Framed Abstract Drawings and Watercolors

SEYMOUR LIPTON Seymour Lipton Untitled sculptural study, 1981 Charcoal on paper hand signed and dated in charcoal pencil on the front Framed Original drawing done in charcoal by reno...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Dorothea Tanning (American, 1910–2012) Initially associated with the Surrealist movement, Dorothea Tanning developed a personal visual language that blurred the boundaries between r...

Dorothea Tanning (American, 1910–2012) Initially associated with the Surrealist movement, Dorothea Tanning developed a personal visual language that blurred the boundaries between r...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Adrian Heath (1920-1992) Abstract Study I (1970) Gouache and ink 35x33cm Heath was born in Burma in 1920 and arrived in England aged five. In 1938 he studied art under Stanhope Forbes at Newlyn and later at the Slade School of Art. While serving in WWII, he was captured and placed in a prisoner-of-war camp in Bavaria. Heath attempted to escape from the camp but was recaptured and placed in solitary confinement; this isolation proved crucial to the development of his artistic style, as he spent much of his time there experimenting with abstract forms. When released from confinement, Heath befriended a fellow prisoner of war: Terry Frost. Together they explored the methods of painting which they had developed during their time in the camps, and following the war both became celebrated artists. We have several Terry Frost pieces available too. In 1949 and 1951, Heath returned to Cornwall. He spent time with artists like Ben Nicholson, Victor Pasmore, and Anthony Hill...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Kachina Figures, by Dan Namingha, green, black, framed, Hopi, drawing, katsina

This piece is an abstract botanical work on paper featuring hues of dark blue and tan. It is framed in a simple white box frame behind UV Plexiglas. The unframed work measures 60 by ...

Henry Moore O.M., C.H. (British, 1898-1986) Four Ideas for Sculpture Signed and dated ‘Moore/81’ (lower right) Pencil, watercolour, crayon, charcoal and ball point pen on paper 24.5 ...

Ayse Wilson is a Turkish-American artist who lives and lives and works in Connecticut. Her work draws from memory and emotion to remind viewers of youth, innocence and the timeless space we occupy when we are young. She creates lively and childlike characters, finding inspiration in the works of early Italian Renaissance masters such as Fra Angelico. Wilson graduated from Wellesley College in 1991, and pursued her education in Florence. She received her MFA at New York Academy of Art, and later worked as a painting assistant to Jeff Koons for two years. This current series employs the toile wallpaper samples that the artist had lying around her house during lockdown as a backdrop for ambiguous and complicated feelings toward quarantine and domestic confinement. In this work, she is hoping to narrate how fear of the pandemic unknown, coupled with household anxieties, and increased self-awareness contributed to the mixed emotions of security and hostility towards enforced domesticity within a masked world. The toile tradition represented a coincidental parallel with the COVID era rediscovery of old-fashioned pastoral lifestyles, and the embrace of self-reliant artisanal practices like cooking, gardening, sewing, and prescribed homeschooling. Her colorful inscriptions, some original, some appropriated, layer in our contemporary lifestyle, our modern methods of connectivity as well as our high-tech world. The punky playfulness of the neon and fluorescents contrasts with the backdrop of Fragonard-esque imagery and hopes to delivery her messages of love and connection, awareness and newness, hope and emotions, as well as the occasional glossily veiled hostility expressed in certain so-called “love” declarations. The phrases evolved from a previous series addressing the Me Too movement...

This is a stunning watercolor that makes quite an impression with its color blocks of cerise, brown, and blue-grey. The abstract composition is simple, but dynamic, as bands of color...

Renowned for his stunning ability to capture the essence of Mexican culture, Gustavo Montoya’s drawings offer a powerful narrative through minimalistic yet emotive lines. His works, ...

Monet Blue by Lélia Pissarro (b. 1963) Tempera and gold on paper 21 x 14.7 cm (8 ¹/₄ x 5 ³/₄ inches) Signed lower right, Lélia Pissarro Executed in 2023 This work is accompanied by ...

Beautiful abstract expressionist collage by Bay Area artist Michael Pauker (American, b.1957). Composed of two contrasting sections of light blue and brown, this piece has layers of ...

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object. The...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-306 Hand-signed by author

Lady in red - Line Drawing Woman Body in red dress, 2024. Interior design paintings. The artwork was done with watercolor on watercolor paper 300g. The works are 15 by 11 inches in s...

John Giorno LET IT COME LET IT GO, 2017 Watercolor on handmade paper Hand signed and dated by the artist on the back of the artwork. The frame features a die-cut window on the back t...

This framed 27" x 14" watercolor on paper by artist Lisa Miceli depicts the abstracted movement of birds, figures, and aquatic imagery that the artist uses...

David Novros (American, b. 1941) Untitled (Home Savings Study), 1986 Watercolor on paper Framed: 35 1/4 x 86 3/4 x 1 3/4 in. Each panel: 30 x 42 in. From Los Angeles and working fro...

JACK YOUNGERMAN Intored, 2015 Watercolor painting on Dieu Donne handmade paper with one deckled edge Pencil signed and dated on the front This is a unique painting on paper Provenan...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Ave Maria Signed "Erté" (center right) Inscribed "N°1.349 / Victor Herbert Finale / Ave Maria / Décor / G.W.S. 1928" (en verso) Go...

Meticulously intricate patterns and little ringed planets surround the edges and reach outward from the center of this circular mandala. Vignettes with tiny landscapes and endless ho...

1980s abstract expressionist biomorphic coloured pencil drawing on paper by Belgian artist André Pierret, signed bottom right. André Pierret was born ...

