Mixed Media Abstract Drawings and Watercolors

Eggs 2016 Acrilico e grafite su cartoncino CM 49x34 Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta. Il disegno è inscindibile dalla scultura e non pu...

3 Sculture 2012 Acrilico e grafite su carta CM 70x50 Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta. Il disegno è inscindibile dalla scultura e non ...

Sposobb #2 is an abstract work by contemporary artist Oleg Ustinov, made in 2013 for the artist's ongoing project "IDM" (Intelligent Dance Music). In “IDM” Oleg explores the dialogue...

NICE FALL 2013 Collage su cartoncino CM 70x50 Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta. Il disegno è inscindibile dalla scultura e non può essere meno importante. Alex Corno nei sui disegni su carta arriva all’estrema sintesi della sua ricerca artistica. Gli elementi costitutivi della sua Scultura sono riportati in bi-dimensione in rapidi e istintivi segni/pennellate che riescono a testimoniare il suo rapporto con lo Spazio. Elementi di natura e forma...

I LOVE - I LOVE SCULPTURE 2013 Collage on cardboard CM 70x50 With hand and with fire, on metal. With hand and thought on paper. Drawing is inseparable from sculpture and cannot b...

WORLD 2011 Collage on cardboard CM 70x50 With hand and with fire, on metal. With hand and thought on paper. Drawing is inseparable from sculpture and cannot be less important. Al...

Anyway 2012 Collage on cardboard CM 70x50 Artwork featured in the "Drawings" section of the monograph on Alex Corno published by Silvia publishing. With hand and with fire, on me...

Mosaico 2019 Matita e acrilico su carta CM 77x56 Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta. Il disegno è inscindibile dalla scultura e non può essere meno importante. Alex Corno nei sui disegni su carta arriva all’estrema sintesi della sua ricerca artistica. Gli elementi costitutivi della sua Scultura sono riportati in bi-dimensione in rapidi e istintivi segni/pennellate che riescono a testimoniare il suo rapporto con lo Spazio. Elementi di natura e forma...

Mixed media on paper Rezo Khasia is a Georgian artist born in 1947 who lives and works in Tbilisi, Georgia. The sculptures performed by him are generalized and minimalist. He Uses a...

Mixed media on paper Rezo Khasia is a Georgian artist born in 1947 who lives and works in Tbilisi, Georgia. The sculptures performed by him are generalized and minimalist. He Uses as a working material the bronze, wood, stone, metal and general energy, which perfectly perfects both exterior and interior spaces. All sculpture itself is made of solid material. He has implemented many creative projects both in Georgia and abroad, participated in both domestic and international exhibitions, exhibitions-competitions, symposia and architectural-creative competitions. He has been awarded from numerous creative awards and prizes as Grand Prix - Work Muse International Sculpture Symposium in Nadiotadi, Hungary, I Prize - International Exhibition-Competition Olympiad-2004 in Tbilisi, Georgia, Grand Prix in Sculpture - International Exhibition at Blue Gallery...

Landscape with Swiss cheese (or architectural frieze) in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

Composition is an Original Mixed Media realized by Francois Chapuis in mid-20th century. Good condition , hand signed on the lower right corner with ...

Reflection (Abstract Expressionism painting) Acrylic and mixed media on paper - Unframed Work will be shipped rolled in a tube. Werfel employs expressive, lyrical gestures that cre...

Perch (Abstract Expressionism painting) Acrylic and mixed media on paper - Unframed Work will be shipped rolled in a tube. Werfel emp...

