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Sarah MorejohnApple in the Windfall - Abstract Pattern Drawing Yellow Fruit Blue Branches 20242024
2024
About the Item
In this meticulously detailed contemporary drawing in ink and watercolor on paper, carefully drawn dots and lines in yellow with violet blue, red and teal create an intricate composition inspired by fruit, botany and patterns in nature.
30 x 22.25 inches (unframed), 35 x 27.25 inches (framed). Framed in a white rubbed ash frame with UV conservation clear glass. Signed, dated and titled on verso.
There is a pattern to nature and, as imagined by Sarah Morejohn, it is formed by the tiny forces of minuscule decisions. A cluster of dots can lead to many things: murmurations, constellations, bacteria, snowflakes, landmasses, a small spiraling shell found on a beach. For Morejohn, the act of drawing is simultaneously a way of being lost and of arriving; the rhythms, repetitions and artifacts of the making are integral to the experience. Time and patience morph into observations like that of a scientist, explorer, astronomer — revealing different possibilities of life, tenderness, and longing.
Morejohn’s drawings are memento of native plants and hikes in the Pacific Northwest, where she was born. The colors trigger a memory of a specific plant as if it were squeezed and mashed, its juices dropped onto a surface, that then reorganizes its intricacy. Morejohn’s work has been exhibited throughout the United States and is in the permanent collection of Montefiore Medical Center, Bronx, NY and The University of Oregon, Eugene, OR. She earned and BFA from The University of Oregon, Eugene, OR. The artist lives and works in the Bay Area.
- Creator:Sarah Morejohn (American)
- Creation Year:2024
- Dimensions:Height: 35 in (88.9 cm)Width: 27.25 in (69.22 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kent, CT
- Reference Number:1stDibs: LU19716368312
Sarah Morejohn
For Morejohn, the act of drawing is simultaneously a way of being lost and of arriving. The rhythms, repetitions and artifacts of the making are integral to the experience. Time and patience morph into observations like that of a scientist, explorer, astronomer, revealing different possibilities of life, tenderness and longing. Morejohn’s drawings are a memento of native plants and hikes in the Pacific Northwest, where she was born. The colors she uses to trigger a memory of a specific plant as if it were squeezed and mashed, its juices dropped onto a surface, that then reorganizes its intricacy. Morejohn’s work has been exhibited throughout the United States and is in the permanent collection of Montefiore Medical Center, Bronx, New York and the University of Oregon, Eugene, Oregon. She earned a BFA from the University of Oregon. Morejohn lives and works in New Jersey.
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