Brad Fisher

"Beach Mom" Painting Mixed Media on Paper by Brad Fisher, REP by Tuleste Factory

2018

California Girls, 2018 Graphite, Rust Color Charcoal, and Japanese Watercolor on paper by artist Brad Fisher. Unframed. 9 × 12 in Shipping is not included. See our shipping polici...

Squirrels Just Wanna Have Fun, 2021 Graphite, Ink and Japanese Watercolor on paper by artist Brad Fisher. Unframed. 12 × 9 in Shipping is not included. See our shipping policies. ...

McQueen, 2020 Graphite, Ink and Japanese Watercolor on paper by artist Brad Fisher. Unframed. 12 × 9 in Shipping is not included. See our shipping policies. Please contact us for ...

God Save The Queen, 2021 Graphite, Ink and Japanese Watercolor on paper by artist Brad Fisher. Unframed. 12 × 9 in Shipping is not included. See our shipping policies. Please cont...

American Girl, 2018 Graphite, Ink, and Japanese watercolor on paper by artist Brad Fisher. Unframed. 12 × 9 in Shipping is not included. See our shipping policies. Please contact ...

French Teen Avec Chien, 2019 Rust color charcoal, ink and watercolor on paper by artist Brad Fisher. Unframed. 12 × 9 in Shipping is not included. See our shipping policies. Pleas...

Chryssa Repetition Signed lower right; titled on the reverse Gouache, watercolor, charcoal, and graphite on paper 15 x 11 inches Born and educated in Athens, Greece, Vardea Chryssa, known professionally as Chryssa, became a U.S. citizen and earned a reputation for her sculptured assemblages utilizing light from neon, and plexiglas combined with mixed media pieces. One of her pieces, Untitled Light Sculpture (1980) is 22 feet long and is installed in the atrium of a building at 33 Monroe Street in Chicago. It was programmed electronically to create changing patterns of reflected light through 900 feet of neon tubing. Chryssa's sculptures with precision and definite form were a reaction against the prevalent Abstract Expressionism of the 1950s with its emphasis purely upon the artist's intent. In her work, the focus is on materials and the way they are shaped for specific use by craftsmen. She got her early education in Athens, and first studied to be a social worker. She was then sent by the Greek Ministry of Social Welfare to the Dodecanese Islands and later to the Ionian Sea island of Zante, whose population had suffered great loss from earthquakes. Disillusioned that monies were being provided to restore monasteries but not to help other earthquake victims, Chryssa changed her life's direction to become a painter. In Athens, she studied art with Anghelos Prokopion. Then she went to Paris, France, and studied briefly at the Academie Grande Chaumiere and associated with surrealists Andre Breton, Edgard Varese, and Max Ernst. In 1954, she moved to San Francisco, California for a year of study at the California School of Fine Arts, and there she first saw the work of Jackson Pollock, which had a freeing affect on her and inspired her to experiment with pure form. But later she reacted against action painting with her assemblage sculptures of controlled precision. In 1955, Chryssa settled in New York City, and became the first artist to incorporate neon light tubing and commercial signs into sculpture. It is asserted that her "mature work grew out of the Greek experience, before and after World War II, wedded to the raucous letters, signs, symbols, and lights of Time Square, New York City" (Heller 125). In fact, she was so taken with the lights of Times Square that she unsuccessfully tried to get a job as a sign maker but was prevented by labor union rules. However, one of the members gave her sign-making lessons in his shop. She first made Pop images such as depictions of automobile tires and cigarettes and in sculptures, utilized letters of the alphabet, ideas that predated similar images by Jasper Johns and Andy Warhol. Her first major work of interwoven light and letters was Times Square Sky of 1962, but she was dissatisfied because she thought the piece was too crowded. To create a sense of breathing, she inserted neon light, and for the first time, this material became an art medium. From that time, she was prolific and created many variations based on the letters W and A. For her, a primary motivating factor was remaining cool or mentally collected amidst the onslaught of bombarding information and to process it through her creations in new ways so that nothing was repeated. She set up her own work place...

Figurative drawing with graphite, charcoal, and conte crayon on Arches paper 30 x 19 inches, unframed One piece of 30 x 19 inch Arches paper. Two drawings on opposite sides. These u...

it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...

watercolor, charcoal, graphite, ink on paper 19"x25" available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates ou...

Ink, watercolor, pencil, charcoal pencil on paper available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates outer...

Artist : Kory Twaddle Title : Blue Springs Semi Upper Level Materials : Colored pencil, marker, tempera, gouache, stickers, tape, glitter glue, pastel, oil pastel, acrylic, graphite...