Watercolor and ink on paper of an abstract composition of brown, orange and blue shapes between black parallel lines throughout the the piece by Herbert Bayer (1900-1985). Presented in a custom black frame with all archival materials. Framed dimensions measure 17 ⅞ x 22 ⅝ x 1 inches. Image size is 10 ¼ x 15 ½ inches. Painting is clean and in very good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Herbert Bayer enjoyed a versatile sixty-year career spanning Europe and America that included abstract and surrealist painting, sculpture, environmental art, industrial design, architecture, murals, graphic design, lithography, photography and tapestry. He was one of the few “total artists” of the twentieth century, producing works that “expressed the needs of an industrial age as well as mirroring the advanced tendencies of the avant-garde.” One of four children of a tax revenue officer growing up in a village in the Austrian Salzkammergut Lake region, Bayer developed a love of nature and a life-long attachment to the mountains. A devotee of the Vienna Secession and the Vienna Workshops (Wiener Werkstätte) whose style influenced Bauhaus craftsmen in the 1920s, his dream of studying at the Academy of Art in Vienna was dashed at age seventeen by his father’s premature death. In 1919 Bayer began an apprenticeship with architect and designer, Georg Schmidthamer, where he produced his first typographic works. Later that same year he moved to Darmstadt, Germany, to work at the Mathildenhöhe Artists’ Colony with architect Emanuel Josef Margold of the Viennese School. As his working apprentice, Bayer first learned about the design of packages – something entirely new at the time – as well as the design of interiors and graphics of a decorative expressionist style, all of which later figured in his professional career. While at Darmstadt, he came across Wassily Kandinsky’s book, Concerning the Spiritual in Art, and learned of the new art school, the Weimar Bauhaus, in which he enrolled in 1921. He initially attended Johannes Itten’s preliminary course, followed by Wassily Kandinsky’s workshop on mural painting. Bayer later recalled, “The early years at the Bauhaus in Weimar became the formative experience of my subsequent work.” Following graduation in 1925, he was appointed head of the newly-created workshop for print and advertising at the Dessau Bauhaus that also produced the school’s own print works. During this time he designed the “Universal” typeface emphasizing legibility by removing the ornaments from letterforms (serifs). Three years later he left the Bauhaus to focus more on his own artwork, moving to Berlin where he worked as a graphic designer in advertising and as an artistic director of the Dorland Studio advertising agency. (Forty years later he designed a vast traveling exhibition, catalog and poster -- 50 Jahre Bauhaus -- shown in Germany, South America, Japan, Canada and the United States.) In pre-World War II Berlin he also pursued the design of exhibitions, painting, photography and photomontage, and was art director of Vogue magazine in Paris. On account of his previous association with the Bauhaus, the German Nazis removed his paintings from German museums and included him among the artists in a large exhibition entitled Degenerate Art (Entartete Kunst) that toured German and Austrian museums in 1937. His inclusion in that exhibition and the worsening political conditions in Nazi Germany prompted him to travel to New York that year with Marcel Breuer, meeting with former Bauhaus colleagues, Walter Gropius and László Moholy-Nagy to explore the possibilities of employment after immigration to the United States. In 1938 Bayer permanently relocated to the United States, settling in New York where he had a long and distinguished career in practically every aspect of the graphic arts, working for drug companies, magazines, department stores, and industrial corporations. In 1938 he arranged the exhibition, “Bauhaus 1919-1928” at the Museum of Modern Art, followed later by “Road to Victory” (1942, directed by Edward Steichen), “Airways to Peace” (1943) and “Art in Progress” (1944). Bayer’s designs for “Modern Art in Advertising” (1945), an exhibition of the Container Corporation of America (CAA) at the Art Institute of Chicago, earned him the support and friendship of Walter Paepcke, the corporation’s president and chairman of the board. Paepcke, whose embrace of modern currents and design changed the look of American advertising and industry, hired him to move to Aspen, Colorado, in 1946 as a design consultant transforming the moribund mountain town into a ski resort and a cultural center. Over the next twenty-eight years he became an influential catalyst in the community as a painter, graphic designer, architect and landscape designer, also serving as a design consultant for the Aspen Cultural Center. In the summer of 1949 Bayer promoted through poster design and other design work Paepcke’s Goethe Bicentennial Convocation attended by 2,000 visitors to Aspen and highlighted by the participation of Albert Schweitzer, Arthur Rubenstein, Jose Ortega y Gasset and Thornton Wilder. The celebration, held in a tent designed by Finnish architect Eero Saarinen, led to the establishment that same year of the world-famous Aspen Music Festival and School regarded as one of the top classical music venues in the United States, and the Aspen Institute for Humanistic Studies in (now the Aspen Institute), promoting in Paepcke’s words “the cross fertilization of men’s minds.” In 1946 Bayer completed his first architecture design project in Aspen, the Sundeck Ski Restaurant, at an elevation of 11,300 feet on Ajax Mountain. Three years later he built his first studio on Red Mountain, followed by a home which he sold in 1953 to Robert O. Anderson, founder of the Atlantic Richfield Company who became very active in the Aspen Institute. Bayer later designed Anderson’s terrace home in Aspen (1962) and a private chapel for the Anderson family in Valley Hondo, New Mexico (1963). Transplanting German Bauhaus design to the Colorado Rockies, Bayer created along with associate architect, Fredric Benedict, a series of buildings for the modern Aspen Institute complex: Koch Seminar Building (1952), Aspen Meadows guest chalets and Center Building (both 1954), Health Center and Aspen Meadows Restaurant (Copper Kettle, both 1955). For the grounds of the Aspen Institute in 1955 Bayer executed the Marble Garden and conceived the Grass Mound, the first recorded “earthwork” environment In 1973-74 he completed Anderson Park for the Institute, a continuation of his fascination with environmental earth art. In 1961 he designed the Walter Paepcke Auditorium and Memorial Building, completing three years later his most ambitious and original design project – the Musical Festival Tent for the Music Associates of Aspen. (In 2000 the tent was replaced with a design by Harry Teague.) One of Bayer’s ambitious plans from the 1950s, unrealized due to Paepcke’s death in 1960, was an architectural village on the outskirts of the Aspen Institute, featuring seventeen of the world’s most notable architects – Walter Gropius, Marcel Breuer, I.M. Pei, Minoru Yamasaki, Edward Durrell Stone and Phillip Johnson – who accepted his offer to design and build houses. Concurrent with Bayer’s design and consultant work while based in Aspen for almost thirty years, he continued painting, printmaking, and mural work. Shortly after relocating to Colorado, he further developed his “Mountains and Convolutions” series begun in Vermont in 1944, exploring nature’s fury and repose. Seeing mountains as “simplified forms reduced to sculptural surface in motion,” he executed in 1948 a series of seven two-color lithographs (edition of 90) for the Colorado Springs Fine Arts Center. Colorado’s multi-planal typography similarly inspired Verdure, a large mural commissioned by Walter Gropius for the Harkness Commons Building at Harvard University (1950), and a large exterior sgraffito mural for the Koch Seminar Building at the Aspen Institute (1953). Having exhausted by that time the subject matter of “Mountains and Convulsions,” Bayer returned to geometric abstractions which he pursued over the next three decades. In 1954 he started the “Linear Structure” series containing a richly-colored balance format with bands of sticks of continuously modulated colors. That same year he did a small group of paintings, “Forces of Time,” expressionist abstractions exploring the temporal dimension of nature’s seasonal molting. He also debuted a “Moon and Structure” series in which constructed, architectural form served as the underpinning for the elaboration of color variations and transformations. Geometric abstraction likewise appeared his free-standing metal sculpture, Kaleidoscreen (1957), a large experimental project for ALCOA (Aluminum Corporation of America) installed as an outdoor space divider on the Aspen Meadows in the Aspen Institute complex. Composed of seven prefabricated, multi-colored and textured panels, they could be turned ninety degrees to intersect and form a continuous plane in which the panels recomposed like pieces of a jigsaw puzzle. He similarly used prefabricated elements for Articulated Wall, a very tall free-standing sculpture commissioned for the Olympic Games in Mexico...

