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Gabrielle Poolmother and calf - Gabrielle Pool - Whimsical ink drawing of an giraffes2025
2025
$749.08
£550
€644.59
CA$1,050.02
A$1,156.87
CHF 598.87
MX$13,929.06
NOK 7,583.12
SEK 7,123.86
DKK 4,812.66
About the Item
This artwork masterfully captures two elegantly elongated giraffes rendered in watercolor, creating a distinctive impressionistic style. The composition showcases a mother and baby giraffe, their necks gracefully arching toward each other, embodying intimacy and connection. The minimalist use of negative space amplifies the figures’ presence, drawing attention to the details and fluidity of the watercolor technique. The hues transition seamlessly from warm amber to rich umber, accentuating the natural grace and dignity of these majestic creatures. The simplicity of the white background enhances the vibrant colors and expressive drips of paint, invoking a sense of movement and life. This piece uniquely combines simplicity with depth, inviting the viewer to explore the gentle, emotive bond between the two animals. The elegant framing complements the artwork’s balance and harmony, making it a serene yet compelling visual narrative.
A minimalist artwork, Pool employs a deftly controlled, almost calligraphic line.
Ink on paper
Signed by the artist
Certificate of Authenticity
Framed Size: 43 x 35 x 2 cm
- Creator:Gabrielle Pool (1977, New Zealander)
- Creation Year:2025
- Dimensions:Height: 17.72 in (45 cm)Width: 17.72 in (45 cm)Depth: 0.79 in (2 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Coltishall, GB
- Reference Number:1stDibs: LU1546217012482
Gabrielle Pool
New Zealand-born artist, Gabrielle Pool has been exhibiting since 1993 when she had her first solo show in Chiba-Ken at the age of 16. Since then her paintings and mixed media works have been exhibited in solo and group shows in New Zealand, Australia, Japan, China, the US, the UK, Greece and the Bahamas. Gabrielle was partly schooled in Japan, where her teacher, Mori Sensei, provided her with early inspiration. This led to a powerful and lasting oriental influence. In 2004 she began to record several of the world’s vanishing tribes – the Hamer Tribe in Ethiopia, the Maasai of Kenya, and more recently, the Indigenous women artists of Utopia in Australia’s Northern Territory. Gabrielle immersed herself in tribal life, often using sacred body paint pigments in her work. “My painting has always been driven by a desire to preserve and record the history of ancient people and their environments, in a world that seems to be trying its very best to eradicate them and ‘civilise’ them.” In 2005 Gabrielle was invited by Nelson Mandela to travel to Africa to collaborate in the production of the Unity Series, alongside 20 other leading international artists. The works depicted the five phases of Mandela’s life, culminating in his vision for the future, launched at the World Economic Forum at Davos in Switzerland in the same year. In 2007, Gabrielle was the subject of an hour-long TVNZ documentary about her career as an artist, while National Geographic Australia posted a feature article about her challenging views as an explorer.
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