Jean Cocteau

Abstract Composition CI

1950-60

Drawing on paper, signed up left.

Gouache on paper, signed by different Chubac friends artists, lower right. The artists are: Max Charvolen, Serge Maccaferri et Martin Miguel that constituted the Groupe 70 a Nice. A ...

Pascal SIMONPIETRI is a painter from Corse Island, France.. He is a figure very discreet of the Figurativisme Libre Mouvent during the 80's. He was partner at the Ecole des Beaux Art...

Gouache par Albert Chubac. Tampon de la vente de l'atelier Chubac. Encadré. Dimensions avec le cadre: 96 x76 cm. Last painter of the school of Nice. This is an important painter, the...

gouache on paper maroufflé on canvas. not framed. *Paul Rigoulet, peintre abstract français, né en 1924 à Samöens (Haute-Savoie). Il fait ses études à l'école nationale supérieure des Beaux-Arts de Paris, atelier Jean Souverbie...

Spray paint on paper. Stamped and framed. Frame dimensions: 75x94 cm Last painter of the school of Nice. This is an important painter, the first school in nice to have exhibited in...

'Amalfi Coastline, Italy' signed mixed media on paper. Glazed frame 53cmx 42cm painting 36cmx27cm A view of Amalfi, looking down to the shoreline from the hilly landscape that surrou...

This multicolor ink study is made with archival ink on bristol board. On the reverse it reads: #1012022 ( artist stock number) Big Moss Blue Black Orange ...

Jay Van Everen was a pioneering early American abstractionist known for his affiliation with the Synchromists. His abstract color studies would take him to the forefront of the Ameri...

Minimalist work by Annemarie Graupner, in a charming hand-carved wood frame. Perfect for an intimate nook. About this artist: Swiss artist Annemarie Graupner, granddaughter of the S...

MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right. RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records. The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement. These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work. In the scope of importance among the New Hope Modernist...

Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing. A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism. Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...