Maurizio Gracceva

Finalmente in Viaggio - Drawing by Maurizio Gracceva - 2017

2017

Deity of Warriors of the Ways is a Drawing realized by Iranian artist and Poet Parimah Avani in 2023. China ink, acrylic, and mixed media on Himalayan Washi Lokta paper with applied...

Deity of Mothers of the Ways is a Drawing realized by Iranian artist and Poet Parimah Avani in 2023. China ink, acrylic, and mixed media on Himalayan Washi Lokta paper with applied ...

Coral Song of Freedom is realized by Iranian Painter and Poet Parimah Avani in 2023. Sumi, Persian ink, and acrylic on kraft paper. Hand-signed and dated. Excellent conditions. From the series "Resistance and Alchemical Metals" The artwork is expressively poetic, with an exclusive title that refers to the socio-political context, and the application of limited color of metals" various copper, gold, silver, bronze" have metaphorical features of alchemy. In this series artist took positions, and gestures of revolutionary and rebellious bodies on the battlefield of revolution and transformed them dynamically into precious sources of resistance by spiritual transitions of colors akin to alchemy, meat, and blood found their symbolic meaning through colors and expressive brushstrokes, metals here refer to bodies of freedom seekers, shapable, flexible, shiny and a source of strength, that highlights how a body becomes a battlefield, a golden source of sacrifice, a silver font of resistance, copper as shedding blood for freedom.  What makes this series unique: it is deeply behind the dynamic emotion of each gestural figure, in a minimalistic manner, and the vigorous and unbridled energy of brushstrokes, is raw, spontaneous, and emotionally charged.  Her works in this series challenge oppression and gender-related issues by applying oriental brushstrokes of calligraphy in ink as a primary tool, to fragile subjects.  Parimah Avani, born in 1988 in Tehran, Iran, is a multidisciplinary artist and a recognized figure in contemporary hermetic Persian literature and the avant-garde "Other" movement. Her book, "Magic Verses of Antalus," was a finalist for the prestigious "Shamlou" Award. Her most recent achievement is winning an art competition for a scholarship from Werkstatt Plettenberg in Germany, culminating in a solo exhibition held at the Gallery of the German Bank of Sparkasse. Avani's artistic journey began with travels to China and Russia during her formative years, oriental philosophies, particularly Zen and Buddhism, and folk arts ignited her passion for comparative mythology evident in her archaic style. In 2009, she moved to Rome, Italy to study multimedia art, and gained a Master’s in painting at the Fine Art Academy of Rome. Immersed in cultural parallels between East and West, mythological themes transcend boundaries in art, exploring magic and ancient scripts inspired by the scholarly insights of Frazer and Eliade on rituals. Her anthropological view culminated in a Ph.D. in the history of contemporary art...

Rhapsody of Freedom is realized by Iranian Painter and Poet Parimah Avani in 2023. Sumi, Persian ink, and acrylic on kraft paper. Hand-signed and dated. Excellent conditions. From the series "Resistance and Alchemical Metals" The artwork is expressively poetic, with an exclusive title that refers to the socio-political context, and the application of limited color of metals" various copper, gold, silver, bronze" have metaphorical features of alchemy. In this series artist took positions, and gestures of revolutionary and rebellious bodies on the battlefield of revolution and transformed them dynamically into precious sources of resistance by spiritual transitions of colors akin to alchemy, meat, and blood found their symbolic meaning through colors and expressive brushstrokes, metals here refer to bodies of freedom seekers, shapable, flexible, shiny and a source of strength, that highlights how a body becomes a battlefield, a golden source of sacrifice, a silver font of resistance, copper as blood and women fighting for freedom.  What makes this series unique: it is deeply behind the dynamic emotion of each gestural figure, in a minimalistic manner, and the vigorous and unbridled energy of brushstrokes, is raw, spontaneous, and emotionally charged.  Her works in this series challenge oppression and gender-related issues by applying oriental brushstrokes of calligraphy in ink as a primary tool, to fragile subjects. Parimah Avani, born in 1988 in Tehran, Iran, is a multidisciplinary artist and a recognized figure in contemporary hermetic Persian literature and the avant-garde "Other" movement. Her book, "Magic Verses of Antalus," was a finalist for the prestigious "Shamlou" Award. Her most recent achievement is winning an art competition for a scholarship from Werkstatt Plettenberg in Germany, culminating in a solo exhibition held at the Gallery of the German Bank of Sparkasse. Avani's artistic journey began with travels to China and Russia during her formative years, oriental philosophies, particularly Zen and Buddhism, and folk arts ignited her passion for comparative mythology evident in her archaic style. In 2009, she moved to Rome, Italy to study multimedia art, and gained a Master’s in painting at the Fine Art Academy of Rome. Immersed in cultural parallels between East and West, mythological themes transcend boundaries in art, exploring magic and ancient scripts inspired by the scholarly insights of Frazer and Eliade on rituals. Her anthropological view culminated in a Ph.D. in the history of...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

"#51 – WE THINK" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 51 of a found copy of Ernest Hemingway's ...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...