Ernest Rouart

Felines

Feline Back is an original drawing realized by Ernest Rouart between the end of the XIX Century and the beginning of the XX Century. On the back, there is a sketch realized in pencil...

The Feline is an original pencil drawing on paper realized by Ernest Rouart by the turn of the XX century. This drawing is hand-signed by the artist in red pen on the lower left. In...

Couple of Deers is an original drawing realized by Ernest Rouart in the early XX Century. Pencil on paper; signed on the lower right margin. The back of the artwork is sketched in pencil. Passepartout included (49 x 34 cm). Very good conditions. Very nice sketch representing a couple of little cute deers. The softness and the elegance of the contour lines reflect the great talent of Rouart, especially in the representation of animals. The proportions of the bodies are precise, clear, and simple. The artist realized many different sketches with deers and other animals in different poses. Ernest Rouart (Paris, 1874 – Paris, 1942) was a French painter, illustrator, engraver, and art collector. He was the son of Henri Rouart...

Monkeys is an original pencil drawing on paper realized by an anonymous artist in the XX century. Including a white cardboard passepartout: 49 x 34 cm. Good conditions, except for a light shading of paper. This fine modern artwork represents different sketches of monkeys in various poses. On the back of the drawing, the artist drew other monkey sketches. Ernest Rouart (Paris, 1874 – Paris, 1942) was a French painter, illustrator, engraver, and art collector. He was the son of Henri Rouart...

Animal Sketches is an original artwork realized by the French artist Ernest Rouart in the first half of the XX Century. Pencil on paper. Passepartout inc...

Portrait of Man is an original pencil drawing attributed to Ernest Rouart and realized in the late 9th Century. The artwork is in very good conditions and mounted on a white cardboa...

Expressive drawing of a beagle - in pointing stance mid-hunt - in pencil and chalk by French artist Louisette Poirier, signed lower right corner. Original artwork on paper displaye...

Original gouache and watercolor on brown archival paper of a standing crow in profile. Signed and dated lower right. Condition is good to very good. Colors of the bird are strong a...

Silverpoint and colored pencil on paper, 29 x 23 in. Signed (at lower right): Joseph Stella Executed about 1919 EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36 EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59 [November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...

Sven Berlin, (British, 1911 - 1999) Jacobs Sheep Pencil on paper Inscribed with title, signed and dated 'SVEN 99' (lower right) 5.1/4 x 8.5/8 in. (13 x 22 cm.) Sven Berlin, born in ...

Sven Berlin (British, 1911 - 1999) Hare Pencil on paper Signed, inscribed and dated `HARE’ (lower left), and ‘SVEN ‘79’ (lower right) 14.7/8 x 22.3/4 in. (37.8 x 57.8 cm.) Sven Berl...

"Two Horses" by Thomas Hart Benton (1889-1975) Signed Lower Right Without Frame: 7" x 10" With Frame: 16.25" x 19.25" Thomas Hart Benton was born in Neosho, Missouri on April 15, 1889. Even as a boy, he was no stranger to the "art of the deal" or to the smoke-filled rooms in which such deals were often consummated. His grandfather had been Missouri's first United States Senator and served in Washington for thirty years. His father, Maecenas Benton, was United States Attorney for the Western District of Missouri under Cleveland and served in the United States House of Representatives during the McKinley and Theodore Roosevelt administrations. Benton's brother, Nat, was prosecutor for Greene County, Missouri, during the 1930s. As soon as he could walk, Benton traveled with his father on political tours. There he learned the arts of chewing and smoking, and while the men were involved in their heated discussions, Benton delighted in finding new cream colored wallpaper on the staircase wall, at the age of six or seven, and drew in charcoal his first mural, a long multi-car freight train. As soon as he was eighteen, even though his father wanted him to study law, Benton left for Chicago where he studied at the Art Institute during the years 1907 and 1908. He continued his studies in Paris, where he learned delicious wickedness, aesthetic and otherwise. Once back home, he became the leader of the Regionalist School, the most theatrical and gifted of the 1930s muralists and as Harry Truman described him,"the best damned painter in America." Detractors said that Benton was "a fascist, a communist, a racist and a bigot"; the ingenious structure, powerful use of modeling and scale and the high-colored humanity of the murals and easel paintings are retort enough. He was a dark, active dynamo, only 5 ft., 3 1/2 in. tall. He was outspoken, open, charmingly profane; he had a great mane of hair and a face the texture of oak bark. He wore rumpled corduroy and flannel, and walked with the unsteady swagger of a sailor just ashore. He poured a salwart drink, chewed on small black cigars and spat in the fire. Benton was once described as the "churlish dean of regionalist art...