Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Francois-Marius Granet
“View of Porta San Paolo, Rome”

Circa 1815

About the Item

Brown ink and wash drawing with touches of watercolor and gouache by the French artist, Francois-Marius Granet. Signed lower left. Condition: Good. Provenance: Christie’s London sale 1993. Matted but unframed. The Porta San Paolo (San Paolo Gate) is one of the southern gates in the 3rd-century Aurelian Walls of Rome, Italy. The Via Ostiense Museum (museo della Via Ostiense) is housed within the gatehouse. It is in the Ostiense quarter; just to the west is the Roman Pyramid of Cestius, an Egyptian-style pyramid, and beyond that is the Protestant Cemetery. The original name of the gate was Porta Ostiensis, because it was located of the beginning of via Ostiense, the road that connected Rome and Ostia where functioned as its main gate. Via Ostiense was an important arterial road, as evidenced by the fact that upon entering the gate of the same name, the road split, with one direction leading to the famous Emporium, the great market of Rome. The gatehouse is flanked by two cylindrical towers, and has two entrances, which had been covered by a second, single-opening gate, built in front of the first by the Byzantine general Belisarius (530s–540s). The structure is due to Maxentius, in the 4th century, but the two towers were heightened by Honorius. Its original — Latin — name was Porta Ostiensis, since it opened on the way to Ostia. Later, it was renamed to the Italian Porta San Paolo, because it was the exit of Rome that led to the Basilica of St. Paul Outside the Walls. In 549, Rome was under siege; the Ostrogoths of Totila entered through this gate, because of the treason of the Isaurian garrison. On 10 September 1943, two days after the armistice between the Allies and Italy had been agreed, Italian military and civil forces tried to block German seizure of the city, with 570 casualties. Born in Aix-en-Provence, François-Marius Granet studied in the 1790s with Jean-Antoine Constantin and Jacques-Louis David, before travelling briefly to Rome in 1802. He returned to Italy and spent a further 21 years there as a member of a community of French artists, which included Jean-Auguste Dominique Ingres, François-Xavier Fabre, Pierre-Athanase Chauvin (1774-1832) and Nicolas-Didier Boguet (1755-1839). He was famous for his paintings of church and convent interiors. In 1824 Granet went back France to become a curator at the Louvre. He was later director of the Museum of French History at Versailles, a post he kept until the Revolution of 1848. He bequeathed to the town of Aix his own collection, which is now housed in the Musée Granet. So wrote the painter Jacques-Louis David of his one-time pupil François-Marius Granet. The son of a master mason, Granet learned drawing by copying his father's print collection before enrolling as a student at the free drawing academy in his hometown of Aix-en-Provence. In 1796 he traveled to Paris, where he studied Dutch and Flemish paintings in the Musée du Louvre. Before being accepted into David's studio, Granet earned his living painting mural decorations in private apartments. While with David, he developed an interest in medieval and royalist subjects--themes that would later dominate his work--but he soon had to leave for lack of funds. In Rome from 1802, Granet earned his living selling drawings of ancient monuments and painting biographical events from the lives of famous artists. Nearly twenty years later he reached the height of his success when he was awarded the Cross of the French Legion of Honor and the ribbon of the Order of Saint Michael. In 1826 he became a curator at the Louvre and later worked at Versailles.
  • Creator:
  • Creation Year:
    Circa 1815
  • Dimensions:
    Height: 4 in (10.16 cm)Width: 5.5 in (13.97 cm)Depth: 0.25 in (6.35 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Several tiny light foxing spots in sky.
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1414491011

More From This Seller

View All
“View of Pyramid Cestius, Rome”
By Francois-Marius Granet
Located in Southampton, NY
Brown ink and wash drawing with touches of watercolor and gouache by the French artist, Francois-Marius Granet. Signed lower left. Condition: Good. Provenance: Christie’s London sale 1993. Matted but unframed. The Pyramid of Cestius (in Italian, Piramide di Caio Cestio or Piramide Cestia...
Category

1810s Academic Figurative Drawings and Watercolors

Materials

Ink, Paper, Watercolor, Gouache

“India, 1912”
Located in Southampton, NY
Original watercolor and gouache on paper of a busy street scene in India done in 1912 by the American artist, William Henry Drake. Copyrighted signed and dated 1912 lower left. Condition is good. Recently professionally matted. Unframed. Overall matte size is 12 by 16 inches. Provenance: A Long Island, New York estate. William Henry Drake Born: 1856 New York Died: 1926 Los Angeles Nationality: American Education: Académie Julian, Art Students League of New York Known for: Painting, illustration Awards: National Academy Biography: Drake studied at the Académie Julian in Paris, with Jean-Joseph Benjamin-Constant and Henri Lucien Doucet. Back from Europe, he studied at the Cincinnati School of Design, and would often go to the zoo, where he could draw the animals. He was then employed by the Museum of Natural History. He continued to study at the Art Students League of New York. In 1878 he worked as a freelance pen-and-ink artist for such periodicals as Century or Harper’s with animal studies...
Category

