Anonymous 15th Artist

Dutch prayer book or Book of Hours with devotio moderna sensibilities

c. 1450-1475

Folio from a Book of Hours, c.1475 Delft (Holland) red, blue and black Ink on vellum, c. 1475 Unsigned as is usual Most probably created at the Church of St. Agnes, by the women of t...

Signed by the artist in ink lower right Preliminary sketch in reverse for the 1928 lithograph "Cornucopia," part of Dehn's Paris Lithographs portfolio An unsigned sketch of tw...

Veillee Sepulchrale Verso: Study of two figures in a landscape Pen and ink on rose colored Canson watermark paper, 1944 Signed in ink with the artist's initials lower center (see photo) Dated 1944 lower center; Titled in ink upper left corner (see photo) Provenance: Swann Galleries, 2010, realized $900. John Popplestone (1928-2013), Akron, OH collector, noted psychologist and author Berman brothers (painters) From Wikipedia, the free encyclopedia Jump to navigationJump to search This article is about the painters. For the American songwriters/producers, see Berman Brothers (producers). Eugene Berman in Italy in the 1960s Eugène Berman (Russian: Евгений Густавович Берман; 4 November 1899, Saint Petersburg, Russia – 14 December 1972, Rome) and his brother Leonid Berman (1896 – 1976[1]) were Russian Neo-romantic painters and theater and opera designers. Contents 1 Early years 2 Later years and death 2.1 Works 3 Legacy 4 See also 5 References Early years Born in Russia, the Bermans fled the Russian revolution in 1918. In Paris the Bermans exhibited at the Galerie Pierre where their work earned them the name "Neo-Romantics" for its melancholy and introspective qualities, having taken inspiration from the Blue Period paintings of Pablo Picasso. Other Neo-Romantic painters were Christian Bérard, Pavel Tchelitchev, Kristians...

Untitled (Inspired by a Chinese scroll painting) Collage with ink on 6 paper elements Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 4 x 12 inches Support...

Untitled (Abstraction) Ink on textured paper, c. 1958 Signed lower right "Scarlett" (see photo) Condition: Excellent Archival framing with OP3 Acrylic Sheet size: 21 3/4 x 30 inches Frame size: 28 1/2 x 36 1/2 inches Note: A rare mid to late 1950s example of the artist's abstract expressionist style. Provenance: estate of the artist Private Collection, Hudson River Valley, New York Rolph Scarlett B. 1889, GUELPH, ONTARIO; D. 1984, WOODSTOCK, NEW YORK Born on June 13, 1889 in Guelph, Canada, and into an artistic family, Rolph Scarlett spent his teenage years as an apprentice in his uncle’s jewelry firm and briefly studied at the Art Students League, New York. While working in the jewelry industry, Scarlett found time to paint and design theatrical sets in his free time, including one for the 1928 world premiere of Eugene O’Neill’s drama Lazarus Laughed (1926). In 1923, while on a business trip to Switzerland, Scarlett had met the artist Paul Klee and soon after abandoned his figurative painting style in favor of an abstract language that suggested more universal, cosmic truths. In 1937, after permanently settling in New York, Scarlett became acquainted with the artist and curator Hilla Rebay, the first director of the Museum of Non-Objective Painting (renamed the Solomon R. Guggenheim Museum in 1952). Rebay provided Scarlett with a Guggenheim Foundation scholarship to paint full-time and obtained several of his paintings for the museum’s collection. From 1940 to 1946, Scarlett served as the museum’s chief lecturer, giving Sunday afternoon talks on art. Through Rebay, Scarlett became acquainted with the nonobjective works of Rudolf Bauer and Vasily Kandinsky and further refined his abstract style. Works from this era such as Yellow Bar (1942) are defined by overlapping geometric planes of bright, primary colors set against mute backgrounds. Scarlett avoided any reference to the outside world and believed that nonobjective painting was an act, in his words, of “pure creation.” During his lifetime, solo shows of his work were held at the Jacques Seligmann Gallery, New York (1949); Sioux City Art Center, Iowa (1951); and Washburn Gallery...

Woman in a Fur Wrap Pen and ink heightened with white, c. 1920 Signed in ink lower right (see photo) Estate stamp verso (see photo) Provenance: estate of the artist Borghi & Company, New York Condition: excellent Sheet/Image size: 11 1/8 x 8 1/8 inches Rudolph Bauer 1889-1953 "Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...

As goldsmith Osman designed the Crown for the Investiture of the Prince of Wales in 1969, and as architect he commissioned Jacob Epstein's chef d'oeuvre, the Madonna and Child on the convent Osman rebuilt in Cavendish Square, W1 London after the war. From a large archive we acquired of his works from his daughter. To view more, scroll down to 'view all from this seller' and then search for 'Osman'. Louis Osman (1914-1996) Architectural Perspective Design for a Shop Front...

We are pleased to sell works on behalf of Celia RobertsBorn 1950 in Stafford Educated at Oxford University 1969-1973 BA Hons in Hebrew. She has exhibited in the Arterie Gallery in ...

Sir William Russell Flint. Scottish ( b.1880 - d.1969 ). Sir Lancelot and the Young Squire, 1911. Sir Thomas Malory's Le Morte Darthur. Watercolor. Signed & Dated.. Image size 10.6...

Johann Kaspar HUBER is a Swiss painter.

Johann Kaspar HUBER is a Swiss painter.

Rene Genis (French 1922-2004) “Guy au portrait de madame Descazeaux” / Guy (Bardone) in the portrait of Madame Descazeaux. Ink on paper laid down on matt board. Unsigned. Image siz...