Pigment Abstract Drawings and Watercolors

Tessa Grundon's work often references to the topography and history of a place and its ever-changing environment. To create her pieces, Grundon uses an array of materials and artifac...

Tessa Grundon's work often references to the topography and history of a place and its ever-changing environment. To create her pieces, Grundon uses an array of materials and artifac...

Tessa Grundon's work often references to the topography and history of a place and its ever-changing environment. To create her pieces, Grundon uses an array of materials and artifac...

Ink, chalk & mica on sculpted reclaimed paper Framed 26 x 17.75 x 2 in, white wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and wor...

Ink, chalk & mica on sculpted reclaimed paper Framed 26 x 17.5 x 2 in, white wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and work...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

Halo, Drawing, study for a sculpture. ARTIST'S STATEMENT Michael Davis My sculptures and installations are physically and symbolically multilayered mechanisms that react to environ...

Untitled 9 (Abstract painting) Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art maki...

Untitled 9 (Abstract painting) Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art maki...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

Ink, mica & bark on sculpted paper Framed 60 x 52.25 x 4 in , White wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and works in Holl...

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...