Paper Animal Drawings and Watercolors

Louis Auguste Brun (Swiss 1758-1815), Study of a Hound Dog. Circa 1782. A skilled draughtsman and an outstanding painter of portraits, animals and landscapes, the Swiss artist Louis-...

Dutch School, 17th Century. In the manner of Herman van Swanevelt (1603-1655). Title: An Italianate Landscape. This work closely relates to a group called the Italianate painters. Th...

By Tom Shefelman 13" x 19" Watercolor on Paper

THE GALLERY PURCHASED AND FRAMED THE DRAWINGS DIRECTLY FROM THE INDEGINIOUS ARTISTS IN THE CHACO.. PROCEEDS WILL GO BACK TO THE ARTIST TO SUPPORT HIS FAMILY AND ART CAREER. Framed 16" x 18 " The drawings are floating on a mat behind conservation glass. More detailed images can be provided. Articles can be found by Googling " Fondation Cartier Paraguay" One of Efacio Avarez's drawing was displayed in Asuncion. See photo below. Also shown are other drawings available. These are Ink Drawings from Paraguay which are very difficult to obtain. I heard about them from a South American collector who is on the Top 200 Art Collectors in the World List. Most of the research is in Europe. These are done by the indigenous people in the Chaco Region of Paraguay. Efacio Alvarez...

Tammy Liu-Haller's "Stand Down" is an original, handmade charcoal and graphite drawing that depicts a dark cow looking directly at the viewer.

THE GALLERY PURCHASED AND FRAMED THE DRAWINGS DIRECTLY FROM THE INDEGINIOUS ARTISTS IN THE CHACO.. PROCEEDS WILL GO BACK TO THE ARTIST TO SUPPORT HIS FAMILY AND ART CAREER. Framed 16" x 18 " The drawings are floating on a mat behind conservation glass. More detailed images can be provided. Articles can be found by Googling " Fondation Cartier Paraguay" One of Efacio Avarez's drawing was displayed in Asuncion. See photo below. These are Ink Drawings from Paraguay which are very difficult to obtain. I heard about them from a South American collector who is on the Top 200 Art Collectors in the World List. Most of the research is in Europe. These are done by the indigenous people in the Chaco Region of Paraguay. Efacio Alvarez...

THE GALLERY PURCHASED AND FRAMED THE DRAWINGS DIRECTLY FROM THE INDEGINIOUS ARTISTS IN THE CHACO.. PROCEEDS WILL GO BACK TO THE ARTIST TO SUPPORT HIS FAMILY AND ART CAREER. Framed 16" x 18 " The drawings are floating on a mat behind conservation glass. More detailed images can be provided. Articles can be found by Googling " Fondation Cartier Paraguay" One of Efacio Avarez's drawing was displayed in Asuncion. See photo below. These are Ink Drawings from Paraguay which are very difficult to obtain. I heard about them from a South American collector who is on the Top 200 Art Collectors in the World List. Most of the research is in Europe. These are done by the indigenous people in the Chaco Region of Paraguay. Efacio Alvarez...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

ZDZISŁAW WIATR (born 1960) He graduated from the Academy of Fine Arts in Cracow, at the Faculty of Graphic Arts in Katowice, where in 1986 he received a diploma with the honourable m...

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Collage, pen, pencil, paint on paper, pen drawing on verso Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His wor...

119 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper, Year: 2023 Style: Classic Art,...

THE GALLERY PURCHASED AND FRAMED THE DRAWINGS DIRECTLY FROM THE INDEGINIOUS ARTISTS IN THE CHACO.. PROCEEDS WILL GO BACK TO THE ARTIST TO SUPPORT HIS FAMILY AND ART CAREER. The drawings are floating on a mat behind conservation glass. More detailed images can be provided. Articles can be found by Googling " Fondation Cartier Paraguay" One of Efacio Avarez's drawing was displayed in Asuncion. See photo below. These are Ink Drawings from Paraguay which are very difficult to obtain. I heard about them from a South American collector who is on the Top 200 Art Collectors in the World List. Most of the research is in Europe. These are done by the indigenous people in the Chaco Region of Paraguay. Efacio Alvarez...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...

