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Ellen WagenerCanopy2024
2024
About the Item
pastel on paper
b. 1964
I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor.
I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings in the studio using the photographs, detailed notes, finished smaller sketches, and memory of a given place. The paintings reflect the process of combining gathered information on site with my memory and intuitive response to a particular place and time. My paintings are about a presence, or a sense of place, rather than a specific site. They offer the viewer an opportunity for a second glance, something often missed while traveling the highway in a climate-controlled car.
- Creator:Ellen Wagener (1962, American)
- Creation Year:2024
- Dimensions:Height: 41.25 in (104.78 cm)Width: 61.25 in (155.58 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Phoenix, AZ
- Reference Number:1stDibs: LU13714605712
Ellen Wagener
I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor. I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings in the studio using the photographs, detailed notes, finished smaller sketches, and memory of a given place. The paintings reflect the process of combining gathered information on site with my memory and intuitive response to a particular place and time. My paintings are about a presence, or a sense of place, rather than a specific site. They offer the viewer an opportunity for a second glance, something often missed while traveling the highway in a climate-controlled car.
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