Amita Bhatt

"A Fantastic Collision of the Three Worlds XVIII, " - Figurative Drawing

2013

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Unde...

This minimalist painting on paper is part of a series, which references a mantra of Bhatt’s, “life is a circus.” Floating in space, the characters portrayed in this work play out their roles, while remaining unaware of the full scope of their surroundings. Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. She has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Her works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, the artist mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation...

Georges Antoine Rochegrosse (1859-1938) A man sitted, Study for the decoration of the Salle des fêtes (Ballroom) of the Exposition Internationale, Paris 1900 Pencil and charcoal on thin yellow paper 29.5 x 20 cm In acceptable condition : Tears and creases as visible on the photographs. In a modern frame : 46 x 36.5 cm Annotations on the back of the mount (now under the modern frame) that identifiy this drawing as a preparatory study for the decoration of the Salle des fêtes (Ballroom) of the 1900 Paris Exposition Internationale. It's also indicated that Henri Bataille...

Charcoal drawing,1904. Dimensions: 62 x 50 cm Provenance: Galleria d’Arte Moderna Alberto Grubicy, Milan. A number of symbolist drawings done by Fornara in 1902 are known, includin...

WATERCOLOR ON PAPER HANDSIGNED LOWER RIGHT TITLED IN FRENCH " Hommage à Chagall" LOWER RIGHT IN FRENCH MINT CONDITION UNIQUE PIECE PINKHAS (Born in 1975) SOLOS EXHIBITIONS 2022 Gallery 55 TLV...

Leo Primavesi (1871 Cologne - after 1937 ): Costume study with theatrical gestures, c. 1890, Pencil Technique: Pencil on Paper Inscription: numbered lower left: "151 Date: c. 1890...

Carl August Walther (1880 Leipzig - 1956 Dresden): Lancer, Equipped Rider on Horseback, c. 1910, Pencil Technique: Pencil and Charcoal on Paper Stamp: Verso Estate stamp, Carl Walt...

Carl August Walther (1880 Leipzig - 1956 Dresden): Curious Faun, Voyeuristically Peering Over a Barrier, c. 1910, Pencil Technique: Pencil on Paper Stamp: At the bottom Estate stam...