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Ruth VidalAssemblage of inflatable paint islands silkscreen printing on paper, tapestry2025
2025
$3,891.72
£2,913.05
€3,300
CA$5,356.11
A$5,969.94
CHF 3,132.22
MX$72,902.74
NOK 39,660.77
SEK 37,485.46
DKK 25,121.92
About the Item
Work belonging to the latest exhibition of the Manolo Eirin contemporary art gallery in A Coruña, Spain.
The work is a drawing made by the artist for the exhibition using the assemblage technique with pieces of paint from other works of cotton canvas by the artist forming a common map. This is a contemporary tapestry. The artist paints multiple layers of inflatable silkscreen paint, which comes from the world of fashion. She handles colors and textures very well. Giving a new meaning to this ancient technique, she renews it and gives it life. In the tapestry we can see the different layers of paint that have been applied and how the artist digs over them later.
The dimensions are 200 x 80 cm. It is a tapestry so it can be rolled up and shipped perfectly. It has a wooden bar as support. If you need more information, do not hesitate to contact us.
TEXT OF THE EXHIBITION
Painting is a territory in constant redefinition, where the tensions between surface, perspective, fiction or gesture intersect on the same plane. In this exhibition entitled “run out of paint”, Ventura Pérez, Vitor Mejuto and Ruth Vidal deploy different ways of approaching the pictorial, establishing a dialogue that oscillates between the narrative, the material and the structural.
The encounter evidences and reveals the elasticity of contemporary painting. With Pérez (1992, Vigo), the image becomes a vehicle for fictional stories; from the perspective of Vidal (1998, Pontevedra), the pictorial material is revealed and hidden in a game of depth and surface; and with the contribution of Mejuto (1969, Barcelona), painting is structured in forms and colors that affirm its own autonomy.
Together they show us that painting continues to expand its limits towards new horizons.
- Creator:Ruth Vidal (1998, Spanish)
- Creation Year:2025
- Dimensions:Height: 78.75 in (200 cm)Width: 70.87 in (180 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Carballo, ES
- Reference Number:1stDibs: LU2117215906632
Ruth approaches the construction of the image from materiality and superposition. The form of her painting is chameleonic as it folds back on itself, hiding and revealing its own process. Her use of inflatable ink, transferring techniques from engraving to the field of painting, generates vibrant surfaces where monochrome acquires an enigmatic intimacy, in tune with the research on painting as an object carried out by Angela de la Cruz in “A painting trapped in its own body (2015)”, as well as influencing the exploration of the material-conceptual game of artists such as Anselm Kiefer. The works themselves guide us to understand the emotional charge involved in her process, with dozens of chromatic layers juxtaposed in each of the works. In her particular reflection on the evolution of abstract painting in the 20th century, the artist navigates through lyrical abstraction from Mark Rothko to Josef Albers, proposing an experience where the perception of color becomes a sensorial and almost tactile issue.
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