Isodomo Grilla, 2018 by Rodrigo Spinel From The No. 1 Series Chinese ink on Fabriano paper 250 g. Image size: 14.8 cm H x 21 cm W Frame size: 22 cm H x 29 cm W x 4 cm D One of a Ki...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

JAMES NARES Artaud's Arms (Exhibited at Brooklyn Museum), 1988 Color Monotype on Gampi Torinoko Paper 36 × 27 inches Signed James Nares and dated '88 l...

This brightly colored mixed media artwork titled "Mask On, You’re Happy Now" is an original artwork by Kelly Kozma made of hand embroidery, latex paint, marker and handmade sequins o...

Sam Francis Composition in Red c. 1960 Gouache on paper 52.5 x 24.5 cms (20 11/16 x 9 11/16 ins) SF14434 $125,000 Exhibited: Bernard Jacobson Gall...

Set of 3 drawings, 2017-2018 by Rodrigo Spinel From the series Illusions of the Line Chinese ink on Fabriano paper 250 g. 1. Plano Bloques, 2018 2. Espiga, 2018 3. Bloques, 2017 O...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Robert Longo Pressure, 1983 Acrylic and Graphite on Paper Signed and dated 'Robert Longo 83’ (lower right) in graphite Frame included: Floated and framed in a museum quality frame with UV plexiglass This is a unique painting "Pressure " [on God], Robert Longo's unique acrylic and graphite work on paper, was created during the same period as his iconic work, simply labeled "Pressure", now in the permanent collection of the Museum of Modern Art in N.Y. Whereas the latter depicts a young man, the present work, titled "Pressure on Heaven", then deliberately changed to "Pressure on God", is more ethereal in subject matter, though the lone youth's image is still present in the composition. From Lexander magazine: "In the excerpt from Neal Benezra’s article about 1980s art in the previous post, he writes, “Robert Longo’s Pressure might well be the most representative work of art of the 1980s.” I would go further and state that it is the definitive work of the 1980s—the penultimate visual anthem of the era—and most especially the period between 1979—1987, during which the musical genres of gothic rock and deathrock flourished and achieved their greatest artistic successes through the work of a variety of diverse bands including Bauhaus, Siouxsie and the Banshees...

'Greek Key' 2022 by Kate Roebuck. Ink and watercolor on handmade watercolor paper. 40 x 60 inches. This work features classic greek forms in white exposed...

The series of works "Visual Diaries" represents drawings on paper, featuring expressive abstractions or figurations created daily by the artist. Each work’s title includes the creati...

The series of works "Visual Diaries" represents drawings on paper, featuring expressive abstractions or figurations created daily by the artist. Each work’s title includes the creati...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

'Untitled II' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). There is so much energy in th...

Experience the bold elegance of Louis Leon Ribak's original mid-century modern abstract painting, a striking composition by the renowned Taos, New Mexico artist. This captivating gou...

Anthony Padovano Untitled Abstract Expressionist drawing, 1971 Ink wash on paper drawing Signed and dated in ink wash Unique Original (unique) signed Abstract Expressionist ink wash ...

3825 Asian calligraphy in india ink on paper with custom frame Image 14x10"

This piece is an abstract botanical work on paper featuring hues of dark blue, grey and tan. It is framed in a simple white box frame behind UV Plexiglas. The unframed work measures ...

Richard Stankiewicz Study for Sculpture (Untitled), ca. 1968 Graphite on Paper Signed in graphite lower right front Frame Included: held in original vintage frame with Kulicke label ...

This piece titled SV VII, Knife Drawing is an original artwork by Lucha Rodríguez made of watercolor and manipulated paper This piece measures 34"h x 26.5"w framed and is shipped i...

Robert Petersen After A Rain #2, 1987 Collage on Paper: Pencil, Oil, Acrylic and Cloth Hand signed, dated and titled on lower front with Castelli Graphics label on the back Frame Inc...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Cont...

Red Grooms Ruckus Rodeo, 1975 Acrylic and felt tip pen on paper Signed and dated in black felt marker Unique work Provenance: Marlborough-Gerson Gallery, with original label verso Fr...

The series of works "Visual Diaries" represents drawings on paper, featuring expressive abstractions or figurations created daily by the artist. Each work’s title includes the creati...

Unique work mixed media H63 x W 78 cm (Framed)

Blue, purple, and green toned winter landscape pastel drawing by German-American painter, Wolf Kahn. Signed by the artist in the lower right corner. Framed and matted in a gold frame...

Survage,Cubism,1915,france Leopold Survage ( 1879-1968) Work signed lower right Provenance : Gallerie Zlotowski Paris Galerie Guillermo de Osma ,Madrid Private collection In Madrid...

Meticulously intricate patterns and little vignettes with tiny ringed planets and galactic cosmos reach outward from the center of this circular mandala. Two perfectly balanced Ying ...

This Vicente has a color glow akin to a Mark Rothko. Vicente explored parallel ideas to Rothko and others of the abstract expressionist and color field era. The pastel gives this w...

This framed 27" x 37" watercolor painting by Irish artist, Peter Healy is from the 'In Flux' Pandemic Collection. The painting comes vibrantly alive as the...

Maurice MOREL said l’abbé Morel (1908-1991) Untitled, composition in black, orange, green and plum Mixed media on glossy paper (cut-out magazine page) Signed on reverse 23 x 10 cm So...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a glass on a mat board in white wi...

Larry Rivers French Money, ca. 1966 Original graphite drawing with collage Boldly signed in graphite pencil in the center of this collage. Larry Rivers original, unique drawing with ...

Ink, watercolor, colored marker on paper