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Paul GarinThe Ship - Tempera on Paper by Paul Garin - 1950s1950s
1950s
About the Item
The Ship is an original tempera drawing on paper, realized by the French artist Paul Garin (Nice, 1898-1963) in the 1950s.
Black ink stamp on the lower-right corner: "Catherine Charbonneux Commissaire Priseur - Atelier Garin".
The drawing represents a magnificent example of the cleverness of the author. Here, with a rapid and fresh sketch, is represents a ship.
Don't miss this very nice artwork!
Very good conditions except for some little tears along the margins and light folds.
- Creator:Paul Garin (1898 - 1963, French)
- Creation Year:1950s
- Dimensions:Height: 11.03 in (28 cm)Width: 15.56 in (39.5 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1035031stDibs: LU65035075442
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Artist Statement
"I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now.
As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space.
My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair.
Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it.
I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting.
My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration.
My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings."
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