Sumi Ink Abstract Drawings and Watercolors

"Unfolding #3" is an original piece by Yoonmi Nam made from pressure printed monotypes featuring layers of unfolded package outlines, creating dimension and abstraction. This piece m...

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a contemporary white wood shadowbox frame. Organizing the composition is a moon motif. This series was created by Antonio Puri during an artist's residency in Australia. Can be displayed in any orientation. This piece works especially well when paired with "Rhythm Hut #17", listed separately. Antonio Puri was born in Chandigarh, Punjab, India and raised in the Himalayas around Buddhist monks before studying at the Academy of Art in San Francisco, Coe College, and the University of Iowa. He established his studio in Philadelphia where he practiced for many years before relocating to Bogotá, Colombia. During this time, Puri completed several artist residencies all over the world, including in New York, Hungary, Bulgaria, Colombia, South Africa, Serbia, Mauritius, India, Denmark, Trinidad and Tobago, and Romania. Puri’s range of geographical and cultural experiences are embedded in his work, where he commonly explores the relationships between his eastern and western cultural connections. Puri has exhibited his work all over the world, including at the Museo de Arte del Tolima in Colombia; Sundaram Tagore Gallery Singapore; Government Museum and Art Gallery Chandigarh, India; Art Depot, Austria; La Cometa Gallery, Bogota; Museo Casa Conde Rul, Mexico; The Guild, NY; Nu Art...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

This abstract painting and drawing titled "Spit Out All My Air" is an original artwork by Jason Andrew Turner made of sumi ink, gouache, and copic ink on paper. Incorporating techniq...

"Delivered and Discarded (positives) #3" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

"Delivered and Discarded (positives) #4" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

"Delivered and Discarded (Negatives) 1 " is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

"Delivered and Discarded (Negatives) 3 " is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

"Delivered and Discarded (Negatives) 2 is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict th...

"Delivered and Discarded (positives) #1" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

"Delivered and Discarded (negatives) #4" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

"Delivered and Discarded (positives) #2" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a white painted wood shadowbox frame. Orga...

This abstract drawing titled "Around" is an original artwork by Jason Andrew Turner made of sumi ink, gouache, and copic ink on paper. The artist incorporates techniques of painting...

Swipe 3 (Abstract painting) Sumi ink and paint on paper. Unframed. For Russinof, everything begins with color. She begins a painting by applying color in lyrical, gestural marks. T...

sumi ink and oil stick on Korean paper (72 x 61.5 x 1.5 inches, framed) b. 1942, Nagoya, Japan Jun Kaneko’s most recognized sculptural form is the boldly glazed, monumental dango (...

Watercolor on Arches paper

This painting is illustrated in color in the the book, "PAINTINGS BY KAN TAI-KEUNG 1970-1979" page 51. Published by S S Design & Production, Hong Kong, 1980. A copy of this book will accompany the painting. Born in Panyu, Guangdong, in 1942, Kan Tai-Keung was deeply influenced by his grandfather, Yao Sheung, and became passionate about painting from childhood on. He moved to Hong Kong in 1957, and worked as an apprentice tailor there for ten years. In 1964, Kan started to learn watercolour painting and sketching with his uncle Han May-Tin. Later he took a Chinese ink painting course from Lui Shou-kwan and an applied design course from Wucius Wong...

Swipe 3 (Abstract painting) Sumi ink and paint on paper. Unframed. For Russinof, everything begins with color. She begins a painting by applying color in lyrical, gestural marks. T...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

A painting on paper set in a white shadow box frame, 30x 22" framed, protected by an acrylic glazing. Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses vario...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

A painting on paper set in a white shadow box frame, 51.5x50" framed, protected by an acrylic glazing. Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses vari...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

A painting on paper set in a white shadow box frame, 44.5x71.5" framed, protected by an acrylic glazing. Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses va...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

A painting on paper set in a white shadow box frame, 30x 22" framed, protected by an acrylic glazing. Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses vario...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...