Josine Vignon

Mid Century French Illustration Of A Floral Stained Glass Window Sketch

1960's

Wallpaper Sketch by Josine Vignon (French 1922-2022) pastel/watercolor paper, unframed painting: 19 x 25 inches good condition provenance: from the...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed size: 17 x 11.5 inches condition: very good and ready to be enjoye...

Stained Window by Bernard Labbe (French mid 20th century) original gouache on artist paper size: 19.5 x 11.5 inches condition: very good and ready to be enjoyed provenance: the arti...

Stunning original oil painting by Elvic Steele depicting this surrealist fantasy abstract painting. Elvic Steele is a fascinating English painter. Her works entrance the observer, d...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

Jane Gray (b.1931) Design for stained glass window Pencil and coloured pencil on paper 52 x 68 cm Dated 1975 to lower right. Jane Gray A.R.C.A. (b.1931) is a British stained glass artist. She studied stained glass at the Kingston School of Arts (1949-51) and later at the Royal College of Art (1951-55) under Lawrence Lee. Lee was so impressed with Gray’s work that he asked her to work alongside him on the design of ten nave windows for Coventry Cathedral. This six-year-long design project culminated in their final installation in 1962 after the cathedral’s consecration. Gray was the first woman to become a liveryman of the Worshipful Company of Glaziers and has designed more than a hundred windows in private and public buildings, chapels and over forty churches across the country, including St Peter’s, Martindale, Shrewsbury Abbey, St Oswald, Oswestry and St Mary, Chirk. Gray’s designs mark a crucial turning point in the history of stained glass art as the Victorian style gave way to a modern aesthetic. In her work, Gray navigates this shift with a style that, whilst distinctly modern, retains a deep rooted sense of the medieval. Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] playing with rainbows’. This stained glass cartoon...