Howard Hodgkin

Untitled

1979

LEAH DURNER Lemon 1, 2008 Gouache on lemon Fabriano Tiziano colored paper 39 x 27.5 inches

LEAH DURNER Seabright 1, 2011 Gouache on seabright Fabriano Tiziano colored paper 39 x 27.5 inches

LEAH DURNER Seabright 3, 2015 Gouache on seabright Fabriano Tiziano colored paper 39 x 27.5 inches

LEAH DURNER Seabright 1, 2011 Gouache on seabright Fabriano Tiziano colored paper 39 x 27-1/2 inches

LEAH DURNER Lemon 2, 2008 Gouache on lemon Fabriano Tiziano colored paper 39 x 27.5 inches

LEAH DURNER Cream 1, 2011 Gouache on cream Fabriano Tiziano colored paper 39 x 27.5 inches

Vivid color aquatint with hand coloring in watercolor by Howard Hodgkin, from a limited edition of 50. Initialed by Hodgkin, dated and numbered in pencil. Printed by Andrew's Print...

Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm) Signed, numbered and dated '68 in ...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Bright colors and abstract textures highlight two shapes, like a pair of eyes, at the center of this etching with watercolor and pastel. Howard Hodgkin based this print on a trip he...

Lithograph from three aluminium plates printed in classic black, transparent brown/black, and violet black, with hand colouring in gouache (three different greys). On buff Velin Arch...

John Hoyland For John Constable 1976 Lithograph with acrylic 70 x 96.5 cms (27 1/2 x 38 ins) JHE017 The ‘For John Constable’ series was commissioned and published by Bernard Jacobson in 1976 to celebrate the bicentenary of John Constable’s birth. It comprised individual works by nineteen artists including Peter Blake, Patrick Caulfield, Howard Hodgkin, Richard Smith, Duncan Grant, David Hockney, Michael Sandle, Ivor Abrahams, Bill Brandt, Robyn Denny, Barry Flannagan, Anthony Gross...

This 1981 gouache and charcoal on paper abstract is by New York/San Francisco Abstract Expressionist artist Gary Lee Shaffer (1936-2001). Shaffer trained with Hans Hofmann in the lat...

Soft-ground etching, with the stamped signature. From the edition of 1,000. Printed by Ambroise Vollard, 1919, on wove paper, with wide margins. Sheet size: 12.62 x 9.75 in. Image si...

Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minim...

“Sur la Scene 3” (On the Stage 3) Soft ground etching and drypoint on light tan imitation Japan paper, 1876-1877. 4 by 5 inches, full margins. Second plate, sixth state after cancellation, though with the cancellation lines unobtrusive. A brilliant, early and richly-inked impression. Condition is excellent. Signed in plate lower left. Edition of 150. Published by Vollard, Paris. Delteil 32, Adhemer-Cochin 26, circa 1920. Quality to be an artist’s proof. The etching is housed under glass in a simple narrow matte black wood frame. Overall framed measurements are 12 by 15 inches. Provenance: a Maine collector. Though he rejected the label, Edgar Degas significantly contributed to Impressionism with his expressive paintings of modern Paris—its ballet studios, in particular. The artist rendered the city’s theaters, cafés, and dancers in soft, atmospheric compositions. Degas’s subject matter distinguished him from his Impressionist counterparts: He favored dynamic group scenes and highly poised portraits over the more pastoral, plein air style favored by artists like Claude Monet and Camille Pissarro. Degas also made pastels, prints, sculpture, and photographs (a radical new medium at the time). He exhibited widely in Paris throughout his career, participating in numerous Impressionist exhibitions in the city. His work belongs in the collections of the Metropolitan Museum of Art, the Musée d’Orsay, the Art Institute of Chicago, the Phillips Collection, the Guggenheim Museum, the National Gallery, London, and many more. In 2008, Degas’s Danseuse...

Nag Arnoldi (Swiss, * 18.9.1928 Locarno, † 10.2.2017 Lugano) Here you have the opportunity to acquire two original Nag Arnoldi drawings, one of which is signed and dated. Both works...

ColorSoundGrammar Ellen Hackl Fagan There is a long history of sound/color synaesthesia work, from Isaac Newton’s color organ to Alexander Scriabin’s “Prometheus,” but not much ...

Estate stamp, verso, for Manfred Schwartz (American, 1909-1970) and painted circa 1960. Paper dimensions: 15 x 19.75 inches. Born in Lodz, Poland, Manfred Schwartz immigrated to Am...

This circa 1970 gouache on paper abstract with red and black is by New York/San Francisco Abstract Expressionist artist Gary Lee Shaffer (1936-2001). Shaffer trained with Hans Hofman...

This 1973 gouache on paper abstracted figure in gouache with black and red is by New York/San Francisco Abstract Expressionist artist Gary Lee Shaffer (1936-2001). Shaffer trained wi...

This 1981 gouache and charcoal on paper abstract is by New York/San Francisco Abstract Expressionist artist Gary Lee Shaffer (1936-2001). Shaffer trained with Hans Hofmann in the lat...