Mixed Media Abstract Drawings and Watercolors

Robert Petersen Eight of Hearts, 1989 Mixed media silkscreen with hand applied acrylic on paper with deckled edges Hand signed, numbered 6/21, dated, and inscribed on the front Uniqu...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

"American Bald Eagle Flying Through Silver Clouds Between Heaven and Earth" is an original mixed media piece by David Barnett, signed on the lower left center. It incorporates watercolor, ink, iridescent acrylic, rubber stamps, collage, and oil pencil. This piece depicts a surrealist landscape. A cow with an cowl perched on its back stands in the lower left corner, and tracks lead away from it across the bottom of the picture. A small turtle approaches a pond in the lower right. In the center register of the image, two leaves have been collaged into an abstractly-drawn forest. The eagle of the title is shown in several stages of its flight through the blue and yellow sky. Art size: 7 15/16" x 9 1/2" Frame size: 15 1/4" x 16 1/8" David Barnett, an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s career as an art dealer began at age nineteen when, as a fine arts student, he sponsored an exhibition of work by fellow student artists. In 1966, he opened his first gallery in a converted basement apartment at Wisconsin Avenue and 21st Street. David’s talents for recognizing undervalued artists and for meeting the needs of art lovers, art collectors and artists have created a vibrant, flourishing gallery and collection of over 6,000 works of art. David was born and raised in Wisconsin. He has been painting in watercolors, acrylics, oil pastels as well as fine art photography. David has more than 10 different series he has developed over the years. They include Abstract, Surrealism, Morph Dog, Up North Birch Bark, Impressions of Mexico City, Southwest, Fireworks, Famous Artist Paying Homage and Garden Panorama. Influential artists include Vermeer, Miro, Kandinsky, Chagall, Nolde and Klee. David has been featured in many magazines, newspapers and public television programs regarding his beautiful gallery, collection and knowledge and passion of fine art. David also has work in the permanent collection Scottsdale Museum of Contemporary Art, Arizona. Exhibits “Morph Dog Series”, David Barnett Gallery, 1996 “Renewal", Art Escape Gallery, Thiensville, WI, 2003 “Recent Watercolors", David Barnett Gallery, 2003, Lora D. Art Gallery, Chicago, IL, 2004 “Group Show”, Broden Gallery Ltd., Madison, WI, May-June 2004 "Homage to Kandinsky", David Barnett Gallery, Milwaukee, WI 2014 Collections Scottsdale Museum of Contemporary Art, Scottsdale, AZ Private collections throughout the United States and around the world including collections in Wisconsin, Maryland, New York, Washington D.C., Arizona, Illinois, Florida, Kentucky. International collections in Brazil, Singapore and Hong Kong. Articles Milwaukee Journal Sentinel, "Barnett Gives His Work an Exhibit" by James Auer, November 1996 Exclusively Yours...

Tom Holland Artists in the Spotlight: Celebrating the 50th Anniversary of San Francisco Museum of Modern Art (SFMOMA), 1985 Acrylic and mixed media with stencil on paper Signed and d...

Magdalena Abakanowicz (1930-2017) was an acclaimed Polish artist, best known for her powerful sculptures and large-scale installations, often crafted from fiber-based materials such ...

Bernardo Navarro Tomas (Cuba, 1977) 'New York City #10', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-310 Hand-signed by author

Arlene Shechet Summer Set 8, 2005 Watercolor monoprint on dieu donné hand made paper 21 × 27 1/2 inches Signed and dated in graphite on the front Exquisite watercolor monoprint on di...

About the piece: 14Hx11W Mixed Aqueous Solutions on Yupo Synthetic Paper Words that describe this piece:outsider, intuitive, flowing, blue, green, giraffe, abstract Artist Biography: Mark A. Lembo Script M Abstract Art Mark’s dynamic work blurs the distinction between alcohol ink and watercolor - working with dyes, inks, liquid acrylic, liquid watercolor, and other aqueous media; lately, he has been incorporating metallic watercolor and pearlescent ink to his work. He has used canvas, synthetic Yupo™ paper, Yasutomo Mineral Paper, and various watercolor papers. Mark’s journey into the world of creative arts started with the question, “What would Jackson Pollock’s work look like if he had used transparent watercolors?” So, it was out with the pencils, pens, and brushes, and on to the pouring of various aqueous solutions. While mostly self-taught, Mark took a series of classes at the Creative Arts Group, Sierra Madre, CA, under Joe Stoddard, as well as seminars with Robert Burridge...

