Paul Sample

"Into the Ring"

circa 1940

Signed Lower Right Titled Lower Left Numbered Lower Center Josef Zenk (1904-2000) Josef Zenk was born in New York City in 1904. After graduating from high school he studied ...

Cut Paper Collage, Signed Lower Right Hilla Rebay was an avant-garde artist who believed deeply in the power of intuition while creating art. She was the progenitor of The Museum...

Anna Zinkeisen 1901-1976 A Boxing Tournment Oil on canvas, signed lower right Image size: 29 x 36.5 inches (73 x 93 cm) Original hand made frame A Boxing Tournament is a vivid and impactful snapshot of a professional boxing match from the late 1920s/1930s. It depicts the Len Harvey vs. ‘Kid’ Nitram fight held at the Royal Albert Hall on 19th January 1928, which Zinkeisen went to watch. The umpire of this match was the well-known Sam Russell. Here, Russell is seen wearing a dinner jacket as well as a shirt - an indication that this was a match in a professional tournament. Both Len Harvey and 'Kid' Nitram were esteemed boxers. Harvey boxed at every weight division available at the time, from flyweight to heavyweight and became the light-heavyweight and heavyweight champion of the British Empire. During the Second World War Harvey joined the Royal Air Force as an officer. Anna enjoyed noticeable publicity from the painting at the time. She appeared in photographs, alongside her sketches for the painting, in numerous newspapers including The Daily Mail (31st January 1928) and The Sketch (8th February 1928). This painting is featured in Highly Desirable: The Zinkeisen Sisters & Their Legacy by Philip Kellaway, page 178 (Leiston Press, 2008). The Artist Anna Zinkeisen was born at Kilcreggan, Dumbartonshire on 29 August 1901, the daughter of Victor Zinkeisen, a timber merchant, and his wife Clare. In 1901 the family moved to Middlesex. Anna and her sister Doris attended Harrow School of Art before they both won scholarships to the Royal Academy Schools, where Anna studied sculpture from 1916-1921, winning several medals. She received a commission for some plaques from the Wedgwood company and although her designs were awarded a silver medal at the Exposition des Art Decoratifs in Paris in 1925, she decided to specialise in portrait painting and mural work. In 1935, Anna and her sister Doris Zinkeisen were commissioned by John Brown & Co. (Shipbuilders of Clydebank) to paint the murals in the Verandah Grill of the famous ocean liner the RMS Queen Mary. Their work can still be seen on the ship, now permanently moored in Long Beach, California. They also painted murals for the Queen Elizabeth. In 1941, during World War II, the Zinkeisen sisters were both employed as war artists for the North West Europe Commission of the Joint War Organisation of the British Red Cross Society and the Order of St John...

Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...