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Mark LemboCircle Toon2020
2020
About the Item
About the piece:
Another of the Toon Series but in full sheet format. Simple and geometric in a primary color palette.
Words that describe this piece:Geometric, abstract, circle, segment. primary, cartoon, panel
Artist Biography:
Mark A. Lembo Script M Abstract Art Mark’s dynamic work blurs the distinction between alcohol ink and watercolor - working with dyes, inks, liquid acrylic, liquid watercolor, and other aqueous media; lately, he has been incorporating metallic watercolor and pearlescent ink to his work. He has used canvas, synthetic Yupo™ paper, Yasutomo Mineral Paper, and various watercolor papers. Mark’s journey into the world of creative arts started with the question, “What would Jackson Pollock’s work look like if he had used transparent watercolors?” So, it was out with the pencils, pens, and brushes, and on to the pouring of various aqueous solutions. While mostly self-taught, Mark took a series of classes at the Creative Arts Group, Sierra Madre, CA, under Joe Stoddard, as well as seminars with Robert Burridge and Marciano Martinez. Along the way, Mark has been influenced by the work of two controlled pouring advocates: Bette Ridgeway and Ibrahim Bassmi. His work has both dynamic and passive qualities. While the colors may be aggressively administered, little attempt is made to control the flow or interactions – save the application of masking fluid. While the bulk of Mark’s work is abstract, he does some occasional representational works to ‘cleanse the palette.’
- Creator:Mark Lembo (1961, American)
- Creation Year:2020
- Dimensions:Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Boston, MA
- Reference Number:Seller: 723341stDibs: LU163429044702
Mark Lembo
Mark A. Lembo Script M Abstract Art Mark’s dynamic work blurs the distinction between alcohol ink and watercolor - working with dyes, inks, liquid acrylic, liquid watercolor, and other aqueous media; lately, he has been incorporating metallic watercolor and pearlescent ink to his work. He has used canvas, synthetic Yupo™ paper, Yasutomo Mineral Paper, and various watercolor papers. Mark’s journey into the world of creative arts started with the question, “What would Jackson Pollock’s work look like if he had used transparent watercolors?” So, it was out with the pencils, pens, and brushes, and on to the pouring of various aqueous solutions. While mostly self-taught, Mark took a series of classes at the Creative Arts Group, Sierra Madre, CA, under Joe Stoddard, as well as seminars with Robert Burridge and Marciano Martinez. Along the way, Mark has been influenced by the work of two controlled pouring advocates: Bette Ridgeway and Ibrahim Bassmi. His work has both dynamic and passive qualities. While the colors may be aggressively administered, little attempt is made to control the flow or interactions – save the application of masking fluid. While the bulk of Mark’s work is abstract, he does some occasional representational works to ‘cleanse the palette.’ See his work, follow and/or contact him at these other sites: ● https://ScriptM.com ● https://www.instagram.com/ScriptMAbstractArt ● https://www.vsual.co/shop/script-m-abstract-art
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