'Paradise, Remembered' Original Artwork. Unframed ___________________ Late August sun breaks joyously through the low morning cloud, an easterly breeze rustling through the strelitzi...

skin, 2015 ink, paper, graphite, wings, thread 18 x 13 framed unframed 20 x 16 inches framed Stockholm based artist Joanne Grüne-Yanoff has been exhibiting extensively in the ...

Mixed media on paper realized by an unknown italian artist, most probably in 1970s. Pastels and watercolor. Includes a wooden frame.

SOPHIA MILLIGAN 'Guijarros y Agua' Original Artwork (unframed*) ______________ Winter solstice light dancing on shingles and lapping tidal movements, towering rock formations rise ...

Sky, Future, From the series " Past,  Now, Future" is an original drawing realized by Iranian artist and Poet Parimah Avani in 2023. China ink, acrylic, and mixed media on Himalayan...

Abstract geometric drawing on paper in bright sunflower yellow and red, with a custom light wood frame 'Yellow and Red Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches...

Title work - Ancient greek temple -2021+ Cloth 45,5 x60 Mixed material tecnique stucco,wire mesh

Louise Bourgeois We Love You, 2000 Mixed Media Engraving and watercolor with unique Ink drawing on Fabriano Paper 7 × 11 1/10 inches Unique Variant with origi...

"Grant Me Speed" is a contemporary abstraction with mixed media such as textile by artist Vivian Liddell. This is one of her smaller and more simplistic compositions but an impactful...

WOODED LANDSCAPE WITH HOUSES Signed original brush and ink on wove paper, circa 1950. WOODED LANDSCAPE WITH HOUSES is an original watercolor brush and ink on paper, hand signed in ink pen by African-American artist, teacher, and printmaker Ronald Joseph (1910--1992) Artwork depicts an abstract landscape, is in good condition, paper tape remaining on reverse side edges, mounted in an archival acid-free mat, unframed. Artwork paper size - 18 x 21.5 in. Year created - c. 1950 About the artist - Ronald Joseph (1910 -1992) was born on the island of St. Kitts, West Indies In 1910. When he was very young, his mother decided to move to the United States but she could not afford to take him with her. Mr. and Mrs. Theophilus Joseph, a childless couple who were friends of Joseph’s mother, adopted him. Afterwards, the Joseph family moved to the Island of Dominica, where they stayed for ten years. In 1921, his foster parents also decided to come to the United States. In New York, Joseph met his mother but remained living with his foster parents. In 1926 Ronald Joseph received a scholarship for the Ethical Culture School, were he spent two and half years of his high school period. At this time he obtained an art scholarship through Dr. Henry Fritz, with whom he became acquainted through his art teacher in public school. Joseph was taken into the Saturday art class, where he was the only black participant. An artistic prodigy, Ronald Joseph had his student works shown at the Metropolitan Museum of Art. Ronald Joseph graduated from Ethical Culture Fieldston School in 1929. He was honored as “the most promising” young artist in New York City’s schools. He began his study at Pratt Institute in 1931 and graduated in 1934. During the 1930s and 1940s, Joseph participated in many exhibitions of African-American art, the Works Progress Administration mural project, and the Harlem Artists Guild. Ronald Joseph enlisted in the U.S. Army Air Corps at the declaration of World War II and was posted as a member of the ground crew in Tuskegee, Alabama, and in Michigan. At the end of the war in 1945, he received his G. I. Bill of Rights scholarship. In 1948, he was presented with the Rosenwald Fellowship. The funds allowed him to live and work abroad – first in Peru for two years, then in Paris. Joseph used the G.I. bill to study in Paris at the Grande Chaumière. He described this period of his life as being “independent of economy”. His work from these travels is largely undocumented; according to Rosenwald scholar, Daniel Schulman, many pieces of art are undated or simply dated “1948-1952”. After this period he came back to New York without money and work and indicated this as period of hardship. Ronald Joseph left the U.S. in 1956, disappointed in the unreceptiveness of the art world to his work with mixed feelings about this. On the one hand, he felt guilty for having left the U.S. during a period when blacks were struggling for their civil rights; on the other, he felt “lucky” to have been able to live and work in place where he did not feel discrimination as intensely. He emigrated to Belgium and later settled permanently in Brussels. Ronald Joseph was married to Claire Joseph and they had a son, Robin Joseph. In 1989 Joseph returned to the United States after an absence of thirty-three years to attend the Lehman College exhibition and symposium and to renew his old friendships. Afterward, he returned to Brussels where he continued to work as a painter, living there for the remainder of his life. Ronald Joseph started his artistic career in Harlem, New York City at the Harlem Community Arts Center, where he was one of the youngest pupils. Joseph studied lithography and other printmaking techniques with Riva Helfond, who taught him many aspects of the process based on simple techniques, including how to operate the press, and how to prepare the stones. Helfond played a significant role as a teacher of lithography at the Harlem Art Center. Joseph produced his first lithographs under her supervision, and this was at a time when she was just beginning to learn the medium herself. At the Harlem Community Arts Center Joseph met Robert Blackburn, who was his classmate. In 1937 Ronald Joseph depicted Blackburn, in one of his most famous works, that is now located at The Metropolitan Museum collection. Experimenting with lithography and etching, as well as woodblock and silkscreen printing, Joseph explored the techniques of printmaking alongside his friend Robert Blackburn. Joseph described the Harlem Art Center as a “healthy and lively” place, where he had made wonderful friends. In the late thirties, he also served as a teacher at the Harlem Community Arts Center. There Joseph met younger artist Jacob Lawrence and Gwendolyn Knight. They formed a friendship, where they enjoyed conversations and visiting museums together. Both Joseph and Knight would hire Lawrence to pose for them. Jacob Lawrence considered Ronald Joseph to be a very intellectual artist. In the 1930s, Joseph became chairman of the Harlem Artists Guild and represented it in Washington with Stuart Davis and Hugo Gellert. Ronald Joseph was also a participant in the mural section of WPA and a representative of the Harlem Artists’ Guild to the New York World’s Fair (1939-1940). Joseph’s early oil paintings were influenced by Picasso, Braque and other European artists while most of his contemporaries focused on social realism. By 1943, he was hailed by art historian James Porter as New York’s “foremost Negro abstractionist painter”. His pastels and gouaches from the late forties and early fifties showed a highly structured abstraction combined with a studied spontaneity. Ronald Joseph’s finely tuned abstractions often incorporated representational elements along with apparently “purer” forms. He described this aspect of his work in these terms: “It’s not abstract and abstract at the same time. It’s pure creation.” His works from the 1950s employed both still life and landscape as pretexts for masterly exercises in nearly abstract pictorial construction related to cubism and fauvism. During World War II, Joseph was drafted. After the war he formed “a kind of a group” with Robert Blackburn, Charles White, Larry Potter, and Reginald Gammon...

