Lucio Ranucci

Three Boys, Modern Gouache Painting by Lucio Ranucci

1969

Artist: Lucio Ranucci, Italian (1925 - ) Title: Boy on Carousel Year: 1969 Medium: Watercolor on paper, signed and dated u.l. Image Size: 20 x 12 inches Size: 27 x 20 in. (68.58 x 50...

Trio (61) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 18 in. x 20 in. (45.72 cm x 50.8 cm)

Artist: Lucio Ranucci, Italian (1925 - ) Title: Seated Boy Year: 1973 Medium: Oil on Canvas, signed and dated Size: 28 x 30 in. (71.12 x 76.2 cm) Frame Size: 35 x 37.5 inches

Ari Gradus, Israeli (1943 - ) - Boy and Dog by House, Year: circa 1975, Medium: Watercolor and Gouache on Illustration Board, signed l.l., Size: 14 x 20 in. (35.56 x 50.8 cm), F...

Watercolour and pencil on paper, 76cm x 51cm, (87cm x 61cm framed). Born in London to his renowned artist mother Elisabeth Frink RA and a French architect father, Michel Jammet, Ja...

Casein monotype by Santa Barbara artist Olga Higgins depicting 2 young boys playing together. Hangs in its original walnut frame.

Marc Swanson Three Men, 2017 graphite and collage on paper 13 3/4 x 10 3/4 in (34.9 x 27.3 cm) paper size 16 3/4 x 13 3/4 x 1 1/2 in (42.5 x 34.9 x 3.8 cm...

This artwork titled "Three Chidren" 1970 is an original color lithograph on B.F.K Rives paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed and inscribed "First Impressions" in pencil by the artist. Published by First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. The image size is 8.30 x 6.5 inches, framed size is 25.25 x 23.35 inches. it is beautifully custom framed in a wooden silver frame. It is in very good condition. See picture 4 and 5 for frame detail, the red mark on the frame are not damages, they are the way the finish is made. About the artist: Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...