Lloyd Raymond Ney

“Untitled Abstract”

1962

Here for your consideration is a well executed original watercolor and gouache abstract on archival paper by the New Hope, Pennsylvania artist, Lloyd Ney. Ney was considered to be a non-objective artist. Appears to be an abstract face. Signed and dated lower center 1962. Strong, vibrant colors. Condition is very good. Presently unframed. The artwork was mounted by the artist onto Nelson show card board. Provenance: A Pennsylvania estate. Lloyd Raymond Ney was an American non-objective artist. Known as Bill Ney, he was born in Friedenburg, Pennsylvania March 8th, 1893, the son of William W. Ney and Sadie Maidenford. He studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of Fine Arts in Philadelphia. In 1918 he won a Cresson Fellowship to study in Europe. In the 1920's Ney traveled to France where he studied and painted in Paris among the vital European modernist community. He lived at the Hotel de Versailles, 60 Boulevard Montparnasse. During this period Ney created his major work, "The Drinkers," Later, the artist wrote extensively about the process of developing this work and the transforming experience of integrating the Modernist ideal he had witnessed in Paris. After returning to the United States, Ney settled in New Hope, PA, an established art community between New York and Philadelphia. Unlike more New Hope artists who followed impressionism in the early 20th century, Ney embraced a more expressive contemporary style including non-objective works. He was among a group of artist known as the "Independents," who challenged the traditional subject matter of regional artists. They formed a new exhibition group. Ney was part of the "New Hope Modernist...

Original watercolor, gouache and ink abstract on archival paper by the well known New Hope, Pennsylvania artist, Lloyd Raymond Ney. Signed and dated lower left, 1961. Condition is very good. Strong, vibrant colors. Presently unframed. The artwork was mounted by the artist onto Nelson show card board. Provenance: A Pennsylvania estate.. Lloyd Raymond Ney was an American non-objective artist. Known as Bill Ney, he was born in Friedenburg, Pennsylvania March 8th, 1893, the son of William W. Ney and Sadie Maidenford. He studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of Fine Arts in Philadelphia. In 1918 he won a Cresson Fellowship to study in Europe. In the 1920's Ney traveled to France where he studied and painted in Paris among the vital European modernist community. He lived at the Hotel de Versailles, 60 Boulevard Montparnasse. During this period Ney created his major work, "The Drinkers," Later, the artist wrote extensively about the process of developing this work and the transforming experience of integrating the Modernist ideal he had witnessed in Paris. After returning to the United States, Ney settled in New Hope, PA, an established art community between New York and Philadelphia. Unlike more New Hope artists who followed impressionism in the early 20th century, Ney embraced a more expressive contemporary style including non-objective works. He was among a group of artist known as the "Independents," who challenged the traditional subject matter of regional artists. They formed a new exhibition group. Ney was part of the "New Hope Modernist...

Original watercolor and ink on paper abstract by the well known American artist,. Lloyd Raymond Ney. Signed and dated lower left, 1962. Strong, vibrant colors. Condition is very good. Presently unframed. The artwork was mounted by the artist onto Nelson show card board. Provenance: A Pennsylvania estate. Lloyd Raymond Ney was an American non-objective artist. Known as Bill Ney, he was born in Friedenburg, Pennsylvania March 8th, 1893, the son of William W. Ney and Sadie Maidenford. He studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of Fine Arts in Philadelphia. In 1918 he won a Cresson Fellowship to study in Europe. In the 1920's Ney traveled to France where he studied and painted in Paris among the vital European modernist community. He lived at the Hotel de Versailles, 60 Boulevard Montparnasse. During this period Ney created his major work, "The Drinkers," Later, the artist wrote extensively about the process of developing this work and the transforming experience of integrating the Modernist ideal he had witnessed in Paris. After returning to the United States, Ney settled in New Hope, PA, an established art community between New York and Philadelphia. Unlike more New Hope artists who followed impressionism in the early 20th century, Ney embraced a more expressive contemporary style including non-objective works. He was among a group of artist known as the "Independents," who challenged the traditional subject matter of regional artists. They formed a new exhibition group. Ney was part of the "New Hope Modernist...

Here for your consideration is a original and vibrant watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed in pencil D. Crisp in lower right margin and dated Oct 6, 1967 in pencil in lower left margin. Condition is excellent. The artwork is framed in a one and a half inch narrow matte black frame with off white matte. Overall framed measurements are 12 by 10 inches. Provenance: Estate of the artist. Edward Darrell Crisp was a California painter...

Mid century modern gouache on paper by the well known Canadian/American artist, Rolph Scarlett. Signed and dated in blue pen lower left, 1947. Condition: Good. Framed in thin black matte painted frame with acid free white mat. Not examined out of frame. Overall framed 14.25 by 17 inches. ROLPH SCARLETT (1889-1984) Rolph Scarlett was born 1889 in Guelph, Ontario. His long life as an artist began in his teens as a jewelry designer and fabricator. At the age of fourteen he began to design jewelry professionally, a craft which he continued off and on for the rest of his life. His desire to learn more about art took him to New York in 1908, when American artists were just beginning to experience strong influences from major modern European artists of the day such as Cezanne and Picasso. Throughout his long career he produced, oil paintings, many works on paper, unique sculptured jewelry, modernist style industrial and furniture designs. Currently there are over 800 of his designs at the Montreal Museum of Fine Arts Design Collection. In 1928 he moved to Hollywood, California where he became a very successful stage and set designer. In the mid-1930s he met the director of the Museum of Non-objective Art in New York ( Hilla Rebay). He became her close associate and advisor in organizing and running the museum. He was Chief lecturer at the museum (1939 -1946) teaching the new modernism and abstraction to the new generation of artists in the New York art community. Hilla Rebay would introduce him as “Rolph Scarlett, my great find”. So considerable was her enthusiasm for Scarlett, that she and Solomon Guggenheim bought over sixty of his paintings and monotypes for the museum. After Kandinsky and Bauer, there was more of Scarlett’s work in the collection than any other artists. He participated in many of the museum exhibitions and galleries and was regularly exhibiting his work in Los Angeles, the San Francisco Art Museum, the Art Institute in Chicago, the Modern Age Gallery in N.Y., the Metropolitan Museum, the Whitney Museum and the Museum of Modern Art. He studied for a time at the Art Student League with William Merrit...

Original media artwork by Nahum Tschacbasov composed of watercolor, felt pen, and graphite on archival paper. Signed bottom middle and dated 1977. Condition is excellent. Presently unframed. Provenance: Estate of the artist Nahum Tschacbasov. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur...

Halo, Drawing, study for a sculpture. ARTIST'S STATEMENT Michael Davis My sculptures and installations are physically and symbolically multilayered mechanisms that react to environ...

Halo, Drawing, study for a sculpture. ARTIST'S STATEMENT Michael Davis My sculptures and installations are physically and symbolically multilayered mechanisms that react to environ...

Abstract drawing on paper in light sky blue, black and white with custom light wood frame 'Blue Twisting Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches custom frame ...

Untitled White 2, 2018 mixed media on board 12" X 14" This abstract geometric composition on wooden board features a playful grid motif that is inspired by the artist's interest i...

Untitled White 1, 2018 12" X 14" mixed media on board This abstract geometric composition on wooden board, part of the "Unititled White" series, features a playful grid motif that ...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...