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Arthur Rackham
Queen Victoria as The Lady in the Shoe

1891

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Abstract Figures and Landscape, Surreal Line Drawing Composition
By David Rosen (b.1912)
Located in Soquel, CA
Dynamic surrealist line drawing of figures in an abstracted landscape by David Rosen (Canadian, 1912-2004). Signed "Rosen" in the lower right corner. Presented in a new tan mat with ...
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Late 20th Century Surrealist Figurative Drawings and Watercolors

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Paper, India Ink

Mid Century Modernist Seated Nude Figure Study
By George Giusti
Located in Soquel, CA
Abstract nude figurative drawing by George Giusti, (Italian 1908-1990). India ink on gesso patterned drawing paper created in 1949. Signed “George Giusti 1949” in the lower right corner. Presented in a distressed giltwood frame with glass and a light pink and grey mat. Image size: 15.75”H x 10”W This extraordinary artist was born in 1908 in Milan, Italy, of a Swiss father and an Italian mother. He studied at the Brera Academy of Fine Arts in Milan and did graphic design there before deciding to move to Zürich, Switzerland, where he opened a design studio, which he operated for seven years. While on a visit to the United States in 1938, Giusti was induced to stay by the several excellent commissions that were offered to him, including the opportunity to collaborate with Herbert Matter on the design of the Swiss pavilion at the 1939 New York World’s Fair. Giusti is well known in Europe and America for his architecture and sculpture, as well as his graphics. He studied architecture in Milan and worked at it from time to time, producing stunning examples of contemporary design. For more than four decades in America, and before that in Italy and Switzerland, George Giusti’s graphic designs have graced the covers of Time, Fortune, Holiday and other major magazines, as well as most of the publications of the United States Information Agency, and Giusti had a twelve-year design association with Geigy Pharmaceuticals. He has done advertising and graphic designs, illustrations, trademarks, client and employee publications, package designs for major corporations, and drawings. He has succeeded to the extent that his designs are consistently ahead of their time. It is Giusti’s expressed intention to build a bridge between fine art and art for commercial use. He disdains the terms “fine” and “commercial” as defining a distinction which should not exist. Art is art, he believes, whatever its purported use. Exhibitions: George Giusti’s work has been exhibited in America’s large cities and in most of the capitals of the world. His portfolio has been published in Graphis, Switzerland, Idea, Japan, Gebrauschsgraphik, Germany, Pagina Art, Italy, and Communication Art, and The United States. Awards and Affiliations: Over the years, Giusti has garnered more than ten gold and silver medals and eighty other awards and citations. He is a member of the American Institute of Graphic Arts, Alliance Graphique Internationale, International Center for Graphic Art (Typographic Art...
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1940s Modern Nude Drawings and Watercolors

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Gesso, Paper, India Ink

Vintage Abstracted Expressionist Figurative Ink Drawing -- "How I REALLY Feel"
Located in Soquel, CA
Vintage Abstracted Expressionist Figurative Ink Drawing -- "How I REALLY Feel" Wonderful and evocative abstract expressionist ink drawing of a off-center standing male with slap-das...
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1970s Abstract Expressionist Figurative Drawings and Watercolors

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Figures in Motion with Roses - Pointillist Figurative Abstract
By Ben Black
Located in Soquel, CA
Highly detailed india ink abstract pointillist drawing of figures and roses with watercolor and gouache by Ben Black (American, 1922-2003), c.1990's. Signed "Ben Black" lower right. ...
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1990s Pointillist Abstract Drawings and Watercolors

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Paper, Watercolor, India Ink, Gouache

The Illustrator's Workroom at The San Francisco Call, Late 19th C. Illustration
By Adolph Methfessel
Located in Soquel, CA
Skillful late 19th century realist drawing of illustration Newspaper artists at work at the Republican National Convention by Adolph Methfessel (American, 1876-1912)., c.1898. This p...
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Early 1900s American Realist Figurative Drawings and Watercolors

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Paper, India Ink

Man with Telephone - Surrealist Black and White Portrait in Ink on Paper
Located in Soquel, CA
Man with Telephone - Surrealist Black and White Portrait in Ink on Paper Surrealist composition by an unknown artist (20th Century). A man dressed in a su...
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21st Century and Contemporary Surrealist Portrait Drawings and Watercolors

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Paper, India Ink, Pen, Pencil

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The drawing, India ink on paper, falls within the studies of antiquity popular in the Academies from the 18th century onward, and refers to the frieze of an ancient sarcophagus. Al c...
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Fontainebleau Forest, summer, #24.01 is an India ink and salt on paper drawing by the French contemporary artist Yann Bagot, dimensions are 76 × 56 cm (29.9 × 22 in). The artwork is...
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1.0 M (DETECTIVE COMICS), 3.2 M (ACTION COMICS) and 1.2M BAT MAN, Triptych, 2023 by Rodrigo Spinel From the series Currency Chinese ink on Fabriano pap...
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1.0 M (DETECTIVE COMICS) and 1.2M BAT MAN, Diptych. Drawing on paper
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1.0 M (DETECTIVE COMICS) and 1.2M BAT MAN, Diptych, 2023 by Rodrigo Spinel From the series Currency Chinese ink on Fabriano paper 250 g. Overall Frame size: 43 cm H x 68 cm W x 3 c...
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1.2M BAT MAN. Drawing on paper
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1.2M BAT MAN, 2023 by Rodrigo Spinel From the series Currency Chinese ink on Fabriano paper 250 g. Frame size: 43 cm H x 34 cm W x 3 cm D Image size: 30 cm H...
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Beach of Kusambe, Bali 1937
Located in Amsterdam, NL
Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...
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