Frans Stracké

Diana - Ink Drawing by Frans Stracké - 19th Century

19th Century

Original China ink drawing on ivory colored cardboard, representing the biblical scene of the expulsion of Adam and Eve from Paradise. Hand-signed on the lower right margin, in black...

Original China ink drawing on ivory colored cardboard, representing grapes harvest, resembling a dramatic and satiric scene. Hand-signed on the lower right corner, in black ink, by "...

Original China ink drawing on ivory colored cardboard, representing a big naked woman laying down on the grass. Other smaller people are resting leaning on her body. Hand-signed on t...

Monkey is an original drawing in ink realized by Leo Guida in the 1970s. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements and historical te...

Edouard Detaille (1848-1912) An officer of the Gendarmerie Impériale, viewed of the back bears the monogram ED but it is not visible because it is hidden by the mounting of the frame...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

This artwork "Two Monkeys) is an original ink drawing on thick Bristol paper by American artist Lynn Gertenbach, b.1940. It is hand signed at the lower rig...

This original 1933 black-and-white line drawing titled "Pinto" by renowned New Mexico modernist artist Hilaire Hiler (1898-1966) captures a striking Native American figure wearing a feathered bonnet headdress, riding horseback. Rendered in fine ink on vellum, this drawing reflects Hiler’s signature style with clean, fluid lines that embody the modernist movement. The artwork is signed by the artist in the lower right corner, adding authenticity and value. Custom framing options are available to enhance this timeless piece. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and raised in Providence, Rhode Island, where he developed an early interest in art. He studied at the prestigious Rhode Island School of Design as a child, before pursuing further education at several renowned institutions, including the Pennsylvania Academy of the Fine Arts and the University of Paris. Hiler lived in Paris from 1919 to 1934, supporting himself as a jazz musician while continuing his artistic endeavors. After relocating to San Francisco in 1934, Hiler became involved with the Works Progress Administration (WPA), where he painted murals in the Aquatic Park...