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Rick SindtFear of a Constantly Harrowed Heart - Male Nude Torso, Oil & Graphite on Paper2019
2019
$1,350
£1,025.36
€1,179.35
CA$1,886.21
A$2,103.34
CHF 1,097.43
MX$25,808.81
NOK 13,968.59
SEK 13,234.94
DKK 8,801.92
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About the Item
Rick Sindt's knowledge of the male physique is evident in this drawing of a nude male torso. The subject is tilted back with his head turned away, as if to shield himself from the viewer. This piece is unframed. Please contact the gallery for framing options.
Rick Sindt
Fear of a Constantly Harrowed Heart
oil, graphite on paper
32h x 26.25w in
81.28h x 66.67w cm
RIS023
Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its
exploration of queer culture in relationships and introspection. Beginning with a survey of
several photo archives, I overwhelmingly encountered pictures that fit into two distinct
categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes.
Working my way through these images, I reflected on D. A. Miller’s assertion that gay
identity, to which we have entrusted our politics and ethics, stands in an essentially reductive
relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented?
Rick Sindt
b. 1990, Hastings, MN,
EDUCATION
2013 North Park University, Chicago, IL - BFA
Magna Cum Laude
SOLO EXHIBITIONS
2016 Two Countries, Rogue Philanthropy, Chicago, IL
2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University;
Chicago, IL
GROUP EXHIBITIONS
2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL
Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B.
Arts Center, Chicago, IL
Collective: Process, Beans and Bagels, Chicago, IL
2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN
How We Make It, The Arts of Life, Chicago, IL
Collective: One, Albany Park, Chicago, IL
2014 ArtPrize, Bridgewater Place, Grand Rapids, MI
It’s About Time, Oak Park Art League; Oak Park, IL
All About Color, Juried Group Exhibition, Arterie Fine Arts, Naperville, IL
2013 Elevation: R.A.W. Natural Born Artists, Double Door; Chicago, IL
2012 Ensemble: R.A.W. Natural Born Artists, Double Door; Chicago, IL
I Made This This Summer I Made, North Park University; Chicago, IL
2011 Junior Exhibition, North Park University; Chicago, IL
A Testimony to Being, Swedish Covenant Hospital; Chicago, IL
- Creator:Rick Sindt (1990)
- Creation Year:2019
- Dimensions:Height: 32 in (81.28 cm)Width: 26.25 in (66.68 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:Seller: RIS0231stDibs: LU554310220452
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View AllThe Body is a History - Muscular Male Nude, Graphite Drawing on Paper
By Rick Sindt
Located in Chicago, IL
Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject sits on the ground with his body twisted away from the viewer. We see the defined musculature of his posterior. The artwork is framed in white wood with a black mat.
Rick Sindt
The Body is a History
graphite on archival paper
12h x 9w in
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RIS026
Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its
exploration of queer culture in relationships and introspection. Beginning with a survey of
several photo archives, I overwhelmingly encountered pictures that fit into two distinct
categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes.
Working my way through these images, I reflected on D. A. Miller’s assertion that gay
identity, to which we have entrusted our politics and ethics, stands in an essentially reductive
relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented?
Rick Sindt
b. 1990, Hastings, MN,
EDUCATION
2013 North Park University, Chicago, IL - BFA
Magna Cum Laude
SOLO EXHIBITIONS
2016 Two Countries, Rogue Philanthropy, Chicago, IL
2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University;
Chicago, IL
GROUP EXHIBITIONS
2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL
Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B.
Arts Center, Chicago, IL
Collective: Process, Beans and Bagels, Chicago, IL
2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN
How We Make It, The Arts of Life, Chicago, IL
Collective: One, Albany Park...
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Knit - Original Graphite Drawing on Panel of Nude Male Figures
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"Knit" by Rick Sindt is a small graphite drawing of two male nude figures. The faces are somewhat obscured as we view this intimate moment. The graph lines often used by artist are...
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By Eduardo Alvarado
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EDUARDO ALVARADO
b. Spain, 1972
EDUCATION
1990-95 Licenciado en BB AA
La Facultad de BB AA de la UPV, Bilbao
La Facultad de BB AA de San Fernando, Madrid
SOLO EXHIBITIONS
2018 Casa del Libro, Logroño
2016 Casa de Cultura. Miranda de Ebro
2015 Casa de Cultura. Miranda de Ebro
Galería Espiral, Noja
2014 Galerie d´Art Anne Broitman. Biarritz, France
2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia
Centro Cultural La Vidriera, Maliaño
The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia
2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria
Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia
Manos para qué os quiero. Logroño
Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander
Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian
2011 Galería Espiral, San Miguel de Meruelo
Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia
Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia
Exit Art Gallery (Fundación Adolfo Dominguez...
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Untitled - After Cadmus - Nude Males Embracing, Original Graphite Drawing
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This untitled work by Rick Sindt was inspired by the works of Paul Cadmus. It is a small graphite drawing of two male nude figures with both of their faces somewhat obscured during an intimate moment. The graph lines often used by artist are still visible to distinguish between the photographic elements of a Polaroid photo and this actual drawing. The piece is framed in a white float frame measuring 12.5h x 10.5w inches.
Rick Sindt
Untitled - After Cadmus
graphite on panel
10h x 8w in
25.40h x 20.32w cm
Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its
exploration of queer culture in relationships and introspection. Beginning with a survey of
several photo archives, I overwhelmingly encountered pictures that fit into two distinct
categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes.
Working my way through these images, I reflected on D. A. Miller’s assertion that gay
identity, to which we have entrusted our politics and ethics, stands in an essentially reductive
relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented?
In the body of work submitted here, black and white graphite drawings maintain a
Polaroid scale referencing the found historical photographs on which they are based, oil paintings provide isolated moments of feeling as they investigate questions about queer dispositions in a contemporary setting, and a few key sketches provide insight into how a few individual inquiries began.
Rick Sindt
b. 1990, Hastings, MN,
EDUCATION
2013 North Park University, Chicago, IL - BFA
Magna Cum Laude
SOLO EXHIBITIONS
2016 Two Countries, Rogue Philanthropy, Chicago, IL
2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University;
Chicago, IL
GROUP EXHIBITIONS
2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL
Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B.
Arts Center, Chicago, IL
Collective: Process, Beans and Bagels, Chicago, IL
2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN
How We Make It, The Arts of Life, Chicago, IL
Collective: One, Albany Park...
Category
2010s Contemporary Figurative Drawings and Watercolors
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Category
2010s Contemporary Figurative Paintings
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