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Erte - Romain de Tirtoff
Ave Maria by Erté

1928

$34,500
£26,283.73
€30,306.19
CA$48,282.05
A$53,947.15
CHF 28,220.34
MX$661,564.96
NOK 360,602.38
SEK 341,946.58
DKK 226,191.36
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About the Item

Erté (Romain de Tirtoff) 1892-1990 Russian-French Ave Maria Signed "Erté" (center right) Inscribed "N°1.349 / Victor Herbert Finale / Ave Maria / Décor / G.W.S. 1928" (en verso) Gouache on paper Designed for a performance in 1928,Ave Maria reflects the apex of Erté's expertise in set design. Erté's vision for the performance feels otherworldly, as he renders a host of angels within the display. Vibrant blue hues intermingle with the warm light of countless candles, imbuing the painting with a transcendent and ethereal air. Erté's sets did more than match the performances they were designed for; his creations elevated the shows to higher levels of emotional and artistic potency. The captivating alliance between Erté and the vibrant performing arts scene of Paris transported audiences tonew heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city's bustling nightlife. Erté's expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper's Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art. Painted 1928 Paper: 11" high x 15" wide Frame: 16 7/8" high x 20 3/4" wide x 5/8" deep Label affixed en verso translates to: "A large, highly stylized statue of the Virgin, all in silver adorned with diamonds, emerges from a pyramid of candles, these candles must be made of cardboard with electric bulbs imitating flames exactly. Below, around the candles, nuns, all dressed in long white robes, are kneeling; they sing while stretching their arms towards the Madonna. From the high crown of the Virgin comes an enormous blue veil with printed designs representing enormous white angels and clouds of different blue tones at the bottom. It is through this veil that we see the statue of the Madonna, the candles and the nuns; it requires very bright lighting behind the veil. The top of the Virgin's crown, which is not veiled by the blue veil, forms like a dome of diamonds. Behind the statue of the Virgin we see an aurora embroidered in diamonds and different shades of blue. This halo is embroidered on the plain black velvet background curtain. It is necessary that the statue of the Virgin is very well sculpted." Provenance: Private collection, Paris M.S. Rau, New Orleans Exhibitions: M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
  • Creator:
    Erte - Romain de Tirtoff (1892 - 1990, Russian)
  • Creation Year:
    1928
  • Dimensions:
    Height: 16.875 in (42.87 cm)Width: 20.75 in (52.71 cm)Depth: 0.625 in (1.59 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New Orleans, LA
  • Reference Number:
    Seller: 31-75891stDibs: LU18613117082

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La Veuve Rusée By Erté
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Erté (Romain de Tirtoff) 1892-1990 Russian-French La Veuve Rusée Signed “Erté” (lower right) Gouache on paper La Veuve Rusée, first performed in 1748 in Venice, is a comedy cente...
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Conte Hindou En Noir By Erté
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Erté (Romain de Tirtoff) 1892-1990 Russian-French Conte Hindou en noir Signed “Erté”(middle right) Inscribed "Inscribed 1922" (en verso) Gouache on paper Designed for a 1922 show at the Folies Bergère, Erté draws inspiration from the splendors of India in Conte Hindou (Hindu Story). The central bare-chested figure, adorned with a resplendent jewel-encrusted headpiece and draped in cascading pearl...
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Les fleurs du mal by Erté
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Erté (Romain de Tirtoff) 1892-1990 Russian-French Fleurs du Mal(The Flowers of Evil) Signed "Erté" (lower right) Inscribed 114.6 (en verso) Gouache on paper Captivating and vibrant, this colorful gouache entitledFleurs du Mal showcases Erté's masterful creativity and keen eye. Inspired by Les Fleurs du mal, the famed volume of poems by French writer Charles Baudelaire, this ensemble marries light purple and green floral motifs with the suggestive form of red lips poised for a smooch. This daring yet feminine appearance encapsulates the Art Deco allure for which the artist's creations are cherished. The sophisticated arrangement emanates the fundamental richness and theatricality that can only be accomplished by Erté, often hailed as the "Father of Art Deco." First published in 1857, Baudelaire's Les Fleurs du mal was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several themes to create original fashion sketches...
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La Dionée Dite Gobe-Mouches By Erté
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Erté (Romain de Tirtoff) 1892-1990 Russian-French La dionée dite Gobe-mouches(Venus Flytrap) Signed "Erté" (lower right) Inscribed ---- (en verso) Gouache on paper Daring and mysterious, this original gouache from the creative mind of Erté features the sinuous figure of a woman wearing a unique ebony and sanguine body suit with a dramatic wing-like cape. Entitled La dionée dite Gobe-mouches or Venus Flytrap, this work embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist's designs are so beloved. Inspired by the famed volume of poems from iconic French writer Charles Baudelaire, this ensemble showcases Erté's sartorial interpretation of La Vampire from Baudelaire's Les Fleurs du mal. This elegant composition exudes the quintessential opulence and drama that only Erté, the oft-called "Father of Art Deco," could achieve. La dionée dite Gobe-mouches showcases the breadth of Erté's creativity and his design expertise. First published in 1857, Baudelaire's Les Fleurs du mal was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several specific poems to create original fashion sketches...
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