Konstantin Bokov

Circle

1998

Another very pretty collage work influenced by Rousseau from the studio of this talented Welsh artist. Image 16" x 16" Framed 22" x 22"

In this series entitled "The People People," Tracy Crump uses washes of grey, white and aqua to both conceal and reveal sensitively drawn figures. Each figure stands alone as an indi...

Graphite and coloured pencil on paper Signed and dated on the back Unique work In Geneviève Seillé’s works, the word reigns in master. It fascinates her for its own appearance and becomes an esthetic entity in itself. When she was a child, she experienced an intense pleasure to hear the sound of the nib filled with ink on the paper. Later, she tried to experience this feeling again while creating. Since 1995, she started inventing her own words and was led by her mental fascinations. Lines and colours melt symmetrically and repeatedly. She leaves no place for emptiness. In the mysterious zone of creation, full of improvisations and chaos, she entirely fills the space with all sorts of signs and collages and it all harmonizes in the end. She offers a vision of creatures, invented anatomies and words that fit together and show a new way of seeing, fascinating and dizzying. Geneviève Seillé was born in France in 1951. From 1970 to 1977, she taught in primary and secondary schools in France and England. In 1981, she graduated in Fine Art (BA) at Wolverhampton Polytechnic. From 1979 to 1988, she worked on performances as Le Banquet & Le Jardinier...

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting with Dickinson Roundell and Edward Nahem in New York, and Nahem has helped him find an eager audience among collectors in London and Europe. Marc Baseman has Exhibited with these artists: Larry Bell, Lynda Benglis, Vija Celmins, Ronald Davis, Wes Mills, Lee Mullican...

Paper measures 21 X 33 inches Born and raised in Mississippi, Alex O'Neal graduated from Rhode Island School of Design and School of the Art Institute of Chicago. In the Eighties, his formal education overlapped regular visits with Mississippi self-taught artists, including Mary T. Smith, Luster Willis, and Son Ford Thomas. He later immersed himself in art brut collections and European art brut in Switzerland, Germany, and France. His work is also inspired by African-American self-taught outsider art. O'Neal's drawings and paintings have been shown at The Drawing Center, New York; BRIC, Brooklyn; P.S.122, New York; Johnson Museum of Art, Ithaca, NY; Woodruff Arts Center, Atlanta; Tennessee Arts Commission, Nashville; Mississippi Museum of Art, Jackson, MS; Centre d’Art des Pénitents Noirs, Aubagne, France; Contemporary Arts Center, New Orleans; Chicago Cultural Center; Ecomuseu, Valls d'Aneu, Spain; Amory Arts Center, West Palm Beach; Huntsville Museum of Art, AL; Rockefeller Art Center, SUNY Fredonia; ART LA; Field Projects, New York; LOG at Lump Gallery, Raleigh, NC; and Linda Warren Projects, Chicago. His work is in volumes 16, 38, and 104 of New American Paintings. His paintings and drawings idiosyncratically depict circumstances that associate Americans, i.e. dysfunction, nature worship, cults, homegrown terrorism, Hollywood, reverence for Native America. There is formal influence from stylization found in Romanesque fresco, early American portrait painting...

Graphite, coloured pencil and collage on paper Signed and dated on the back Unique work In Geneviève Seillé’s works, the word reigns in master. It fascinates her for its own appearance and becomes an esthetic entity in itself. When she was a child, she experienced an intense pleasure to hear the sound of the nib filled with ink on the paper. Later, she tried to experience this feeling again while creating. Since 1995, she started inventing her own words and was led by her mental fascinations. Lines and colours melt symmetrically and repeatedly. She leaves no place for emptiness. In the mysterious zone of creation, full of improvisations and chaos, she entirely fills the space with all sorts of signs and collages and it all harmonizes in the end. She offers a vision of creatures, invented anatomies and words that fit together and show a new way of seeing, fascinating and dizzying. Geneviève Seillé was born in France in 1951. From 1970 to 1977, she taught in primary and secondary schools in France and England. In 1981, she graduated in Fine Art (BA) at Wolverhampton Polytechnic. From 1979 to 1988, she worked on performances as Le Banquet & Le Jardinier...