Linda Stein

Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.017

1975

Linda Stein, Profile Palette 426.011 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.011 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.010 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.010 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.007 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.007 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.024 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.024 is from Linda Stein's Profiles series--drawings, collages and...

Ayse Wilson is a Turkish-American artist who lives and lives and works in Connecticut. Her work draws from memory and emotion to remind viewers of youth, innocence and the timeless space we occupy when we are young. She creates lively and childlike characters, finding inspiration in the works of early Italian Renaissance masters such as Fra Angelico. Wilson graduated from Wellesley College in 1991, and pursued her education in Florence. She received her MFA at New York Academy of Art, and later worked as a painting assistant to Jeff Koons for two years. This current series employs the toile wallpaper samples that the artist had lying around her house during lockdown as a backdrop for ambiguous and complicated feelings toward quarantine and domestic confinement. In this work, she is hoping to narrate how fear of the pandemic unknown, coupled with household anxieties, and increased self-awareness contributed to the mixed emotions of security and hostility towards enforced domesticity within a masked world. The toile tradition represented a coincidental parallel with the COVID era rediscovery of old-fashioned pastoral lifestyles, and the embrace of self-reliant artisanal practices like cooking, gardening, sewing, and prescribed homeschooling. Her colorful inscriptions, some original, some appropriated, layer in our contemporary lifestyle, our modern methods of connectivity as well as our high-tech world. The punky playfulness of the neon and fluorescents contrasts with the backdrop of Fragonard-esque imagery and hopes to delivery her messages of love and connection, awareness and newness, hope and emotions, as well as the occasional glossily veiled hostility expressed in certain so-called “love” declarations. The phrases evolved from a previous series addressing the Me Too movement...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Born of the Covid pandemic, the team started working remotely, mailing artwork to each ...

This unique work of ink on paper is framed in a black frame with Anti Reflective glass. It is currently on exhibition at the Hearst foundation building in Manhattan as part of the Ar...

LESZEK RÓZGA (1924-2015) In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections of Albertina in Vienna, in Bibliotheque Nationale in Paris and in etchings collection of Ermitage in Petersbourg. Leszek Rózga created a series of colourful graphics inspired by travels and stories from his own life, sometimes bearing inspiration of the XX century masters: Mirò, Matisse and Picasso. He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...