THE GALLERY PURCHASED AND FRAMED THE DRAWINGS DIRECTLY FROM THE INDEGINIOUS ARTISTS IN THE CHACO.. PROCEEDS WILL GO BACK TO THE ARTIST TO SUPPORT HIS FAMILY AND ART CAREER. The drawings are floating on a mat behind conservation glass. More detailed images can be provided. Articles can be found by Googling " Fondation Cartier Paraguay" These are Ink Drawings from Paraguay which are very difficult to obtain. I heard about them from a South American collector who is on the Top 200 Art Collectors in the World List. Most of the research is in Europe. These are done by the indigenous people in the Chaco Region of Paraguay. Richart Peralta makes his living by ink drawing and working in the Mennonite community who helps out the Indigenous people throughout Paraguay. Notice the detail in the fine lines and in some drawings no line touches another. The artists draw scenes from their daily life such as the jungle. Deforestation has become a big problem for the Chaco region. Bic Ink from France donates the ink and the paper. Fondation Cartier Exhibit : The Fondation Cartier is pleased to welcome Efacio Álvarez...

THE GALLERY PURCHASED AND FRAMED THE DRAWINGS DIRECTLY FROM THE INDEGINIOUS ARTISTS IN THE CHACO.. PROCEEDS WILL GO BACK TO THE ARTIST TO SUPPORT HIS FAMILY AND ART CAREER. The drawings are floating on a mat behind conservation glass. More detailed images can be provided. Articles can be found by Googling " Fondation Cartier Paraguay" These are Ink Drawings from Paraguay which are very difficult to obtain. I heard about them from a South American collector who is on the Top 200 Art Collectors in the World List. Most of the research is in Europe. These are done by the indigenous people in the Chaco Region of Paraguay. Richart Peralta makes his living by ink drawing and working in the Mennonite community who helps out the Indigenous people throughout Paraguay. Notice the detail in the fine lines and in some drawings no line touches another. The artists draw scenes from their daily life such as the jungle. Deforestation has become a big problem for the Chaco region. Bic Ink from France donates the ink and the paper. Fondation Cartier Exhibit : The Fondation Cartier is pleased to welcome Efacio Álvarez...

THE GALLERY PURCHASED AND FRAMED THE DRAWINGS DIRECTLY FROM THE INDEGINIOUS ARTISTS IN THE CHACO.. PROCEEDS WILL GO BACK TO THE ARTIST TO SUPPORT HIS FAMILY AND ART CAREER. The drawings are floating on a mat behind conservation glass. More detailed images can be provided. Articles can be found by Googling " Fondation Cartier Paraguay" One of Efacio Avarez's drawing was displayed in Asuncion. See photo below. These are Ink Drawings from Paraguay which are very difficult to obtain. I heard about them from a South American collector who is on the Top 200 Art Collectors in the World List. Most of the research is in Europe. These are done by the indigenous people in the Chaco Region of Paraguay. Efacio Alvarez...

Original artwork on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured in many solo ...

Artist: Patricia Hunter - American Title: Sitting Ducks Year: 1985 Medium: Watercolor Sight size: 18 x 24 inches. Matted size: 24 x 30 inches Signatur...

"The Chicken", is ink on paper by Denver artist Edward Marecak (1919-1993) from the 1940's of an abstract depiction of a chicken in black and red. Presented in a custom black frame, outer dimensions measure 23 ¾ x 19 ¾ inches. Image size measures 15 ¾ x 11 ½ inches. Drawing is clean and in very good condition - please contact us for a detailed condition report. Provenance: Estate of the Artist, Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

Monotype on fine printmaking paper made with oil based etching inks and oil paint. One of a recent series of horse images reflecting my interest in the mo...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

This is a framed original drawing on paper. Adonna Khare is an America Artist mainly focused on carbon pencil on paper drawings. She received her Masters of Fine Art from California...

Watercolor and salt on cold press paper Black crow portrait with blue highlights on gold yellow background Hand-signed by artist Framing available Certifica...

In his drawings, with an apparently naive line and almost always in black and white, he creates a very recognizable universe of his own around fragility, unconditional love and self-...

The iconic subject matter from Botke's oeuvre often features birds, particularly white peacocks, geese, egrets, and cockatoos. Women artists are on fire and very much in demand today...

Acquired by American Legacy Fine Arts directly from the artist Exhibited The Imaginary, Carnegie Art Museum, Oxnard, California, March 10 – May 19, 2019 Framed 20.25" x 16.25" x 1....

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works.

'The Final Stretch', pastel on weighted art paper, by Maurice Empi (circa 1980s). One can almost feel the excitement of the horse race from this exuberant and colourful work of art. ...

Hercules after Carracci IV, 2014 Tempera on paper (Signed) 27 3/5 H × 39 2/5 W in. 70 H × 100 W cm On the subject of his new works the artist stated: “There is not enough orange, ...

A modern Chinese watercolor painting depicting three stallions running underneath a blazing sun.

