Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Antonio Visentini
Prospectus ab Aedibus Flanginorum usque ad Bembos by Antonio Visentini-1742

1742

$1,010.97
£752.93
€850
CA$1,417.93
A$1,555.33
CHF 802.03
MX$18,576.90
NOK 10,172.13
SEK 9,542.61
DKK 6,479.08

About the Item

Etching and burin. Image dimension: 27.4x432 cm. Sheet dimension: 39x53.7 cm. From Urbis Venetiarum Prospectus Celebriores, ex Antonii Canal Tabulis XXXVIII. Aere expressi ab Antonio Visentini, a series published in 1742 by Pasquali in Venice in the first complete edition comprising thirty-eight views divided into three parts and numbered respectively I-XIV, 1-12, I-XII.  The Latin title in the center of the lower margin and the number "3" in the right corner. A very fine work in the first state of 4, before the appearance of the bilingual title and the change in numbering, on Venetian laid paper with a countermark in the letter "Z". Wide, untouched margins as originally issued. Excellent condition except for a small brown stain in the upper right corner. Ref. Succi (1986), 21. Succi (2013), 19.
  • Creator:
  • Creation Year:
    1742
  • Dimensions:
    Height: 15.36 in (39 cm)Width: 21.15 in (53.7 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
    1740-1749
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.a.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1568241stDibs: LU650317022952

More From This Seller

View All
Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum -by G.B. Brustolon- 1763
By Giovanni Battista Brustolon
Located in Roma, IT
Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration. On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin. Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341. This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete. Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks: Big cartouche with half-moon Big cartouche with letters “FO” and “AS” Bound and ripples on paper. In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation. Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes. Other four views are deeply inspired by Michele...
Category

1760s Old Masters Figurative Prints

Materials

Etching

Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768). Original Etching on Laid paper...
Category

1730s Modern Figurative Prints

Materials

Etching

Collegio Clementino - Etching by Giuseppe Vasi - Late 18th Century
By Giuseppe Vasi
Located in Roma, IT
Collegio Clementino is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled...
Category

Late 18th Century Old Masters Figurative Prints

Materials

Etching

Vestigie dell'Antico Ponte Trionfale - Etching by G. Vasi - 18th Century
By Giuseppe Vasi
Located in Roma, IT
Vestigie dell'antico Ponte Trionfale is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins with some foxings. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Etching

Collegio Romano - Etching by Giuseppe Vasi - Late 18th Century
By Giuseppe Vasi
Located in Roma, IT
Collegio Romano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled on ...
Category

Late 18th Century Old Masters Figurative Prints

Materials

Etching

Ancient Roman Fresco - Original Etching by Francesco Cepparoli - 18th Century
By Francesco Cepparoli
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparoli in the 18th Century. Signed on the plate on the l...
Category

18th Century Old Masters Figurative Prints

Materials

Etching

You May Also Like

Dipinto fiammingo figurativo paesaggio bamboccianti del XVII secolo
By Jacob Van Huchtenberg
Located in Florence, IT
Il Mercato a Piazza del Popolo è opera del pittore olandese Jacob van Huchtenburgh, nato a Haarlem e presente, nel corso dei primi anni Sessanta del Seicento, a Roma, a stretto conta...
Category

1670s Other Art Style Still-life Paintings

Materials

Oil, Canvas

View Venice Grand Canal See Landscape 18th Century Paint Oil on canvas Venice
Located in Riva del Garda, IT
Vedutist painter of the 18th century View of Venice with the Grand Canal, the Punta della Dogana with the Basilica of Santa Maria della Salute on the left, the Palazzo Della Zecca wi...
Category

18th Century Old Masters Paintings

Materials

Oil

Venice See Landscape Bella 18th Century Paint Oil on canvas Old master Italy
Located in Riva del Garda, IT
Gabriele Bella (Venice 1730 – Venice 1799) attributed View of Venice with the Guglie bridge (or the Cannaregio bridge, as it was formerly called) circa 1750/60 oil on canvas, ...
Category

18th Century Old Masters Paintings

Materials

Oil

Venice: 18th Century View of the Grand Canal by Lovisa
By Domenico Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal in Venice entitled "Veduta del Canal Grande dirimpetto la Pescaria di Rialto" by Domenico Lovisa, first published in 1720 in ...
Category

Early 18th Century Landscape Prints

Materials

Etching

FEOLI. Vedute del Museo Pio-Clementino
By Vincenzo Feoli
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...
Category

1790s Naturalistic Interior Prints

Materials

Engraving, Handmade Paper

Antique Print Depicting the Collegio Di Propaganda Fide in Rome, 1704
Located in Langweer, NL
Antique print titled 'Afbeelding van 't Collegio de Propaganda Fide, of voortplantinge des Geloofs'. Antique print depicting the Collegio di Propaganda fide in Rome. This print origi...
Category

Antique 18th Century Prints

Materials

Paper