Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Susan Sharp
"Trace #6" Biomorphic, linear, fluid, watery abstraction in red, blue, orange

2017

$3,900
£2,967
€3,469.34
CA$5,454.32
A$6,127.31
CHF 3,260.89
MX$75,766.58
NOK 39,734.26
SEK 38,417.33
DKK 25,878.01
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

"Trace #6 " Mixed Media on Denril Paper, 28 x 40 Inches. Lyrical abstraction in shades of yellow, blue, white and orange. Denril paper is closely related to tracing paper and vellum. This work is mounted on rag board by the artist and framed in light wood. This work can be read as a pure abstraction or one in which elements of an abstracted water experience includes underwater sea life. It is part of a series of highly colorful, linear and color field drawings (some considerably larger) on denril paper which is closely related to tracing paper and vellum and allows for intriguing explorations of qualities of transparency and overlapping. The artist has mounted this work on rag board and framed it in light wood. Susan Sharp is an outstanding abstract painter of biomorphic and linear forms, flat planes, vivid color and highly glossy surfaces who works in a wide variety of sizes on wood, mylar and paper. Her oil and acrylic paintings consist of individual panels or several panels which are installed individually abutting each other, allowing for the option of showing them as one piece or 2 paintings shown in very close proximity. An intense colorist, Sharp makes fresh what artists have been challenged by for years, hand and eye coming together to create sensuous, fluid, and radiant paintings, inspired by external and inward experiences. Some aspect of landscape is the primary inspiration for these spirited and gratifyingly fresh abstractions which are paradoxically both spontaneous and methodical, extremely sophisticated in their play of textures on flat surface, and their complex integration of biomorphic and geometric forms. Sharp conveys her love of color and process inspired by nature as she brilliantly and delightfully takes chances by walking a fine line between the accidental and the controlled. Susan Sharp: "My approach to painting is intuitive and a continuing process of self discovery. Working flat, several layers of fluid paint are applied to either paper, mylar or wood panels, imbuing the works with an inner light. Scale shifts and unexpected juxtapositions combined with overlays of the linear and geometric elements, and subtle references to anthropomorphic forms which coexist with these elements, navigate disparate worlds. The density of the woodlands surrounding my Easton (CT) home, the weight and transparency of water as well as topographical drawings and photos done while flying, are all sources of inspiration. Meandering rivers and roads, or blood vessels, translate into flowing linear connectors, land masses to body parts. The ambiguity expressed in my works is what compels me. I am drawn to paint in its liquid state, where forms are in the process of emerging. Pouring several layers of paint on smooth surfaces , such as paper or mdf panels, results in dense and translucent personal topographies. The abstract imagery born is both psychological and intuitive. Scale shifts, pattern and unexpected juxtapositions add to the sense of play and ambiguity." Susan Sharp’s paintings have been seen in numerous solo exhibitions in New York and Connecticut and in many group exhibitions in private galleries and public institutions nationwide including the Silvermine Art Center, the Housatonic Museum of Art, and the Stamford Museum. She is the recipient of awards from the Silvermine Arts Center, the Connecticut Commission on the Arts and the Stamford Museum. Sharp’s paintings are included in distinguished private collections as well as such public collections as the State of Connecticut, General Electric, Chase Manhattan Bank, Kidder Peabody Corporation, the Town of Fairfield, CT, Huntington Bank, Pullman & Comley and the Housatonic Museum of Art.
  • Creator:
    Susan Sharp (1942, American)
  • Creation Year:
    2017
  • Dimensions:
    Height: 28 in (71.12 cm)Width: 40 in (101.6 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Wellesley, MA
  • Reference Number:
    1stDibs: LU45633498761

More From This Seller

View All
"Trace #14" Large, vibrant, watery colorful abstraction, blue, magenta, orange
By Susan Sharp
Located in Wellesley, MA
"Trace #14 " Mixed Media on Denril Paper, 49 1/2 x 42 Inches. Lyrical, vivid abstraction in red, blue, orange, burgundy, yellow, white and purple. Denril paper is closely relate...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Mixed Media

Aerial # 7 Large linear, watery, colorful abstraction blue, green, red, yellow
By Susan Sharp
Located in Wellesley, MA
"Aerial #7 " Mixed Media on Denril Paper, 24 x 45 Inches. Lyrical, vivid abstraction in yellow, red, blue, turquoise, pink white and black. This work can be read as a pure ab...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Mixed Media

"Trace #13" Large colorful watery abstraction yellow, purple, blue, red, purple
By Susan Sharp
Located in Wellesley, MA
"Trace #13 " Mixed Media on Denril Paper, 49 1/2 x 42 Inches. Lyrical, vivid abstraction in red, yellow, blue, pink, white and purple. Denril paper is closely related to tracing...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Mixed Media

"Trace #12" Large fluid abstraction, colorful, purple, yellow, turquoise, green
By Susan Sharp
Located in Wellesley, MA
"Trace #12 " Mixed Media on Denril Paper, 49 1/2 x 42 Inches. Lyrical, vivid abstraction in shades of yellow, blue, white and purple. Denril paper is closely related to tracing ...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Mixed Media