Michael Tole is a figurative painter currently living in Tempe, AZ with his wife and daughters. A Texas native, most of his 20 year long career was spent in Dallas. After relocating to Tempe, his work experienced a significant shift from photo-based paintings of retail interiors to fantastical figurative inventions based on pop culture imagery he has encountered via his two daughters’ taste in music videos, and his proximity to Southern California and it’s particular brand of Disney-esque hedonism. Mr. Tole’s career includes shows in New York, Los Angeles, San Francisco, Dallas, and Miami. His work has been reviewed in Art Forum International...

Acrylic, watercolor, crayon on paper + frame

Ink on paper Kui Shui is a Chinese artist born in 1970 who lives and works in Shenzhen, China. Over the years, he researched the combination of animal spirit and image spirit to fin...

Follower of Zacharias Wagener (1614-1688) Tamanuâguasû (Giant Anteater) On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm ​The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German. ​ Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...

Susuwatari, 2021, ink and watercolor on watercolor paper. Black and White, fluffy cat, figurative. Framed, frame size 11.25 x 9.25 x 1.25

Ink on paper Kui Shui is a Chinese artist born in 1970 who lives and works in Shenzhen, China. Over the years, he researched the combination of animal spirit and image spirit to fin...

Ink on paper Kui Shui is a Chinese artist born in 1970 who lives and works in Shenzhen, China. Over the years, he researched the combination of animal spirit and image spirit to fin...

Ink on paper Kui Shui is a Chinese artist born in 1970 who lives and works in Shenzhen, China. Over the years, he researched the combination of animal spirit and image spirit to fin...

SALE ONE WEEK ONLY "Song of Songs Illustration" renders an important bibilical story that is celebrated during Jewish Passover. Song of Solomon, also called Canticle of Canticles, or Song of Songs, an Old Testament...

Scarlett Macaw Parrots and Ferns Watercolor, Large-Scale Horizontal Panorama A substantial horizontal watercolor of four Scarlett Macaw parrot...

Out of Darkness [2019] Original Figurative Graphite on paper Size: H:38.5 cm x W:49.0 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Out Of Darkness is created by using graphite pencils on 300gsm 140lb Bockingford paper. The original photograph that was used as reference was taken by myself, of a horse emerging from the darkness of it's stable. David Truman...

Provenance Acquired by American Legacy Fine Arts directly from the artist Exhibited The Imaginary, Carnegie Art Museum, Oxnard, California, March 10 – May 19, 2019 Framed 22.875" x...

Acrylic, watercolor, crayon, pencil on paper + frame

Colored Pencil on Color Paper

This is a Gyotaku method painting of two fish on a mulberry paper background. This fish impression using minimal color is akin to a fossil. The mulberry paper has a soft hue and slightly wavy texture adding the overall feel of the artwork. The artwork is framed and matted. The framed dimensions are 25 x 36.5 inches. Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...

Jeff Conroy Black Mirror, 2018 sumi ink on mulberry paper 25h x 37w in 63.50h x 93.98w cm [artwork is unframed. Contact gallery for framing options] Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...

Acrylic, watercolour, crayon & pencils on marouflaged paper with wooden panel & signed on reverse

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “Larry, The Show Pony...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “SRI” Materials : Chalk pastel and pencil on Arches Paper Date : 2018 Dimensions : 19 x 21 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. It’s apparent that Broghammer’s work has resonated with so many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. “Animals” is for the animal lovers, students, teachers, collectors, writers, the young or old, and art historians alike. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

Gouche on hand made paper

In Miles Cleveland Goodwin’s soulful compositions, he narrates the story of his life. Goodwin responds to his environment, the lives of those living around him, and the mysteries of ...

Soap clouds, 2014 Acryl, fineliner and colored pencil on paper 13.97 H x 19.68 W in 35.5 H x 50 W cm Raluca Arnăutu creates a zoomorphic world, where ...

Gouche on hand made paper

"Kind of Like a Cow" is an original ink drawing/painting by Dan Muller. It is divided into three separate pieces of paper. The left and center papers depict the front and back half o...

Amusing black and white ink drawing of a horse being startled by a small figure or vice versa by artist Irmgard Von Reppert, circa 1960. Original artwork on paper displayed on a ...

A Professor of painting at Southern Methodist University in Dallas since 1984, Barnaby Fitzgerald spent his childhood in Italy before receiving a Magistero degree in printmaking at t...

This is a unique hand colored work. A one color screen print is used as a foundation, measuring 11x 14 inches. This is from my ongoing snoopies series I began in 1999. When I was a ...