Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

E.J. Henry
Relaxing in the Harem

1874

More From This Seller

View All
The Chestnut Seller, Victorian Watercolour Genre Scene
Located in London, GB
Brown ink and watercolour, heightened with white, signed lower right Image size: 18 x 14 1/4 inches (45.75 x 36 cm) Gilt frame Modern moral subjects were a special kind of genre that was invented by William Hogarth which satirised the manners and morals of the period in which the artist lived. They were particular in their frankness and often biting social satire. Genre painting became hugely popular in the Victorian age and towards the end of the nineteenth century a new focus for genre painting emerged. The Artist Joseph H Barnes...
Category

1860s Victorian Figurative Drawings and Watercolors

Materials

Paper, Watercolor

The Experiment, Dated 1838, Signed English Watercolour
By Alfred H. Taylor
Located in London, GB
Alfred H. Taylor The Experiment Watercolour, signed and dated 1838 Image size: 9 ½ x 8 inches
Category

19th Century Victorian Figurative Drawings and Watercolors

Materials

Watercolor

The Music Party, 19th Century Company School Watercolour
Located in London, GB
COMPANY SCHOOL 19th Century The Music Party Watercolour Image size: 4 ¾ x 7 ½ inches Acid free mount
Category

19th Century Victorian Figurative Drawings and Watercolors

Materials

Watercolor

Study for Last Sleep of Arthur in Avalon
Located in London, GB
Graphite on paper Image size: 7 1/2 x 9 inches (19 x 23 cm) Carved gilt frame Literature Illustrated in Malcolm Bell's 'Sir Edward Burne-Jones, A Record and Review', London, 1899, p.127. Provenance Major Charles Sydney Goldman 1958 By descent to his Sons John and Margaret Monck (John Goldman Monck) 1958-1963 Commander Victor Robert Penryn Monck (Victor Robert Penryn Monk Goldman) 1958-1963 Christie's London (Christie, Manson and Woods) 1963, John Monck and Cmdr Penryn Monck sale 26 April 1963 part lot 71 Sir John Richardson, 2019 Burne-Jones decided that the folds in the drapery in this study were too complex for the final painting and fairly soon after he simplified the draperies. The work is a drapery study for the seated figures at the centre of Sir Edward Coley Burne-Jones monumental The Sleep of Arthur in Avalon (Museo de Arte de Ponce, Puerto Rico). The artist spent seventeen years working on the complex narrative, even moving his studio to a larger space to accommodate the canvas. Born as a commission from his patron George Howard, 9th Earl of Carlisle, to decorate a wall in his library at Naworth Castle, The Sleep of Arthur in Avalon was left unfinished in Burne-Jones’ studio upon his death. The work was bequeathed to a studio neighbour whose descendants sold it at auction in 1963, where it was purchased by Luis A. Ferré, politician and founder of the Museo de Arte de Ponce. To his friends and family, Burne-Jones was known for his 'unpainted masterpieces'. Indeed, from his youth he made swift sketches, such as this study, that appeared effortless in contrast to his carefully crafted paintings and allowed him to work out ideas and refine details. He also drew outside of the studio, and his contemporaries remarked at his uncanny ability to do so while fully engaged in other activities. The painter W. Graham...
Category

19th Century Victorian Figurative Drawings and Watercolors

Materials

Graphite

American Soldier, 20th Century Signed Watercolour
By V. Ward
Located in London, GB
V Ward American Soldier Watercolour Signed and dated 1918, lower left Image size: 12 x 10½ inches
Category

20th Century Figurative Drawings and Watercolors

Materials

Watercolor

Soldier at Rest, 20th Century Signed Watercolour
By V. Ward
Located in London, GB
V Ward Soldier at Rest Watercolour and pencil Signed and dated 1918, lower left Image size: 13 x 11 inches
Category

20th Century Figurative Drawings and Watercolors

Materials

Watercolor, Pencil

You May Also Like

"Oh if brother would only let me have the key."
Located in Miami, FL
Signed "Violet Moore Higgins" in right-center image. Taped to board and matted. Story illustration for unknown publication. Though unconfirmed, it is possible this illustration was produced for The Little Lame Prince by Miss Mulock (Dinah Maria Mulock Craik) (Chicago: Albert Whitman Co., 1927, chapter VII). Violet Moore Higgins, born Violet Idelle Moore, attended the Art Institute of Chicago in the early 1900s, and then settled in New York as an illustrator for children's books and magazines. She has illustrated books like 'Pinocchio', 'Heidi', 'Hans Brinker' and 'The Three Bears'. In the 1910s she made 'Picture Puzzle...
Category

1920s Victorian Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Children Playing with the Baby /// Victorian Watercolor British Flowers Cottage
Located in Saint Augustine, FL
Artist: Ada L. Dennis (English, Late 19th Century-Early 20th Century) Title: "Children Playing with the Baby" *Initial signed by Dennis lower right Circa: 1900 Medium: Original Water...
Category

Early 1900s Victorian Figurative Drawings and Watercolors

Materials

Watercolor, Illustration Board, Board

Victorian Portrait of little baby Girl or Child playing with her toys
Located in Woodbury, CT
Wonderful Early Victorian English watercolor of a little girl. The piece is full of quality and precise brushwork giving the painting a great feeling. I think the frame is later poss...
Category

1830s Victorian Figurative Drawings and Watercolors

Materials

Watercolor

An Opulent Evening
By Guiseppe Aureli
Located in Missouri, MO
Guiseppe Aureli (1858-1929) "An Opulent Evening" c. 1880s Watercolor on Paper Signed Lower Right Site Size: approx. 30 x 20 inches Framed Size: approx. 37 x 29 inches Giuseppe Aureli (December 5, 1858 in Rome – 1929) was an Italian painter and watercolorist. His work is noted for its historical subject matter, portraits of Italian noble families as well as genre paintings and local scenes, especially work with Oriental themes. He received his early art education at the Academia de San Luca where he was the pupil of Pietro Gabarini and Cesare Maccari.[1] He exhibited in various exhibitions; including: The International Exhibition of 1888 in Munich and the World Fair of 1893 in Chicago, but his Oriental works were rarely included in these early exhibitions. Having his workshop at 48 Via Margutta in Rome, Aureli was in a position to exchange ideas with the most prolific Orientalist artists at that the time. He used the same staircase that led to a rabbit-warren of studios including those of Filippo Bartolini, Enrico Tarenghi...
Category

Late 19th Century Victorian Figurative Drawings and Watercolors

Materials

Watercolor, Laid Paper

Early 19th century French watercolor of figures in a wooded landscape
Located in Woodbury, CT
Well-drawn early 19th century French watercolor of a family in a wooded landscape. Framed in an antique water gilded frame, which might be the original to the piece. The quality o...
Category

Early 19th Century Victorian Landscape Drawings and Watercolors

Materials

Paper, Watercolor

“A Page of Love”
By Jean Leon Gerome Ferris
Located in Southampton, NY
Here is a wonderful original watercolor and gouache depicting a scene from Emile Zola book “A Page of Love” by the American artist, Jean Leon Gerome Ferris....
Category

1890s Victorian Figurative Drawings and Watercolors

Materials

Watercolor, Gouache, Archival Paper

Recently Viewed

View All