Daniel Johnston

War is Hell High in the Sky - Figure Drawing on Paper, Outsider Art, Duck Wars

2010

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, Ho...

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, Ho...

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, How Are You (1983) album cover to the MTV Video Music Awards. Johnston’s art was inextricably connected to his music, and his pen and marker drawings of superheroes and anthropomorphized animals were critical to his cult appeal among music fans and art aficionados alike. Johnston lived with schizophrenia and bipolar disorder, which contributed to his work’s on-and-off categorization as outsider art; his visionary world...

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, How Are You (1983) album cover to the MTV Video Music Awards. Johnston’s art was inextricably connected to his music, and his pen and marker drawings of superheroes and anthropomorphized animals were critical to his cult appeal among music fans and art aficionados alike. Johnston lived with schizophrenia and bipolar disorder, which contributed to his work’s on-and-off categorization as outsider art; his visionary world...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

This exquisite painting by David Tinsley is a true masterpiece that showcases his unique style of outsider art. The piece is a double-sided painting, making it an exceptional additi...

Paper measures 21 X 33 inches Born and raised in Mississippi, Alex O'Neal graduated from Rhode Island School of Design and School of the Art Institute of Chicago. In the Eighties, his formal education overlapped regular visits with Mississippi self-taught artists, including Mary T. Smith, Luster Willis, and Son Ford Thomas. He later immersed himself in art brut collections and European art brut in Switzerland, Germany, and France. His work is also inspired by African-American self-taught outsider art. O'Neal's drawings and paintings have been shown at The Drawing Center, New York; BRIC, Brooklyn; P.S.122, New York; Johnson Museum of Art, Ithaca, NY; Woodruff Arts Center, Atlanta; Tennessee Arts Commission, Nashville; Mississippi Museum of Art, Jackson, MS; Centre d’Art des Pénitents Noirs, Aubagne, France; Contemporary Arts Center, New Orleans; Chicago Cultural Center; Ecomuseu, Valls d'Aneu, Spain; Amory Arts Center, West Palm Beach; Huntsville Museum of Art, AL; Rockefeller Art Center, SUNY Fredonia; ART LA; Field Projects, New York; LOG at Lump Gallery, Raleigh, NC; and Linda Warren Projects, Chicago. His work is in volumes 16, 38, and 104 of New American Paintings. His paintings and drawings idiosyncratically depict circumstances that associate Americans, i.e. dysfunction, nature worship, cults, homegrown terrorism, Hollywood, reverence for Native America. There is formal influence from stylization found in Romanesque fresco, early American portrait painting...

"What Came First, the Chicken or the Egg?" is an original watercolor and ink surrealist work by David Barnett, signed in the lower right corner. This piece pictures parts of the New...