Armando L. Balboni

Domini, Watercolor and Encaustic Painting by Armando Balboni

1970

Executed in an American Modern style reminiscent of Lyonel Feininger, this Robert Andrew Parker watercolor painting depicts a warship at sea. The work is signed and dated lower left....

Jose Ortega, Spanish (1921 - 1991) Title: Seated Woman and Bull Figure Year: 1962 Medium: Watercolor on BFK Rives, signed and dated l.l. Size: 20 x 25...

Artist: Lucio Ranucci, Italian (1925 - ) Title: Three Boys Year: 1969 Medium: Gouache, signed and dated Image Size: 19 x 11.5 inches Frame Size: 29.5 x 22 inches

An original watercolor illustration by Nicholas Riley, American (1900 - 1944) for the Saturday Evening Post 10/19/1940. The painting...

Artist: Georges d’Espagnat, Attributed to, French (1870 - 1950) Title: Boats on the Shore Year: circa 1910 Medium: Watercolor on Paper, signed Size: 4.5 x 7 in. (11.43 x 17.78 cm) Fr...

Artist: Marshall Goodman, American XXth Title: Fagin Teaching Boys to Steal (Oliver) I Year: circa 1960 Medium: Watercolor on Paper, signed in ink Size: 17 x 23 inches Frame: 21.5 x ...

Signed lower right Provenance: The Artist By whom gifted to Duncan Guthrie, 1952 Private Collection, UK Reference: HMF 2186b This drawing is one of the preparatory studies...

Untitled I and II by Daniela Padilla Mainero Individual Frame Size: 11.88 in. H x 15.13 in. W x 1.1 in. D Overall size: 23.76 in. H x 15.15 in. W x 1.1 in. D Vintage book pages where...

Davidoff creates drawings, paintings, prints and installations that consider intricate patterns in nature and the overlaying systems used to observe, map and define organic landscape...

"Sisters #4", 2019 by Valerie Hammond 72 x 35 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels ...

"Sisters #2", 2019 by Valerie Hammond 73 x 34.5 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels that are unframed, can be installed with magnets, but framing is recommended. In Valerie Hammond’s series of wax drawings, protection is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues long after they’ve been plucked from the ground. In outlining a pair of hands, she also secures a memory, or rather, “the essence of a gesture and the fleeting moment in which it was made.” Centered on limbs lying flat on Japanese paper, the ongoing series dates back to the 1990s, when Hammond made the first tracing “partly in response to the death of a dear friend, whose beautiful hands I often found myself remembering.” She continued by working with family and friends, mainly women and children, to delineate their wrists, palms, and fingers. Today, the series features dozens of works that are comprised of either hands tethered to the dried botanics, which sprout outward in wispy tendrils, or others over layed with thread and glass beads. Although the delicate pieces began as a simple trace, Hammond shares that she soon began to overlay the original drawing with pressed florals, creating encaustic assemblages that “echoed the body’s bones, veins, and circulatory systems.” She continued to experiment with the series by introducing various techniques, including printmaking, Xerox transfers, and finally Photoshop inversions, that distorted the original rendering...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The artwork "SOMETHING ELSE #2" uses materi...