Joe Lasker

Red Plume

11" x 14" Unframed Original - Watercolour, Pen & Ink Hand Signed by Joe Lasker Joe Lasker painted this piece while reflecting on his memories from Europe, where he was in the army d...

12" x 9" Unframed Original - Ballpoint Pen and Watercolour Paint on Board with Silver Leaf Hand Signed by Johnathan Ball

12" x 9" Unframed Original - Ballpoint Pen and Watercolour Paint on Board Hand Signed by Johnathan Ball

7" x 5" Unframed Original Ink on Paper Hand Signed by Ronnie Wood

11" x 6.5" Unframed Original - Watercolour Hand Signed by Joe Lasker 1948 Lasker painted this piece in 1948, while he was staying at San Miguel de Allende, Mexico, where he used to ...

8" x 15" Unframed Original - Watercolour Hand Signed by Joe Lasker

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

Inscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...

Provenance: Private Collection, UK After initial training under Justus Suttermans and Vincenzo Dandini, in 1673 Anton Domenico Gabbiani embar...

Provenance: Unidentified collector’s mark “D.G.R,” lower right (Lugt 757b) Wilhelm Suida (1877–1959), New York; by descent to: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA This impressive drawing of the Assumption of the Virgin is the work of the Genoese artist Giovanni Battista Paggi. The son of a nobleman, Paggi received a humanist education and was a self-taught artist. According to Paggi’s first biographer, Raffaele Soprani, it was only after encountering Luca...

Provenance: Elsie de Woolfe, Lady Mendl, Paris; by whom given in 1950 to: Arlene Dahl, New York (until 2021) Inventive, whimsical, and fantastic; delightful, imaginative, and maca...

Provenance: Wilhelm Suida; thence by descent to: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA. Moritz von Schwind had a long and varied career. He first trained at the Akademie der Bildende Künste in Vienna in the early 1820s, and by the 1840s held positions as professor of painting at the Städelsche Kunstinstitut in Frankfurt am Main and later at the Akademie der Bildenden Künste in Munich. Schwind was the painter and illustrator par excellence of medieval German...