Skip to main content
1 of 6

Louis Valtat
Etude de fleurs (recto)/ étude de personnes (verso)

You May Also Like

La Maison Rose, Les Andelys by Ludovic-Rodo Pissarro - Landscape, watercolour
By Ludovic-Rodo Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Maison Rose, Les Andelys by Ludovic-Rodo Pissarro (1878-1952) Watercolour, ink and ...
Category

1930s Post-Impressionist Figurative Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Pencil

Rue St Rustique, Montmartre and Sacré-Coeur Basilica, Paris. Watercolor and Ink.
Located in Cotignac, FR
Mid 20th Century drawing and watercolour of Rue St Rustique in Paris. The drawing is titled and signed bottom left but the signature is as yet undeciphered. Unframed but with a cut card mount. A charming view of one of the oldest streets in Montmartre and Paris leading up to the iconic Sacré-Coeur Basilica. The artist has captured all the charm of this treasured view. They have shown a mastery of their art and wonderful handling of the drawing and watercolour. A lovely evocative painting that would grace any collection or interior. This street in the old village of Montmartre, which existed before the eleventh century as a path, later became an alley that served as a boundary between the seigneuries of Saint-Denis and Montmartre. Called "rue Notre-Dame" around 1516, it is indicated on the map of Jouvin de Rochefort of 1672 as a road. It was classified as part of the Parisian road network by a decree of 23 May...
Category

Mid-20th Century Post-Impressionist Landscape Drawings and Watercolors

Materials

Ink, Watercolor, Pencil

'French Courtyard', Large School of Paris Drawing, Ecole des Beaux Arts, Lyon
By Denis Paul Noyer
Located in Santa Cruz, CA
Signed lower left, 'Denis Paul Noyer' (French, b. 1940) and created circa 1975. An exceptionally finely-detailed, silver point and colored pencil drawing showing a view of a Parisia...
Category

1960s Post-Impressionist Landscape Drawings and Watercolors

Materials

Metal

Draveil by LUDOVIC-RODO PISSARRO (1878-1952) - Watercolour on paper
By Ludovic-Rodo Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Draveil by LUDOVIC-RODO PISSARRO (1878-1952) Watercolour on paper 24 x 32 cm (9 1⁄2 x 12 5⁄8 inches) Titled and ...
Category

Early 20th Century Post-Impressionist Landscape Drawings and Watercolors

Materials

Watercolor, Paper, Pencil

Paysage de l'Aven by Ludovic-Rodo Pissarro - Watercolour, Coastal scene
By Ludovic-Rodo Pissarro
Located in London, GB
Paysage de l'Aven by Ludovic-Rodo Pissarro (1878-1952) Watercolour and pencil on paper 27 x 38 cm (10 ⅝ x 15 inches) Signed lower right, Ludovic Rodo Executed circa 1904 This work ...
Category

Early 1900s Post-Impressionist Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Pencil

Landscape with Gate by Orovida Pissarro - Drawing
By Orovida Pissarro
Located in London, GB
Landscape with Gate by Orovida Pissarro (1893-1968) Pencil on paper 25.7 x 20.4 cm (10 ¹/₈ x 8 inches) Executed circa 1917 Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category

1910s Post-Impressionist Figurative Drawings and Watercolors

Materials

Paper, Pencil

Recently Viewed

View All