Marilla Palmer Flowers Like Fans, 2022 watercolor, pressed petals, sequin, stitching, fabric on Arches Hot Press paper 15 x 11 in. (pal214) This original artwork by Marilla Palmer i...

Markus Lüpertz was born in Reichenberg in 1941 and works as a German painter, graphic artist and sculptor. He lives and works in Berlin, Karlsruhe, Düsseldorf and Florence and has hi...

Markus Lüpertz was born in Reichenberg in 1941 and works as a German painter, graphic artist and sculptor. He lives and works in Berlin, Karlsruhe, Düsseldorf and Florence and has hi...

MARK DI SUVERO Abstract Expressionist drawing with artist signed COA, ca. 1963 Pen and black ink and brush and black ink wash on paper. Hand signed on the front. Framed, with separa...

Jules Olitski (1922-1977) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th-century American abstraction. Created in the m...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...

Mixed media on handmade paper

Spring (Abstract Expressionism painting) Acrylic and mixed media on paper - Unframed Werfel employs expressive, lyrical gestures that create b...

Windswept (Abstract Expressionism painting) Acrylic and mixed media on paper - Unframed. Werfel employs expressive, lyrical gestures ...

Oberkampf 2 (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work fr...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Born of the Covid pandemic, the team started working remotely, mailing artwork to each ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Acrylic and mixed media on paper - Unframed. Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices create a range of tones from th...

Fragment (Abstract Expressionism painting) Acrylic and mixed media on paper - Unframed Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her co...

Damier 20153 (Abstract painting) Mixed media on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediu...

Organic Geometry (El Buey I) (Abstract Painting) Mixed media on paper - Unframed Artwork exclusive to IdeelArt. In this series, Michael Barringer wants to make deeply felt, poeti...

