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Pierre Etienne Moitte
Rare on the Art Market, A Drawing by Moitte, A Fashionable Couple, 1766

1766

Price:$1,071.52
$1,863.51List Price

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The Wounded Man by Caleb Althin, Mixed Media on Paper, Signed
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Located in Stockholm, SE
Caleb Althin (1866-1919) Sweden The Wounded Man Caleb Althin studied at the Academy of Fine Arts in Stockholm 1885–1894 with a few years break for studies abroad in decorative pai...
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The Man Who Stole the Magic Horn by Swedish Artist Caleb Althin
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Caleb Althin (1866-1919) The Man Who Stole the Magic Horn Caleb Althin studied at the Academy of Fine Arts in Stockholm 1885–1894 with a few years break for studies abroad in decor...
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Valley View with Pines and Distant Peaks, Sierra Nevada (Possibly Yosemite)
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Located in Stockholm, SE
This luminous gouache captures a majestic mountain vista, likely set in California’s Sierra Nevada (possibly Yosemite). Two broad granite peaks with sunlit faces dominate the backgro...
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Ballet Dancer by Jules Schyl, Pastel on paper, Similarities with Degas
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Located in Stockholm, SE
Jules Schyl (Sweden, 1893-1977) Title: Ballet Dancers A Ballet Dancer painting is a rare find for an artist mostly known for his oeuvre with Cubism and Expressionist paintings. The current painting has many similarities with Degas sketches...
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Jan Goeree (Middelburg 1670 – Amsterdam 1731) Interior of the Nieuwe Kerk, Amsterdam (c. 1724) Red chalk for the architecture, pen and black ink, grey wash on paper Composition reversed in preparation for engraving 25 × 17.5 cm Watermark: Hunting horn, Churchill 318 (dated 1724) Unsigned Provenance Private collection, France Context & Attribution Trained in the studio of Gérard de Lairesse, Jan Goeree was among the finest Dutch engravers of the early eighteenth century, celebrated for his architectural views of Amsterdam. This drawing is a preparatory study for an engraving of the same subject now preserved in a major public collection. The final print—slightly larger—closely follows the reversed composition of this sheet. Subject In the center of the Gothic nave, five bearers carry a catafalque toward a freshly dug grave—a tribute to the naval heroes often buried in the Nieuwe Kerk. This funerary motif, familiar from Dutch painting (e.g. Emanuel de Witte, 1657), evokes the vanitas theme and the transience of earthly life. Technical Analysis Goeree’s use of red chalk for the architecture and ink for the figures reveals his working method: the chalk lines could be used to produce a counterproof restoring the correct orientation of the architecture, while the inked figures remained adjustable before the design was transferred to the copper plate. Place within the Oeuvre Drawings of church...
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