Albert Vialé

Abstract Pen & Ink

c. 1930

French pen and ink surrealist drawing with female and avian elements, 1993. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a s...

Pen and ink drawing from French artist Jean-Baptiste Grancher, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. A...

Pen and ink drawing by German artist Werner Bell (1895-1978) of a pleasant afternoon in a bustling town, 1973. Signed "W. Bell" and dated lower left. Displayed on a white mat with ...

Vintage pen & ink line drawing of a couple posing for the artist on a sofa by French artist and film director Jean-Charles Lauthe, circa 1930. Origi...

Mid-century drawing on paper by artist Irmgard von Reppert, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archi...

Vintage French watercolor and ink fashion sketch of a simple dress jacket in grey and white by haute couture designer Serge Matta, circa 1960...

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

Inscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...

Provenance: Private Collection, UK After initial training under Justus Suttermans and Vincenzo Dandini, in 1673 Anton Domenico Gabbiani embar...

Provenance: Unidentified collector’s mark “D.G.R,” lower right (Lugt 757b) Wilhelm Suida (1877–1959), New York; by descent to: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA This impressive drawing of the Assumption of the Virgin is the work of the Genoese artist Giovanni Battista Paggi. The son of a nobleman, Paggi received a humanist education and was a self-taught artist. According to Paggi’s first biographer, Raffaele Soprani, it was only after encountering Luca...

Provenance: Elsie de Woolfe, Lady Mendl, Paris; by whom given in 1950 to: Arlene Dahl, New York (until 2021) Inventive, whimsical, and fantastic; delightful, imaginative, and maca...

Provenance: Wilhelm Suida; thence by descent to: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA. Moritz von Schwind had a long and varied career. He first trained at the Akademie der Bildende Künste in Vienna in the early 1820s, and by the 1840s held positions as professor of painting at the Städelsche Kunstinstitut in Frankfurt am Main and later at the Akademie der Bildenden Künste in Munich. Schwind was the painter and illustrator par excellence of medieval German...