1910s Academic Figurative Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

“Tsingtao, China 1912”
Located in Southampton, NY
Original watercolor and gouache on paper of a Tsingtao, China street scene in 1912 executed by the American illustrator, William Henry Drake. Copyrighted and signed and dated 1912 lower left. Condition is good. Recently professionally matted. Unframed. Overall mat size is 16 by 12 inches. Provenance: A Long Island, New York estate. William Henry Drake Born: 1856 New York Died: 1926 Los Angeles Nationality: American Education: Académie Julian, Art Students League of New York Known for: Painting, illustration Awards: National Academy Biography: Drake studied at the Académie Julian in Paris, with Jean-Joseph Benjamin-Constant and Henri Lucien Doucet. Back from Europe, he studied at the Cincinnati School of Design, and would often go to the zoo, where he could draw the animal...
Category

1910s Academic Figurative Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

“Nassau Harbor, Bahamas”
Located in Southampton, NY
Original watercolor and gouache on archival paper by the American artist, Martin Louis Lindsay. Signed, titled and dated top right. Done in 1944. Condi...
Category

1940s Academic Figurative Drawings and Watercolors

Materials

Watercolor, Gouache, Archival Paper

“Portrait of a Head”
Located in Southampton, NY
Late 18th century mixed media portrait of the head of an old man, perhaps the biblical figure Moses. Italian school . Composed of graphite, colored chalk, watercolor and gouache on ...
Category

1780s Academic Figurative Drawings and Watercolors

Materials

Chalk, Graphite, Paper, Watercolor, Gouache

“Portrait of a Head”
$1,440 Sale Price
20% Off
“Figures on Camelback along the Nile”
By Paul B. Pascal
Located in Southampton, NY
Wonderful original orientalist gouache by the well known French artist, Paul B. Pascal. Signed lower right. Circa 1885. Condition is excellent. The scene depicts figures on camelback along the Nile with pyramids in the background. Newly professionally matted and framed in antique style frame. Under glass. Overall framed measurements are 11 by 13 inches. Provenance: A Sarasota, Florida estate. Paul B. Pascal (1839–1905) was a French landscape painter. He did landscape paintings of the Middle East and the Mediterranean coast with gouache. After he emigrated to the United States in 1893, he did paintings of the American wilderness...
Category

1880s Academic Figurative Drawings and Watercolors

Materials

Gouache, Archival Paper

You May Also Like

British, early 20th Century oriental scene by female artist Katie Blackmore
Located in Petworth, West Sussex
Katie Blackmore (British, 1890 – 1957) Oriental fantasy Ink and gouache on paper Signed ‘K Blackmore’ (lower right) 9 x 8.3/8in. (22.8 x 21.2 cm.) A Scottish figurative and decorative artist, Katie Blackmore was closely associated with both Jessie Marion King...
Category

20th Century Academic Figurative Drawings and Watercolors

Materials

Paper, Ink, Gouache

Ludovico Marchetti, "Avant le tournoi", lavis
Located in BOULOGNE-BILLANCOURT, FR
Ce dessin est une réplique par Ludovico Marchetti de son tableau présenté à l’Exposition Universelle de 1878, "Avant le tournoi", reproduit dans la Gazette des beaux-arts du 1er juil...
Category

1870s Academic Figurative Drawings and Watercolors

Materials

Paper, Ink, Gouache

Boats at the Dock
By Stephen Seymour Thomas
Located in Dallas, TX
gouache with pen and ink signed "Seymour Thomas" at lower right
Category

20th Century Academic Landscape Drawings and Watercolors

Materials

Ink, Gouache, Pen

'Study for a Stained Glass Window', Devotional, Ecclesiastical, Pre-Raphaelite
Located in Santa Cruz, CA
A sensitively drawn and highly-detailed study for a three-panel set of stained glass windows showing the ascension of Jesus by angels and mortals. Initialed, lower right, 'EB-J', an...
Category

1920s Academic Figurative Drawings and Watercolors

Materials

Ink, Watercolor, Gouache

Vogue Magazine Illustration Turn of the Century - Woman Illustrator
By Helen Dryden
Located in Miami, FL
Early in the artist's career most likely for Vogue Magazine. Signed lower left. Helen Dryden (1882–1972) was an American artist and successful industrial designer in the 1920s and 1...
Category

1910s Academic Figurative Drawings and Watercolors

Materials

India Ink, Pencil, Graphite, Gouache

French 19th Century Romantic Period 1830s Paris Society Beauty Portrait
By Adele Grasset
Located in Norwich, GB
A astounding portrait of a society beauty by Adele Grasset (active ca 1830-1850). With an open face and and lightly smiling lips, she is wearing a gown typical of the romantic period. Drawn in graphite and heightened with white, the drawing is dated 1836 As often with woman artists of the 18th and 19th century, there is little biographical information available on Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...
Category

1830s Academic Portrait Drawings and Watercolors

Materials

Paper, Charcoal, Gouache

Recently Viewed

View All