Artworks in David Barnett's 'Boston Tea Party' series present a playful vision of one of the foundational narratives of the United States. In the imag...

‍Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of ma...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on Japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-311 Hand-signed by author

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of mat...

"Delivered and Discarded (Negatives) 2 is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict th...

'Midsummer's Noon' Original Artwork. Unframed ________________________ With transitory beauty, the sunflower turns to face the brazen light of the solstice sun. 'Midsummer's Noon' ...

Kim Fonder, SHIZEN SERIES IV, 12.00 X 12.00 in, $600.00, purple, Abstract, contemporary, fine art Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatua...

"Morph Dog Series: Dark Clouds Over Chenequa" is an original mixed media painting by David Barnett, incorporating ink, oil pastel, and iridescent acrylic. ...

"Delivered and Discarded (Negatives) 3 " is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-308 Hand-signed by author

'Gratitude and Grace (Worn out Blue Jeans and Hydrangeas in September)' Original Artwork, Unframed _____________________ Early Autumnal nostalgia, hazy light on pillows of fading hy...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-306 Hand-signed by author

This is a mixed media work on paper. The pictorial space is bifurcated in two, each space extending beyond the page. One space is a blend of blue and turquoise; the other space is ye...

Robert Longo Pressure, 1983 Acrylic and Graphite on Paper Signed and dated 'Robert Longo 83’ (lower right) in graphite Frame included: Floated and framed in a museum quality frame with UV plexiglass This is a unique painting "Pressure " [on God], Robert Longo's unique acrylic and graphite work on paper, was created during the same period as his iconic work, simply labeled "Pressure", now in the permanent collection of the Museum of Modern Art in N.Y. Whereas the latter depicts a young man, the present work, titled "Pressure on Heaven", then deliberately changed to "Pressure on God", is more ethereal in subject matter, though the lone youth's image is still present in the composition. From Lexander magazine: "In the excerpt from Neal Benezra’s article about 1980s art in the previous post, he writes, “Robert Longo’s Pressure might well be the most representative work of art of the 1980s.” I would go further and state that it is the definitive work of the 1980s—the penultimate visual anthem of the era—and most especially the period between 1979—1987, during which the musical genres of gothic rock and deathrock flourished and achieved their greatest artistic successes through the work of a variety of diverse bands including Bauhaus, Siouxsie and the Banshees...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

'Blood in the Veins' Original Artwork, Unframed. _____________________ Capturing the flush of fleeting youth, the cherry blossoms blush crimson as the sap pulses through branches, b...

