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Gabrielle PoolRenée - Gabrielle Pool - Whimsical ink drawing of an African antelope2023
2023
About the Item
Gabrielle Pool's intriguing artwork showcases an abstract depiction of an antelope rendered in fluid washes of sepia and ochre. The deliberate use of ink creates a sense of motion and vitality, with the pigments bleeding into one another and forming soft, organic edges. The antelope’s silhouette is accentuated by bold, dark outlines that contrast with the ethereal lightness of its interior, giving it a striking visual impact. Minimalist yet evocative, the composition relies on the simplicity of its lines and the harmonious blending of colors to convey the essence of the creature. The artist’s restraint in detail invites viewers to engage their imagination, filling in textures and patterns. This piece exemplifies a masterful balance between abstraction and representation, capturing the spirit and grace of wildlife with elegant simplicity.
Gabrielle Pool’s inks on paper of African animals and people are simple and charming. Using an unforgiving medium she produces work that is delicately poised between reality and abstraction with an underlying humour that reflects a positive vision of the world and love of Africa.
A minimalist artwork, Pool employs a deftly controlled, almost calligraphic line.
Ink on paper
Signed by the artist
Certificate of Authenticity
Framed Size: 43 x 35 x 2 cm
- Creator:Gabrielle Pool (1977, New Zealander)
- Creation Year:2023
- Dimensions:Height: 13.78 in (35 cm)Width: 16.93 in (43 cm)Depth: 0.79 in (2 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Coltishall, GB
- Reference Number:1stDibs: LU1546216449422
Gabrielle Pool
New Zealand-born artist, Gabrielle Pool has been exhibiting since 1993 when she had her first solo show in Chiba-Ken at the age of 16. Since then her paintings and mixed media works have been exhibited in solo and group shows in New Zealand, Australia, Japan, China, the US, the UK, Greece and the Bahamas. Gabrielle was partly schooled in Japan, where her teacher, Mori Sensei, provided her with early inspiration. This led to a powerful and lasting oriental influence. In 2004 she began to record several of the world’s vanishing tribes – the Hamer Tribe in Ethiopia, the Maasai of Kenya, and more recently, the Indigenous women artists of Utopia in Australia’s Northern Territory. Gabrielle immersed herself in tribal life, often using sacred body paint pigments in her work. “My painting has always been driven by a desire to preserve and record the history of ancient people and their environments, in a world that seems to be trying its very best to eradicate them and ‘civilise’ them.” In 2005 Gabrielle was invited by Nelson Mandela to travel to Africa to collaborate in the production of the Unity Series, alongside 20 other leading international artists. The works depicted the five phases of Mandela’s life, culminating in his vision for the future, launched at the World Economic Forum at Davos in Switzerland in the same year. In 2007, Gabrielle was the subject of an hour-long TVNZ documentary about her career as an artist, while National Geographic Australia posted a feature article about her challenging views as an explorer.
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