Podolczak Igor

Sign II paper/etching, 53/99, 6x4 cm, 1988

1988

Exhibit II, paper/etching, 68/99, 5.5x5 cm, 1989

Exhibit I, paper/etching, 72/99, 5.4x5 cm, 1989

Exhibit III, paper/etching, 76/99, 5.3x5 cm, 1989

Exhibit IV, paper/etching, 77/99, 5.5x5 cm, 1989

"Ex Libris"  1990s is a woodcut on ivory-colorated paper by Anonymous Artist of the  20th Century. Illegible Hand signed and with hand notes in pencil. In excellent conditions: As go...

The Flyer is an original artwork realized in 1969 by Marcel Chirnoaga. Black and white etching. Hand signed and dated on the lower right margin. Numbered and titled on the lower l...

Figure is an original black and white etching realized by Miodrag Djuric in 1980. Hand Signed, dated, and numbered. Edition 9/10. Good conditions. Passepartout included: 70 X 50 c...

Image dimensions: 23.7 x 17.7 cm Senza Titolo is an original black and white etching on paper, realized by the Italian artist Cesare Peverelli (Milan, 1922-Paris, 2000) and printed in 1973 by La Nuova Foglio, a publishing house of Macerata, as the dry-stamp reports on the lower right corner. Hand-signed and numbered in pencil and in Arabic numerals on lower margin. From an edition of 100 prints. This is an instinctive composition showing a very rapid line and remembering the Surrealist lesson of the automatic written. Cesare Peverelli (Milan, 1922 - Paris, 2000) Cesare Peverelli began his artistic career in 1939 when he attended the Brera Academy of Fine Arts and was a pupil of Achille Funi and Carlo Carrà. Through Ennio Morlotti he came into contact with the Corrente group, preferring however to the chromatic lighting of the neo-cubism the tonalism of Giorgio Morandi. He tied himself to the Argine Numero magazine and was in 1946 among the signatories of the Oltre Guernica poster. In 1947, at the Italian art exhibition today. Turin Prize, he won the Grosso Award, met Cesare Pavese and began to collaborate with the Einaudi publishing house, and produced the cover of La nausea by Jean Paul Sartre (1948). In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery, where in 1949 he held a solo show accompanied by a poem by Aimé Césaire...