Harmony Korine Original Drawing (Hand signed and inscribed to Nadine), 2015 Original marker drawing held inside hardback monograph Signed, dated and inscribed by Harmony Korine with an original drawing across the first two front end pages. 12 × 9 × 3/4 inches This is a unique, original drawing done in black marker and signed and inscribed to our Nadine, on the first two end pages of Gagosian Gallery's hardback monograph, on fabric boards with no dust jacket as issued. The drawing can be separated and framed independently in a standard frame, or framed on a shadowbox with the entire book or displayed on a bookcase or coffee table. The monograph holding the drawing was published on the occasion of the exhibition Harmony Korine Shooters at Gagosian Gallery from May 12 to July 29, 2014. Publisher's blurb: From 'Kids' (1995), a meditation on New York City youth, to 'Spring Breakers...

Emily Mason Untitled (For Douglas), 1990 Carborundum etching and monotype on paper Pencil signed, dated and inscribed "For Douglas" Vintage wood frame included This work was created ...

SOPHIA MILLIGAN 'Pollen and Swallows' Original Artwork ________________________ Capturing the essence of the thick heat of a June afternoon, when the ...

'Piercing Shafts' Original artwork, framed ready to hang _________________ Yucca leaves: lances and swords, flashing shafts of sunlight through the piercing forms, a dance of loyalt...

'The Sap is Rising!' Original Artwork, Unframed _________________ Capturing the pulse and flush of fleeting youth, the maples are dressed in their iridescent finery. 'The Sap Is Ris...

Mixed media on cardboard, realized by an italian artist most probably in 1970s. Hand signed lower right. Includes a frame. Very good condition.

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-304 Hand-signed by author

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-303 Hand-signed by author

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-302 Hand-signed by author

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-309 Hand-signed by author

Watercolor and collaged elements , dominantly grey and off-white, with small notes of blue, pale green. On Japanese handmade paper. Otto Donald Rogers was born in 1935 in Kerrobert, Saskatchewan. He taught at the University of Saskatchewan in Saskatoon, from 1959 – 1988, after receiving his Master’s in Fine Art from the University of Wisconsin. He was instrumental in sustaining the Emma Lake Workshops, which, for several generations, has provided a meeting point for some of North America’s most respected visual artists, among them Jack Shadbolt, Helen Frankenthaler, Barnet Newman...

"The Couple" by Anita Loomis is a quiet but rich 22 x 15 inch watercolor of a couple depicted in minimalist abstract form inspired by simple, elegant native...

WILLIAM T. WILEY Victory at See, 2001 Watercolor, Graphite and Hand Coloring Signed, titled and dated on the front Unframed (ships flat) A fantastic unique work on paper by the lege...

Untitled is a contemporary artwork realized by Shu Takahashi in 1974 Mixed media Hand signed and dated on the lower margin Includes frame

Title work “ The sound of the black hole “-2022 Cloth 40x40 cm ( white wooden frame )  Mixed material tecnique,stucco

The tears of nature -2022 cloth 40x50 cm Mixed media stucco,textile,plastic

Full Moon Goddess, Light of Ways is a Drawing realized by Iranian artist and Poet Parimah Avani in 2023. China ink, acrylic, and mixed media on Himalayan Washi Lokta paper with appl...

Affiorare is a beautiful artwork realized by  Maurizio Gracceva in the 2023. Colored mixed media on paper.  Hand signed by the artist. Title, date, techinique and sign on the back...

Astract composition is an artwork realized by Paolo Pasotto in 1986.  50 x 35 cm. Hand signed bottom right.  Mixed techinique on paper. Good conditions!

Title : Lizard Materials : Stamp,xerox transfer,ink Date : 2015 Dimensions : 8×9 COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which she has cal...

Composition is an Original Mixed Media realized by Francois Chapuis in mid-20th century. Good condition , hand signed on the lower right corner with ...

Movie Room is an original artwork in mixed media applied on cardboard, realized by Sergio Barletta. Hand-signed on the lower right. Titled in Italian on t...

Figure is an original drawing in mixed media, pencil, ink and tempera on cardboard, realized by Sergio Barletta in 1968 ca. Hand-signed in pencil on the lower right. In good condit...

Artworks in David Barnett's 'Boston Tea Party' series present a playful vision of one of the foundational narratives of the United States. In the imag...