"Untitled" Black and White Linear, Calligraphic Drawing on Cream Paper
By Margo Margolis
Located in Wellesley, MA
"Untitled," Flashe on Paper, 30 x 22 Inches A highly sophisticated series of large and small paintings, drawings and monoprints by Margo Margolis, NY artist who recently retired as ...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Other Medium, Mixed Media

"In Every Direction 3" Abstract Modern Black White Red Mixed Media Geometric
By Nancy Berlin
Located in Wellesley, MA
In Every Direction 3, 2015, Mixed Media on Paper, 11 x 9 Inches (Image), 17 x 14 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of rectangular sh...
Category

2010s Abstract Geometric Abstract Drawings and Watercolors

Materials

Mixed Media

You May Also Like

Chevron Collage, Signed, de-accessioned from the Honolulu Museum of Art, Framed
By Kenneth Noland
Located in New York, NY
KENNETH NOLAND Untitled, for Trustees of the Honolulu Museum of Art, 1984 Mixed Media collage with silver and colored foil on board. Signed on verso (back) with personal inscription. "for Twig and Laila" (Trustees of the Honolulu Museum of Art), Deaccessioned from the Honolulu Museum of Art Collection Inscription done in black marker and reads: "A Little Exercise For Twig and Laila With Thanks For A Wonderful 3 Days At ' Cedar House' On The 'Big Island'... 1 Sept 1984 Honolulu Hawaii." Frame included Measurements Framed: 12.5" x 12.5" x .3" Artwork: 8.75" x 8.75" This reflective Chevron collage was de-accessioned by the Honolulu Museum of Art. In 2018, it was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri, and is reproduced in the exhibition catalogue. Unique signed and dedicated mixed media collage with silver and colored foil on board by the important Color Field painter Kenneth Noland. It's quite a dazzling work, combining color field, geometric abstraction with Op Art, as the work changes appearance and color with the reflected and refracted light. - sometimes appearing light; sometimes darker. See the photos -- there's a light one and a darker one - and they both depict the same work. What's so impressive is that this work literally changes color depending on how the light reflects against it. The artist wrote a personal and heartfelt inscription on the verso to "Twig and Laila". (Twig (sic), which the artist deliberately misspells, is Thurston Twigg Smith, former publisher of The Honolulu Advertiser, who was married to New York philanthropist Laila Twigg Smith. Laila had lived in Hawaii since 1970, where she and her husband had put together a substantial collection of contemporary art. Unfortunately, the two divorced in 1996 and soon after she returned to New York. Two years later, in 1998, Laila died of liver failure at the young age of only 53. Laila was a major philanthropist and art collector who moved from Manhattan to Hawaii. She was a board member of the New Museum of Contemporary Art in New York and a major donor the Honolulu Museum in Hawaii. Laila donated the present Ken Noland...
Category

1980s Abstract Geometric Mixed Media

Materials

Foil

Color Circle and Star, Marker on fabric print Hand signed (ed of only 20) Framed
By Polly Apfelbaum
Located in New York, NY
Polly Apfelbaum Color Circle and Star, 2004 Fabric Marker and Fabric Dye on Velvet Cotton Signed and dated in ink by the artist on the front with artist's inkstamp. Frame Included Si...
Category

Early 2000s Abstract Geometric Mixed Media

Materials

Fabric, Dye, Ink, Mixed Media, Permanent Marker

Grass Power, original unique signed drawing, hand signed and inscribed; Framed
By Mark di Suvero
Located in New York, NY
Mark di Suvero Grass Power, 1979-2014 Mixed Media drawing: marker, ink and pencil on paper Hand titled, signed and inscribed to Nadine by Mark di Suvero Frame included: Floated and f...
Category

2010s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Paper, Ink, Permanent Marker, Pencil, Mixed Media

Floreos
By Mark Lembo
Located in Boston, MA
About the piece: Floreo, "Flower" in Spanish, has special meaning in flamenco dance. Words that describe this piece:outsider, intuitive, blue, monochrome, dynamic, action, flamenco, movement Artist Biography: Mark A. Lembo Script M Abstract Art Mark’s dynamic work blurs the distinction between alcohol ink and watercolor - working with dyes, inks, liquid acrylic, liquid watercolor, and other aqueous media; lately, he has been incorporating metallic watercolor and pearlescent ink to his work. He has used canvas, synthetic Yupo™ paper, Yasutomo Mineral Paper, and various watercolor papers. Mark’s journey into the world of creative arts started with the question, “What would Jackson Pollock’s work look like if he had used transparent watercolors?” So, it was out with the pencils, pens, and brushes, and on to the pouring of various aqueous solutions. While mostly self-taught, Mark took a series of classes at the Creative Arts Group, Sierra Madre, CA, under Joe Stoddard, as well as seminars with Robert...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Mixed Media, Watercolor, Synthetic Paper

"Percy II"
Located in Astoria, NY
Domenick Capobianco (American, b. 1928), "Percy II", Mixed Media on Paper, 1983, pastels, abstract composition, titled lower left, signed and dated lower right, unframed. 45.25" H x ...
Category

1980s Abstract Expressionist Mixed Media

Materials

Paper, Pastel, Mixed Media

Untitled-059 mixed media on paper by John Von Wicht
By John von Wicht
Located in Hudson, NY
This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...
Category

1960s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Paper, Mixed Media