Sam Francis

Untitled (#2 Pri-Rain) (SF64-592)

1964

Sam Francis Composition in Red c. 1960 Gouache on paper 52.5 x 24.5 cms (20 11/16 x 9 11/16 ins) SF14434 $125,000 Exhibited: Bernard Jacobson Gall...

Robert Motherwell Automatism No. 11 1965 Ink and oil on paper 67.3 x 61.6 cms (26 1/2 x 24 1/4 ins) Part of the Beside the Sea series, a series of oil paintings influenced by Mother...

In the 1970s, the beginning of a new phase in Francis’ career was defined by the emergence of the ‘color blotches’. These spots of gritty, shimmering color were made through glazes, ...

Sam Francis (1923-1994) was an American abstract painter, born in San Mateo, California. He turned to painting in the aftermath of World War II whilst recovering from severe injuries...

This captivating 1985 abstract painting by Colorado Springs artist Ynez Johnston masterfully combines watercolor and gouache on paper, creating a striking monochrome composition. Fea...

This vintage 1960s abstract painting by renowned New Mexico modernist artist Ward Lockwood (1894–1963) is an exceptional example of mid-century modern art. The original artwork, crea...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon CATHEDRAL 1959 Gouache on paper 64 x 52 cm. Signed and dated: lower right ‘Quirijn van Tiel 59’ Provenance: Formal collection P.A. Regna...

Richard Snyder (American, born 1951) Untitled Mixed media painting including charcoal and watercolor Hand signed to lower right Dimensions: 30.0" W x 22.5" H x 0.1" D Richard Snyder is particularly known for his large-scale abstract expressionist paintings exhibiting vibrant colors, often applied in an irregular manner with large gestural brushstrokes. He also was an accomplished sculptor and was amongst the downtown New York art-furniture scene spawned in the 1980s by the Soho gallery ‘Art et Industrie’ founded by Rick Kaufmann. Downtown New York, circa 1977-1980 was a hothouse of creative impulses that flew in the face of restrictions and ran headlong toward riotous expression. Punk, hip-hop, graffiti or neo-expressionism, Kaufmann looked around for new talent that could create a new kind of art furniture. He felt the design of the day was so standardised, and he wanted to give voice to young artists and bring new ideas to market. After receiving a BFA from the School of the Museum of Fine Arts in Boston, Snyder made his career in the fields of art and design, practicing sculpture, painting, furniture design and fabrication, interior design, cabinetmaking, construction and industrial design. Along with extensive experience in a wide variety of materials and processes, Snyder also possesses a wide range of visual and experiential vocabulary acquired in his many travels through the Americas, Africa, the Middle East and Central and Southeast Asia. Snyder considers his objects to be not just about form, function, color, material and process, but rather to be fantasies with spirit, magic and story. During his seventeen years with the Art et Industrie gallery, Snyder participated in five solo shows and more than twenty group shows, which established him as a major player in the American Art Furniture movement. His pieces have appeared in numerous publications and media around the world; and they are included in numerous private collections worldwide as well as in the permanent collection of The Art Institute of Chicago. Snyder guest-lectures at the Rhode Island School of Design in Providence, the New School in New York, and SUNY Purchase. He was included in the seminal Magen H Gallery retrospective of Art et Industrie—a New York Movement. Art et Industrie was the first to exhibit Studio Alchemia, Shiro Takahama, and Ron Arad. The retrospective included artists such as Forrest Myers, Terence Main...