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Matt KinneyPanthera V (Panther)2022
2022
$7,100
£5,371.64
€6,199.70
CA$9,916.72
A$11,025.50
CHF 5,771.19
MX$135,224.14
NOK 73,481.79
SEK 69,375.52
DKK 46,264.21
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About the Item
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France.
Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork
In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization.
Matt Kinney (b. 1970) is a painter and sculptor working in Beacon, NY. Born in Georgetown, Massachusetts, Kinney attended Pratt Institute as well as the School of the Museum of Fine Arts. He moved to the Hudson Valley in 2003 and has been creating work in and around the region ever since while exhibiting in Beacon, New York City, Hong Kong, Mainland China and beyond.
Animal, Africa, black and white, abstract, spirit animal, wild animals, leopard, wild cats, big cats, leopard print, tiger, panther, jaguar, oil painting, oil paint, monochromatic, large-format, stretched linen, panther
- Creator:
- Creation Year:2022
- Dimensions:Height: 72 in (182.88 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU1111202522

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This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France.
Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork
In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization.
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This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France.
Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork
In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization.
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This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France.
Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork
In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization.
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Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
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Buenos Aires 1984
Training
2002-2015 National University of Arts of Buenos Aires
2007-2011 Scholarship at Guillermo Roux Foundation, Buenos Aires
2013-2014 Workshop with Ana Gallardo and Pablo Siquier
2011-2012 Scholarship in School of Contemporary Art Projects
Solo Exhibitions
2019 SALTO DE FE (Leap of Faith), Cazadores Foundation, Buenos Aires, Argentina
PRINCESA FOREVER, Mercado de Arte de Córdoba, Argentina
2018 AUTOGESTIÓN DEL CARIÑO (self-management of loving), Recoleta Cultural Center, Buenos Aires
LA FAVORITA (the favourite) Selvanegra Gallery, Buenos Aires, Argentina
CAPTACIÓN-ABDUCCIÓN (captation-abduction), ESSA Gallery, Unquillo, Córdoba
2017 SOLO QUIERO QUE ME QUIERAN (i just want to be loved), Women's Museum, City of Córdoba, Argentina
Residencies and Fellowships
2019 IMAN Program in La Verdi Recidency, CD México
ERROR Residency, Puebla, México
LeoTours short Recidency Program, Corrientes, Argentina
2016 Bicentennial Grant for Creation, National Arts Fund of Argentina
Residence Grant in “Sala_Taller Proyect” EAC (Contemporary Art Space) Montevideo,Uruguay
2015 Marabunta Studio Visit
Awards
2019 73° National Hall of Arts Castagnino-Macro Museum, Rosario, Argentina, Selection
Prize to Exhibition Project PIPA, Buenos Aires, Argentina
ArteBa Foundation acquisition program for Meliá Hotel, Buenos Aires Argentina
2018 45th Tucumán Hall of Arts, Timoteo Navarro Museum, Tucumán, Argentina, Selection
2017 Prize to Exhibition Project, Recoleta Cultural Center, Buenos Aires
106° National Hall, Installations and Media Selection, Buenos Aires, Argentina
2016 Biennial MBA-MAC Bahía Blanca, Buenos Aires, Acquisition Prize
105° National Salon of Visual Arts of Buenos Aires, Mention in Painting
106° National Hall, Installations and Media Selection, Buenos Aires, Argentina
2014 Provincial Hall of Young Paintors, Auditorium of Mar del Plata, Buenos Aires, Argentina
Collective Exhibitions
2020 Open studio, La Verdi Recidency, CD México
2019 UV Studios, Perfuch 4k , Buenos Aires , Argentina
Ruth Benzacar Gallery, Bienalita, Buenos Aires, Argentina
ArteBA art fair, Imperio Serie, Buenos Aires, Argentina
National University of the South, Open all the becomings, Feminisms, identities and activisms, Bahía
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2018 Cultural Center of Memory Haroldo Conti, (Between) Policies of privacy, Buenos Aires, Argentina
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