James Daugherty

Abstract Non-Objective Mid 20th Century Color Field Painting James Daugherty

1961

1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair. Ilya Bolotowsky (1907-1981) "1939 World’s Fair Mural Study for the Hall of Medical Sciences...

Abstract American Modernism Mid-Century WPA Era Drawing Woodstock 20th Century, Sight size is 16 x 12 inches. The drawing is currently at the framers. A photo will be posted asap. A...

"Sculpture Model" Abstract American Drawing Modernism Mid 20th Century Cubism Charles Biederman (American, 1906-2004) Sculpture Model Ink and gouache on Arches paper Sight: 18 x 1...

Surreal Abstract Mid 20th Century American Modern Woman Artist Work on Paper Juanita Guccione (1904 - 1999) Surreal Abstract 18 x 11 3/4 inches Watercolor and mixed media on paper Signed lower left Framed: 23 x 17 inches Note. We are currently have listed a 1935 oil by Guccione, and in addition to this abstract drawing, we have several other works on paper, along with a major surrealist oil, none of which are currently listed. Inquiries are invited. BIO The following is from Djelloul (Del) Marbrook, son of the artist. Of signatures on paintings by his mother, Juanita first signed as Anita Rice, then as Juanita Rice, Juanita Rice Marbrook, Juanita Marbrook, and finally Juanita Guccione after marrying in the 1940s. Juanita Guccione's life (June 20, 1904-December 18, 1999) spanned all but four years of the 20th Century. Cubist*, realist, surrealist*, automatist* and abstract strains are all to be found in her work, but by 1970 she was painting works in watercolor and acrylic that no longer included the human figure or the observed world. She was the younger sister of the abstract geometric* artist Irene Rice Pereira. The sisters were born in Chelsea, MA, but spent most of their working lives in Manhattan. In the early 1930s, Guccione, then painting as Nita Rice, lived for four years among the Ouled Nail...

'Dinosaur Me & Baby' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). The scribblings of a c...

'Untitled II' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). There is so much energy in th...

'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...

'Midcentury Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...