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Everett ShinnGentleman Napping in a Chair (Possibly for Ichabod Crane or other Illustration)c. 1910
c. 1910
About the Item
Everett Shinn
"Gentleman Napping in a Chair" (Illustration)
Pen and Ink on Paper
Initialed "E.S." Lower Right
Displaying an early aptitude for drawing, coupled with a strong interest in mechanics, Everett Shinn left his small hometown of Woodstown, New Jersey for the Spring Garden Institute in Pennsylvania at the age of fifteen. After two years of technical study, Shinn gained employment designing gas light fixtures, a vocation which quickly bored the bright, young man . . . Shinn eventually enrolled at the Pennsylvania Academy of Fine Arts in the fall of 1893. . . and simultaneously secured an illustrator's position at the Philadelphia Press (Brian Paul Clamp. "Everett Shinn: Lights of the City and Stage (New York: Owen Gallery, 1996).
With the encouragement of Robert Henri, Shinn eventually moved to New York City, where he continued illustration work for various publications, but also began to exhibit his paintings in fine art venues. "Shinn's early paintings and pastels. . . reflect his interest in the depiction of city living, infusing his experience of reportorial illustration. Shinn's artwork, however, reveals the artist's equal enchantment with the more glamorous aspects of urban life.
In particular, Shinn's obsession with the theater may be seen in countless dynamic works which depict actresses, singers, and dancers on the stage, often compositionally related to the pastels of French Impressionist, Edgar degas
Source:
Brian Paul Clamp. The Eight: Bridging the Art of the Nineteenth and Twentieth Centuries. New York. Owen Gallery 1997).
- Creator:Everett Shinn (1876-1953, American)
- Creation Year:c. 1910
- Dimensions:Height: 17 in (43.18 cm)Width: 22.5 in (57.15 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Missouri, MO
- Reference Number:1stDibs: LU74734420521
Everett Shinn
Everett Shinn, a future member of the Eight and remarkable, rather theatrical personality was born at Woodstown, New Jersey in 1873. Even more recent sources give 1876 as the year of Everett Shinn's birth (Zurier, Snyder, and Mecklenburg, 1995, p. 224) but the artist usually lied about his age to appear younger than he actually was. Edith DeShazo (1974, errata sheet) claimed that information from family members established the date of November 6, 1876 as Shinn's birthday. But if this is true, he would have enrolled at the Spring Garden Institute in Philadelphia to study industrial art at the age of twelve. Born to a Quaker named Isaiah Conklin Shinn and Josephine Ransley Shinn, Everett was their third child. He enjoyed a happy childhood as an undisciplined boy fond of sweets, acrobatics, and the circus (DeShazo, 1974, pp. 15-17). Shinn opted for the Pennsylvania Academy of the Fine Arts for instruction in the fall of 1893, and began as a staff artist for the Philadelphia Press. At that time William Glackens was working there as well, while John Sloan was at the Inquirer. A year later, Glackens was at the Press, and also, in 1894, George Luks joined the staff there. As DeShazo explained (1974, p. 29), "the Press art department became a meeting place for men both on the staff and off with similar artistic and literary interests." Members of the same group also met at Robert Henri's studio. By 1897, Shinn was in New York, working for the New York World where Luks had been for about a year. The rest of the "Philadelphia Four" (artist-reporters) would follow them before long. Shinn spent much of 1898 hounding the offices of Harper's until finally, the editor and publisher, Colonel George Harvey saw his portfolio, then commissioned a view of the Old Metropolitan Opera House in a snowstorm. The pastel appeared about a year later in the February 17th issue of Harper's Weekly, in 1900. Meanwhile, Shinn kept busy with decorative work (murals, screens, and door panels) at private residences and even in Trenton, New Jersey's City Hall. In 1899, the Boussod-Valadon Galleries gave Shinn his first one-man show. He continued to carry out commissions for illustrations (see Bullard, 1968). Shinn began exhibiting at the Pennsylvania Academy (1899-1908) and at the Art Institute of Chicago (1903-43).
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