Giuseppe Danieli

"Mom and baby" Maternity, Mom, baby , 19th pencil cm. 20 x 13

1890

Little girl, child, red, blue, reading we send the work anywhere Shipping included OLGA BOGAEVSKAJA (Moscow, 1916 – St. Petersburg, 2000) Works by Olga Bogaevskaja can be found in v...

Children, Playing,Green, Blue,Russian art, 1970, Marina Evgenevna USPENSKAYA (Moscow, 1925 – 2007) Marina Evgenevna Uspenskaya was born in Moscow. She graduated from the 1905 Art C...

watercolor, forest, green Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patroniz...

Disegno espressionista Figura femminile Artista Italiano che ha dedicato la vita all'arte Edgardo CORBELLI (Torino, 1918 – 1989) MUSEI Orléans, Francia, Musée Collégiale Saint Pierre le Puellier Salon de...

Lanscape France,Ocean, France , grey, blue, azure,beach,cliffs, Normandy Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and adolesce...

Studio per costume teatrale Forse Balletto Uccello di fuoco Dimitri Bouchène (April 26, 1893 - March 6, 1993) is a Russian painter naturalized French in 1947. Creator of sets an...

Lubin de Beauvais (1873-1917) L'anse de Launay, a woman at the beach, 1911 signed, dated and titled "Anse de Launay, Loguivy Ploubazlanec, Bretagne,...

Pencil study portrait drawing of a child painting at an easel by French artist Charles-Jean Agard. The work is signed bottom left and presented in a carved wood and gilt frame with mount under glass. A very charming pencil study of a child sitting at an easel. Agard has beautifully captured the head and face in full, with the light and shade, the rest of the body and surroundings are in sketch form, the contrast between the two making for a very successful composition beautifully capturing the intensity of the sitter. Charles Agard...

Elegant portrait of an art student at work by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager work directly from the estate. This piece is on heavy bond paper with ragged edges. No frame. Joseph "Joe" Yeager (American, 20th Century) was raised in Cleveland Ohio, where he went to art school at night and started his art career at 19. He was a commercial artist for the Cleveland Press...

Portrait of an elegant woman by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager work directly from the estate. This piece...

"Mrs. Snell/Figure (reverse)" are two pencil drawings on paper by Henry Snell (New Hope, Pennsylvania / Gloucester, Massachusetts 1858 - 1943). Each drawing measures 5 3/4 x 3 3/4 inches and is conservation framed and matted in black, wood frames, and put behind glass. These drawings come from an original sketchbook...

A beautiful 1985 pencil drawing of actress Joan Collins by American artist Louis Nadalini (Italian, 1927-1995). Signed and dated "Nadalini 85" lower right. Unframed. Image, 20"H x 16"L. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...