Pierre-Roch Vigneron

Study for Republic Standing

c. 1848

Amorous Couple Watercolor on laid paper, c. 1810 Unsigned Provenance: Emile Wolf (1899-1996) The art collection of Emile Wolf was dispersed by Sotheby and Stair Galleries. Condition: Excellent 22K gold leaf finishes corner frame (see photo) “Mr. Wolf’s collection reflects a lifelong commitment to the arts. Although a mainstay of the Old Masters art scene in New York, Mr. Wolf’s collection spanned centuries and genres. He was an impassioned collector, and his Fifth Avenue apartment was filled with paintings and drawings that hung from floor to ceiling in every room. Space void of art was lined with an extensive library of art books that fueled his ardent collecting. Mr. Wolf took great joy in sharing this collection and his ideas with art historians, collectors, dealers and university students. The Wolf collection included masterworks from every influential and groundbreaking Impressionist and modern artist of the late 19th and early 20th centuries, ranging from an outstanding grouping of works on paper by Picasso, Pissarro, and Cezanne to a Renoir oil...

Preliminary study for Cretan Dancer bronze sculpture Unsigned Graphite on tracing paper, 1930-1934 Sheet size: 6 7/8 x 7 1/8 inches Created while the artist was woring in Paris, c. 1...

Félix Ziem (1821-1911) Studies of landscapes and seascapes graphite on paper, 14 x 22 cm Stamp of the Ziem Estate bottom left Framed : 25 x 33 cm A rare exemple of mutiple studies ...

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...