Henry Hintermeister

Reading by the Fire

1940

Magazine illustration for "Home for Lunch," published in Ladies' Home Journal, March 1940. Oil on canvas. 27 x 32 inches. Signed "Sundblom" in lower left image. Medium: Oil on Canva...

Approximate Date: 1882 Medium: Watercolor on Card Stock Dimensions: 12.75" x 9.75" Signature: Signed Lower Left A Tale Under Candlelight, The Century Illustrated Monthly Magazi...

Medium: Pastel on Board Dimensions: 15.75" x 13.25" Signature: Signed Lower Right Readers Digest Cover Woman in Yellow Riding Crop

Medium: Oil on Canvas Signature: Signed and Dated Lower Left: Frank / Bensing / 31 Sight Size 33.00" x 28.00;" 31.50" x 37.00" The Country Gentleman...

Edouard Bernard DEBAT-PONSAN (Toulouse 1847 – 1913 Paris) By the Fireside Ink, wash, and gouache on paper 15 3/8 x 15 3/4 in 39 x 40 cm Monogrammed lower right “DP” Provenance Private collection, France This work is a preparatory study related to the artist’s painting Before the Ball...

Oil on panel Panel size: 10 x 8 inches each Framed size: 13 x 10.5 inches each A signed lower left B signed lower right

Hillary Hennes (1919-1993) Watching Over the Fire Pencil drawing 43 x 28 cm Hillary Hennes was a British artist and illustrator. Her father was a curator at the South London Art G...

We are pleased to present a captivating painting by the artist Sam Uhrdin (1886-1964). This beautiful artwork depicts a woman from Dalarna, sitting in front of a warm, glowing fire. The entire painting is bathed in a soft, radiant light, particularly illuminating her face and traditional white/red attire. The woman appears contemplative, lost in thought, perhaps thinking of someone dear to her heart. She is depicted in a kitchen, taking a moment to relax after a day's chores in her home. Sam Uhrdin's artistic journey began in the early 1900s, he traveled to Stockholm in 1903 to further continue his studies in painting. He worked as a painter during the day and attended various evening schools in the evenings. In 1906, he journeyed to America to work as a sign painter, but he mainly ended up working as an upholsterer. Returning to Leksand in 1909 via London and Paris, his artistic talent gained recognition, and with the help of some patrons, he began studying at the Royal Academy of Fine Arts in 1911, occasionally attending Althin's painting school in Stockholm. Financial circumstances cut his study time short, and his skill as a portrait painter earned him numerous portrait commissions, which further occupied his time. In 1921, Uhrdin received a scholarship from the Royal Academy, enabling him to embark on a study trip in 1922 to the Netherlands, Belgium, and France, which he had to cut short due to his wife's illness. He later visited places like Spain and Portugal. Uhrdin's breakthrough came with his portrait of the former Prime Minister Nils Edén, which he executed in 1919. In 1921, he portrayed the participants of the Swedish Academy. Among other representatives of official Sweden captured by Uhrdin were Gustav V, Manne Siegbahn, Ludvig Stavenow, and bishops Gottfrid and Einar Billing. In 1932, he held a solo exhibition at Konstnärshuset in Stockholm, and he participated in various exhibitions, including the Swedish Artists' Association in Stockholm in 1917, Swedish Art at Valand-Chalmers in Gothenburg in 1923, Dalarna Artists displayed at Liljevalchs Konsthall in 1936, and the National Museum's traveling exhibition "Barnet i konsten" (Children in Art...