Newgrange Group II (Abstract Painting) Mixed media on paper - Unframed Artwork exclusive to IdeelArt. Although the initial inspiration for a painting might come from a fleeting e...

About the piece: Part of the Toon Series using a paneled format and the same application methodology. Words that describe this piece:paneled, cartoon, unique, dynamic, blue Artist Biography: Mark A. Lembo Script M Abstract Art Mark’s dynamic work blurs the distinction between alcohol ink and watercolor - working with dyes, inks, liquid acrylic, liquid watercolor, and other aqueous media; lately, he has been incorporating metallic watercolor and pearlescent ink to his work. He has used canvas, synthetic Yupo™ paper, Yasutomo Mineral Paper, and various watercolor papers. Mark’s journey into the world of creative arts started with the question, “What would Jackson Pollock’s work look like if he had used transparent watercolors?” So, it was out with the pencils, pens, and brushes, and on to the pouring of various aqueous solutions. While mostly self-taught, Mark took a series of classes at the Creative Arts Group, Sierra Madre, CA, under Joe Stoddard, as well as seminars with Robert Burridge...

About the piece: 26H x 20W Metallic watercolor and pearlescent ink on Yupo Limited series - size and materials 2021 Taking the 'Wash Buckle' series to new heights (and widths...

About the piece: As with CT. similar application of 'pressure' yielded a mitten like form thus MI. Who knows there may be 48 more in this series! Should play well with CY and Klimt-...

About the piece: One of the keep it simple and leave it alone works on Yupo(tm). Let the media do the work. Words that describe this piece:Yellow, gold, abstract, flow, full field ...

About the piece: Another of the Toon Series but in full sheet format. Simple and geometric in a primary color palette. Words that describe this piece:Geometric, abstract, circle, s...

Amitabh Sengupta - Untitled - 22.5 x 30.5 inches (unframed size) Mixed Media on Board, 2015 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depicted ...

About the piece: Sometimes it just happens. Then again, maybe it's just the way my mind works. As usual, the liquids are tossed on the paper with little interruption from me. If you...

SOPHIA MILLIGAN 'Midsummer's Noon' Original Artwork, Framed ________________________ In it's transitory beauty the sunflower turns to face the brazen light of the solstice sun. The...

Spring (Abstract Expressionism painting) Acrylic and mixed media on paper - Unframed Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her colo...

Mixed media on paper, framed 15 x 20 cm - 24 x 30 cm with white mat passe-partout Unique copy Signed on the front

Quarantaine 20089 (Abstract painting) Mixed media on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his ...

Abstract Composition is an original drawing in mixed media on ivory-colored paper, realized by Jean Delpech (1916-1988). The state of preservation of the artwork is good. Not signe...

Composition is an original drawing in a mix media, oil and tempera on cardboard, realized by Edgar Stoebel (1909–2001). Very good conditions. Hand-sig...

Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally ar...

Mixed media on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediums so the colors will dissipate an...

Jimbo Jump is an original painting artwork in mixed media, ink and tempera realized by Sergio Barletta in 1992. Hand-signed on the lower right. Titled on the lower center, dated on ...

Mixed media on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediums so the colors will dissipate an...

The Cubist, 2019 collage on paper 11 13/16 H x 15 3/4 W in. 30 H x 40 W cm The artist’s collages describe a series of characters composed of different materials – cardboards, textil...

Acrylic and mixed media on paper - Unframed Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices create a range of tones from the...

"Surrealist Composition" is a drawing in mixed media on paper, ink and watercolor, realized by Anonymous Artist of the XX Century. The state of preservation of the artwork is very ...

Watercolor, mixed media The energy of this work is only possible painting with both hands, standing and working with music. The underlying structure is created with oil pastel using...

"Dialogue" is a powerful series by Indian Artist Ritu Sinha. This series of 10 pieces boldly brings to the forefront a feminist discussion that culturally isn't part of everyday life...

Painting of Abstract Red, Pink & Orange Wild Flowers on a White Background by Contemporary British Artist, Angela Wakefield. From the 'Spring Burst' Interior Design Series. Framed in a Contemporary Pewter...

Tessa Grundon's work often references to the topography and history of a place and its ever-changing environment. To create her pieces, Grundon uses an array of materials and artifac...

Embossed etching, edition of 10

Artist: Karl Fred Dahmen Title: Untitled 4 Year: 1980 Medium: Drawing with Mixed Media on Paper, signed Size: 31 x 24.5 in. (78.74 x 62.23 cm)