfred Schwartz (American, 1909-1970) and painted circa 1960. Paper dimensions: 15 x 19.75 inches. Born in Lodz, Poland, Manfred Schwartz immigrated to Am...
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'Birdwalk', Royal Society of Artists, Edinburgh Academy, Scotland, Palo Alto
By Thomas Guise
Located in Santa Cruz, CA
Signed lower right, 'T.G.M. Guise' for Thomas Gladstone Middleton Guise (Scottish, 1916-1984) and dated 1963; titled verso, 'Birdwalk'. Thomas Guise studied art at Edinburgh College...
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1960s Abstract Abstract Drawings and Watercolors

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'Pointillist Still Life', Royal Society of Artists, Edinburgh Academy, Palo Alto
By Thomas Guise
Located in Santa Cruz, CA
Signed lower right, 'T.G.M. Guise' for Thomas Gladstone Middleton Guise (Scottish, 1916-1984) and dated 1966. Thomas Guise studied art at Edinburgh College of Art under Thomson Adam...
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Materials

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'Mid-century Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
By Emilio Rodríguez Larraín
Located in Santa Cruz, CA
'Midcentury Biomorphic Abstract' by Emilio Rodríguez Larraín, 1964. NYMoMA, Paris, XXXII Venice Biennale, Museo de Arte de Lima, Lima, Peru ----- Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...
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'Roofs of Ravello', Mid-Century Abstract, Harvard Fogg Museum, SFAA, Carmel, AIC
Located in Santa Cruz, CA
'Roofs of Ravello' by Margaret Wentworth, 1959. Mid-Century Abstract, Harvard Fogg Museum, San Francisco Art Association, Carmel, Art Institute of Chicago ------ Initialed lower rig...
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1950s Abstract Geometric Abstract Paintings

Materials

Pen, Postcard, Egg Tempera

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