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Sidney Nolan
Cow Lying

1955

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  • Bull from Drought Series
    By Sidney Nolan
    Located in GLEN IRIS, AU
    Sidney Nolan ​ Bull from Drought Series ink, coloured pastels and gouache, signed on the reverse 25 x 31cm Provenance: Estate of the artist The following works on offe...
    Category

    1950s Post-Modern Animal Drawings and Watercolors

    Materials

    Crayon, Pastel, Ink, Pencil

  • Etude de fleurs (recto)/ étude de personnes (verso)
    By Louis Valtat
    Located in GLEN IRIS, AU
    Louis Valtat ​ Etude de fleurs (recto)/ étude de personnes (verso) ​ pencil, signed with estate stamp, 21.5 x 27 cm ​ Provenance: Private Collection, Paris ​ Note: This do...
    Category

    Late 19th Century Post-Impressionist Figurative Drawings and Watercolors

    Materials

    Ink, Pencil

  • Composition
    By Jean Signovert
    Located in GLEN IRIS, AU
    Jean Signovert Composition ink, signed lower left, 36.5 x 25.5cm Provenance: Loiseau, Saint-Germain en Laye, April 1989; Collection Weil Thenon, Paris Signovert initially trai...
    Category

    Mid-20th Century Abstract Abstract Drawings and Watercolors

    Materials

    Ink

  • Composition
    By Jean Signovert
    Located in GLEN IRIS, AU
    Jean Signovert ​ Composition gouache, signed lower right, 20.5 x 15cm Provenance : Vente Pescheteau, Paris, November 1992; Collection Weil-Thenon, Paris Signovert initially trained as an engineer before enrolling at the École des Beaux Arts Saint-Etienne in 1943. His progressive and radical attitude quickly attracted the attention of several influential artworld figures. Not least of those was Aimé Maeght who had just opened her famous Galerie Maeght in Paris, and Signovert would later exhibit there in important shows such as Sur Quatre Murs, Tendences, Le Noir est une Couleur, Les Mains Eblouies that championed the avant-garde of post-war Paris. His tremendous energy and erudition on abstract art brought Signovert great respect, admired by Jean Fautrier who became a lifelong friend, he became associated with the avant-garde elite such as de Stael, Giacometti, Calder, Poliakoff, Braque, Villon, and Henri-Georges Adam...
    Category

    Late 20th Century Abstract Drawings and Watercolors

    Materials

    India Ink, Gouache

  • Profil étrusque
    By André Derain
    Located in GLEN IRIS, AU
    André Derain ​ Profil étrusque ​ pencil, artist's atelier stamp lower right, 37 x 22 cm Provenance: Atelier Derain; André Charlemagne Derain; the sale of Madame Raymonde Knaublich Saint-Germain-en-Laye, 23 & 24 March 2002: Galerie Schmit...
    Category

    20th Century Portrait Drawings and Watercolors

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    Pencil

    Profil étrusque
    $2,240 Sale Price
    20% Off
  • Double-sided drawing- Homme (recto)/ Homme (verso)
    By Albert Marquet
    Located in GLEN IRIS, AU
    Albert Marquet ​ Homme (recto)/ Homme (verso) ​ Pencil, 26 x 15cm ​ Provenance: Galerie Schmit, Paris Albert Marquet was born in Bordeaux in ...
    Category

    Late 19th Century Post-Impressionist Figurative Drawings and Watercolors

    Materials

    Pencil

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    By Ragheb Ayad
    Located in Culver City, CA
    "Arabian Dressage" (double face) Painting 14" x 18" inch (1956) by Ragheb Ayad signed & dated Ink on Paper Ragheb Ayad was born in Cairo on the 10th of March 1892 and inscribed himself in the School of Fine Arts since its opening in 1908. After graduation, he taught art in the high Coptic school and made several trips on his own to France and Italy to complete his artistic education. He was the first to obtain a governmental scholarship to Rome, where he stayed for five years studying art at the Superior Institute of Fine Arts. Since his return to Cairo in 1930, he was assigned as director of the decorative section of the Faculty of Applied Arts. In 1937, he was named professor at the Faculty of Fine Arts and director of its free section. He was in charge of reorganizing the Coptic museum, and since 1950 became head of the Museum of Modern Art, where he made a special section in it for the great sculpture Mahmoud Mokhtar. Since 1924 and for half a century, he participated in most of the exhibitions of the ‘Cairo Salon’ plus organizing 40 solo exhibitions. Ragheb Ayad is considered one of the pioneers of Egyptian art in the 20th century alongside Mahmoud Mokhtar, Youssef Kamel, Mohamed Hassan, Mahmoud Said, and Mohamed Naghy. Ragheb Ayad is the first to get rid of the western influences and to create Egyptian art with its own solid identity. For the rest of his life, Ragheb Ayad was dedicated to the popular themes of Egyptian life, whether it is the cosmopolitan Cairo or the upper Egyptian villages and the small towns. He visited all these places, recording the pulsating life of the soaks, the moulids, the cafes, and the men and women dancers. Ragheb Ayad remained forever the painter of this true Egyptian universe. Ragheb Ayad is considered to be the first expressionistic painter who influenced the second and third generation of artists. Aside from the popular Ayad was attracted to the religious themes where he portrayed the flight of the holly family in Egypt and the birth of Jesus. Moreover, Ayad is known to be the first Egyptian artist to be influenced by ancient Egyptian art...
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  • Drink by the Lake
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